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A juggler enters upon the scene, picks up a skull, throws it into the air, catches it in his hands, where it is transformed into a handkerchief. The handkerchief, more
A juggler enters upon the scene, picks up a skull, throws it into the air, catches it in his hands, where it is transformed into a handkerchief. The handkerchief, after being twirled about a wand, is changed to a napkin, and afterward to a tablecloth. Out of the table cloth comes a servant. close
This is the first movie version of the famous story. Alice dozes in a garden, awakened by a dithering white rabbit in waistcoat with pocket watch. She more
This is the first movie version of the famous story. Alice dozes in a garden, awakened by a dithering white rabbit in waistcoat with pocket watch. She follows him down a hole and finds herself in a hall of many doors. close
With godly entrapments, Zeus appears on the horizon, engages Hermes as an audience, and tries to throw some thunderbolts. They fizzle. Hephaestus tries more
With godly entrapments, Zeus appears on the horizon, engages Hermes as an audience, and tries to throw some thunderbolts. They fizzle. Hephaestus tries to make some repairs but succeeds only in heating the bolts and burning Zeus's hands. Zeus conjures nine muses, but do their incantations help? He dismisses them as well as a visiting Pan, and his fits of pique become counter-productive. Can he get his powers back? close
In a room filled with jugglers' properties of enormous size a prestidigitateur dressed in eccentric costume enters with his assistant. The servant, believing more
In a room filled with jugglers' properties of enormous size a prestidigitateur dressed in eccentric costume enters with his assistant. The servant, believing that he would be comfortable in an armchair, sits down in it, but finds that it conceals a bucket of water, in which he falls. The juggler brings a large empty cask and puts it upon a table and fills it up with several pails of water. close
In a public place in Constantinople at the corner of a bazaar, the executioner is seated upon a stone and is resting from his daily labors while eating more
In a public place in Constantinople at the corner of a bazaar, the executioner is seated upon a stone and is resting from his daily labors while eating a crust of bread. Suddenly there come running into the place a lot of Turkish men and women preceding some Turkish policemen, who drag along four prisoners in chains. The policemen shut up the four prisoners in the pillory. Their four heads stick up through the huge plank, which is provided with four openings. One of the policemen urges the executioner to decapitate the prisoners. He accordingly seizes a mighty sabre and cuts off by a single stroke the four heads, which roll upon the ground. close
The background of this picture represents a scene along the beautiful river Seine in Paris. A gentleman enters, and taking a blackboard from the side more
The background of this picture represents a scene along the beautiful river Seine in Paris. A gentleman enters, and taking a blackboard from the side of the picture, he draws on it a sketch of a novelist. Then, standing in the centre, he causes the living features of his sketch to appear in the place of his own, which is utterly devoid of whiskers. The change is made so mysteriously that the eye cannot notice it until one sees quite another person in the place of the first. Again another sketch is shown on the board, this one being that of a miser; then an English cockney; a comic character; a French policeman, and last of all, the grinning visage of Mephistopheles. It is almost impossible to give this film a more definite description; suffice it to say that it is something entirely new in motion pictures and is sure to please. (Méliès Catalog) close
Melies second attempt at telling the story of Faust. This time out Faust and his love Marguerite are sentenced to Hell where they are showed the torture that awaits.
Melies second attempt at telling the story of Faust. This time out Faust and his love Marguerite are sentenced to Hell where they are showed the torture that awaits. close
As a conjurer awaits an audience, a procession announces the arrival of a royal representative, carried in a sedan chair, to see him. The conjurer then more
As a conjurer awaits an audience, a procession announces the arrival of a royal representative, carried in a sedan chair, to see him. The conjurer then has a large box brought in. It is opened, revealing a very large folding fan. When the fan is spread out, the designs on it begin to change and move. And this is far from the last of the surprises that the conjurer has in store. close
A poor but honest man wins great wealth, and the hand of a beautiful princess, after facing a series of exciting trials in the tunnels and catacombs of more
A poor but honest man wins great wealth, and the hand of a beautiful princess, after facing a series of exciting trials in the tunnels and catacombs of ancient Araby. Guided by the mysterious Khalafar, the troupe (alongside him go some cowardly scholars) encounter skeletons, fire-breathing lizards, and mirages on their journey through the lower world. close
"Ali Baba and the Forty Thieves" is a French version of the famous tale about the adventures of Ali Baba, filmed Jacques Becker . In this film, the beloved more
"Ali Baba and the Forty Thieves" is a French version of the famous tale about the adventures of Ali Baba, filmed Jacques Becker .
In this film, the beloved hero appears to the viewer as not very beautiful, but terribly charming and cheerful servant of the rich Kassim. For his master, Ali chooses the most beautiful concubines on the market. One of them fell in love with Ali Baba. But what happiness can there be when drafts blow in your pocket? Chance gives the servant a chance to get rich. To do this, you only need to remember the magic spell “Sesame, open!”, and most importantly – to defeat the treacherous forty robbers. close
This has more of a clear narrative than most of the films in the set although it’s still quite odd and random compared to today’s films. There are some more
This has more of a clear narrative than most of the films in the set although it’s still quite odd and random compared to today’s films. There are some effectively surreal and creepy sequences in this imaginative short, such as the devil’s face appearing in an egg and spewing coins as well as the finale where our protagonist is sent to an egg-filled hell. close
An old astronomer has been transfixed by a star for a long time. He had but one thought: to travel to it, to declare his love for it! But how? A simple more
An old astronomer has been transfixed by a star for a long time. He had but one thought: to travel to it, to declare his love for it! But how? A simple but ingenious solution-- A giant bubble. Velle remade the film for Italian studio Cines in the same year. close
The legend of Aladdin and his magic lamp: Aladdin finds a magic lamp which brings him wealth, luxury, and marriage to a princess. But his rival, an evil more
The legend of Aladdin and his magic lamp: Aladdin finds a magic lamp which brings him wealth, luxury, and marriage to a princess. But his rival, an evil magician, steals the lamp for himself. Aladdin must regain the lamp or lose everything. close
The film, a parody of the novel Twenty Thousand Leagues Under the Sea by Jules Verne, follows a fisherman, Yves, who dreams of traveling by submarine more
The film, a parody of the novel Twenty Thousand Leagues Under the Sea by Jules Verne, follows a fisherman, Yves, who dreams of traveling by submarine to the bottom of the ocean, where he encounters both realistic and fanciful sea creatures, including a chorus of naiads played by dancers from the Théâtre du Châtelet. Méliès's design for the film includes cut-out sea animals patterned after Alphonse de Neuville's illustrations for Verne's novel. close
Early slapstick short from Louis Feuillade involving runaways, except that, instead of it being a runaway horse (see Griffith's THE CURTAIN POLE for an more
Early slapstick short from Louis Feuillade involving runaways, except that, instead of it being a runaway horse (see Griffith's THE CURTAIN POLE for an example), it is a cartful of what appear to be hundred-pound pumpkins that get away, rushing hither and yon, down sewers, up chimneys, pursued by the drayer, a couple of other people and a very unwilling donkey. close
The artist studio is decorated with a rug, a chaise lounge, a small table, a plinth, a couple of copies of classic sculptures, a vase with flowers, a more
The artist studio is decorated with a rug, a chaise lounge, a small table, a plinth, a couple of copies of classic sculptures, a vase with flowers, a few prints on the walls, and on the wood paneled lower half of the wall, an 8-pointed star [Saturn-Film's logo]. The artist is wearing a white shirt over his grey trousers, shirt and necktie, and he is wearing black shoes. With hammer and chisel, he applies the last touches on his last piece of sculpture - The Three Graces, standing nude on a rectangular podium covered with a white bed-shirt. He steps back, contemplates his work, and rejoices on the beauty he has achieved. He goes out momentarily, and brings a bottle of champagne and a glass; before drinking, he makes a toast to his finished statue. He drinks, smokes a cigarette, and contemplates his work - until he falls asleep on the chaise lounge. Only then do The Three Graces stir, and tip-toe around their creator. One even dares to approach her lips to the artist's. close