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Rafa is a 13 years old kid concerned with his mother, held in a police station for driving without a license. The director shows a day in the life of more
Rafa is a 13 years old kid concerned with his mother, held in a police station for driving without a license. The director shows a day in the life of a teenager who lives on a problematic area and discovers that her mother was arrested because of an automobile accident. close
This is another short, simple dance number. It’s quite stunning and unusual though with a bat turning into a woman who proceeds to give us a skirt dance more
This is another short, simple dance number. It’s quite stunning and unusual though with a bat turning into a woman who proceeds to give us a skirt dance before disappearing into thin air. The dance is mesmerising with the skirt stunningly changing colour throughout the film. close
While his aide continuously turns the handle of the bellows, keeping hot a small furnace in front of him, a blacksmith is pounding a piece of metal on more
While his aide continuously turns the handle of the bellows, keeping hot a small furnace in front of him, a blacksmith is pounding a piece of metal on an anvil, then plunges the shaft into a tub of water, causing a cloud of vapor in the process. close
At first glance, a film about an ordinary school day for a teenage girl in Istanbul. But as Tuesday details three encounters she has while going to school, more
At first glance, a film about an ordinary school day for a teenage girl in Istanbul. But as Tuesday details three encounters she has while going to school, playing basketball, and taking a bus home, it becomes an observational exposé of men who believe they are entitled to an unquestioned authority over a woman's personal space. close
A long line of nurses pushing carts with their babies enter from the far right, cross a garden in front of the large nursery home, and leave by the close more
A long line of nurses pushing carts with their babies enter from the far right, cross a garden in front of the large nursery home, and leave by the close left to the camera. A few toddlers also follow in the same orderly line, along their nurses. close
A mother takes her children for a walk, lifts her baby girl out of the buggy and gently sets her down to the ground. She then moves a few steps away and more
A mother takes her children for a walk, lifts her baby girl out of the buggy and gently sets her down to the ground. She then moves a few steps away and calls her name, to demonstrate that her baby can walk. close
We see a working dog, a beggar's dog, a shepherd's dog, and a milkman's dog. The working dog is locked inside a large wire wheel; the dog runs inside more
We see a working dog, a beggar's dog, a shepherd's dog, and a milkman's dog. The working dog is locked inside a large wire wheel; the dog runs inside the wheel, turning it to run a machine. The beggar's dog pulls its legless master, who's sitting on a low cart, down the street. The shepherd's dog keeps a flock of at least 20 sheep in a tight circle. The milkman's dog pulls a cart on which is mounted a large cylinder of milk. A lad leads the dog to a house with a Dutch door; the top half of the door opens, and the lady of the house hands out a pitcher that the boy fills as the dog waits. close
Pierrot goes to the house of his love to serenade her, but her father kicks him out. Soon the moon and its goddess Diana come towards the man and offers him something better.
Pierrot goes to the house of his love to serenade her, but her father kicks him out. Soon the moon and its goddess Diana come towards the man and offers him something better. close
Three witches worship a bird statue in a postmodern city. When Gisèle Kerozene comes and steals it, the three witches jump on their brooms and initiate a hilarious chase.
Three witches worship a bird statue in a postmodern city. When Gisèle Kerozene comes and steals it, the three witches jump on their brooms and initiate a hilarious chase. close
[…] by shooting the fish in a globular bowl, the Lumières effectively use a fisheye lens, which offers distortions. The history of cinema has witnessed more
[…] by shooting the fish in a globular bowl, the Lumières effectively use a fisheye lens, which offers distortions. The history of cinema has witnessed a struggle between the objective and subjective camera and the optically distorting lenses like the fisheye lens has been a powerful tool for the subjective camera. Here it is at the start. (from IMDB) close