Buildings are not supposed to move. But on Avenida Libertador 2050, a building moves and the ceiling shivers, causing a strange nausea that devours its more
Buildings are not supposed to move. But on Avenida Libertador 2050, a building moves and the ceiling shivers, causing a strange nausea that devours its residents. Those who live on the top are afraid they’ll fall, the ones who live beneath are afraid they’ll drown. close
Examines the sea horse, the only fish that swims upright. We watch it use its prehensile tail to wrap around plants and other sea horses. A frontal bulge more
Examines the sea horse, the only fish that swims upright. We watch it use its prehensile tail to wrap around plants and other sea horses. A frontal bulge houses organs including an air ballast. Three fins propel this fish. We see a female place her eggs in a male's pouch where they are fertilized and nurtured until birth in violent contractions. Inside the pouch are nurturing blood vessels. We then follow the growth of an embryo, greatly magnified: we examine its heart beating and its dorsal fin moving. Young sea horses attach themselves to each other. The film ends with images of many sea horses moving on the ocean floor, superimposed on a horse race. close
The overexcited night of a young pinched painter and a crazy comedienne. In the impossibility to end up alone, Laetitia and Thomas cross every situation more
The overexcited night of a young pinched painter and a crazy comedienne. In the impossibility to end up alone, Laetitia and Thomas cross every situation between drama and lightness, until a violent event marks their meeting of a strange complicity. close
Made during confinement, "In My Room" plunges us into the poignant story of a woman at the twilight of her life, through recordings of the director's more
Made during confinement, "In My Room" plunges us into the poignant story of a woman at the twilight of her life, through recordings of the director's deceased grandmother. Living rooms become stages where life is performed. Windows become portals to the lives of others. close
The film’s visual structure is principally composed of variations on the arabesque: arcs of light, water spouts, spider webs, burgeoning trees, flowers more
The film’s visual structure is principally composed of variations on the arabesque: arcs of light, water spouts, spider webs, burgeoning trees, flowers and foliage, a woman’s smile, arms stretching, an arm giving rhythm to a rocking chair. It uses natural elements (light, mirrors, water, and wind) and photographic techniques (multiple exposures and lenses) to distort the various elements, or to intensify their design. close
Kenza 15 years old and her little brother Mahdi 13 years old regularly humiliate one another on social media in cruel ways. Today, as they travel by bus, more
Kenza 15 years old and her little brother Mahdi 13 years old regularly humiliate one another on social media in cruel ways. Today, as they travel by bus, Kenza puts her naive and romantic little brother to the test: to profess his love for Jada; a girl that Mahdi loves but that does not know him. Placed under pressure by his sister, Mahdi ends up confessing. close
Pathé film number 380, also known as "What Happened to the Inquisitive Janitor" (US) and "Peeping Tom" (UK). It should not be confused with its remake more
Pathé film number 380, also known as "What Happened to the Inquisitive Janitor" (US) and "Peeping Tom" (UK). It should not be confused with its remake from 1905 also titled What is Seen Through a Keyhole, a film now considered lost. As a janitor is cleaning a hotel, he decides to peek through the keyholes to observe some of the guests in their rooms. In room 8, a woman is busy making herself look more attractive, and the janitor enjoys watching her. There are also some interesting things going on in the other rooms on the floor. close
Squash is a 2002 French short film directed by Lionel Bailliu, with Malcolm Conrath and Eric Savin. Two businessmen, Alexandre and his boss, play a game more
Squash is a 2002 French short film directed by Lionel Bailliu, with Malcolm Conrath and Eric Savin. Two businessmen, Alexandre and his boss, play a game of squash. The game escalates from "fun" to fairly high stakes, as both players demonstrate that squash is a mental game, not just a physical game. The film was nominated for an Oscar for Best Live Action Short Film. close
Three Cheers for the Whale chronicles the history of mankind’s relationship with the largest and most majestic of marine mammals, and graphically exposes their slaughter by the fishing industry.
Three Cheers for the Whale chronicles the history of mankind’s relationship with the largest and most majestic of marine mammals, and graphically exposes their slaughter by the fishing industry. close
In close-ups and extreme close-ups, we watch two small species of marine crustaceans, the slender long-legged stenorhynchus and the clumsy, short-legged more
In close-ups and extreme close-ups, we watch two small species of marine crustaceans, the slender long-legged stenorhynchus and the clumsy, short-legged hyas. To blend in, both cover themselves with found objects, such as algae and sponges. We watch them move, eat, greet each other, and fight. They have small mandibles and large claws. Near them are spirograph worms, 6 inches long, with a plume of branchiae that fan out like exploding fireworks. We see vibrating cilia, 0.001 mm long, on the branchiae, sending food toward the mouth at the plume's center. Chopin's music and an off-screen narrator suggest we're watching a ballet. close
On October 21, 1967, over 100,000 protestors gathered in Washington, D.C., for the Mobilization to End the War in Vietnam. It was the largest protest more
On October 21, 1967, over 100,000 protestors gathered in Washington, D.C., for the Mobilization to End the War in Vietnam. It was the largest protest gathering yet, and it brought together a wide cross-section of liberals, radicals, hippies, and Yippies. Che Guevara had been killed in Bolivia only two weeks previously, and, for many, it was the transition from simply marching against the war, to taking direct action to try to stop the 'American war machine.' Norman Mailer wrote about the events in Armies of the Night. French filmmaker Chris Marker, leading a team of filmmakers, was also there. close
An experimental meditation on Times Square's marquees and iconic advertising that captures the concurrently seedy and dazzling aspects of New York's Great White Way.
An experimental meditation on Times Square's marquees and iconic advertising that captures the concurrently seedy and dazzling aspects of New York's Great White Way. close
Those who are familiar with the film "Sweet November", in which Keanu Reeves and Charlize Theron played the main roles, remember that the heroine of the more
Those who are familiar with the film "Sweet November", in which Keanu Reeves and Charlize Theron played the main roles, remember that the heroine of the picture was looking for a partner for one month in a rather strange way, and at first the hero of Reeves even mistook her for a woman of easy behavior. In the short drama of Philip Orrendi “I will be next” there is a “mirror reflection” of the famous plot – a companion for himself, alone, is looking for a man. With him, he says, everything is fine, but the classical methods of dating did not lead him to anything.
About his desires, this man reports right in the subway car and asks the one who is interested in him to go out with him right at the next station. One of the passengers is intrigued... close
The Devil is bored. He goes back to Earth with a magic elevator. He surprises two sewer workers, disguises himself as a city man, and spreads improbable more
The Devil is bored. He goes back to Earth with a magic elevator. He surprises two sewer workers, disguises himself as a city man, and spreads improbable events: quarrel with a coachman, altercation with a city sergeant, mystification of a barman, quiproquo with couples… He's trapped in a cage with a young woman, and goes down to hell. Surprise, the young woman is Madame Devil who was disguised by jealousy. close
Cocteau takes the viewer on a tour of a friend's villa on the French coast (a major location used in Testament of Orpheus). The house itself is heavily more
Cocteau takes the viewer on a tour of a friend's villa on the French coast (a major location used in Testament of Orpheus). The house itself is heavily decorated, mostly by Cocteau (and a bit by Picasso), and we are given an extensive tour of the artwork. Cocteau also shows us several dozen paintings as well. Most cover mythological themes, of course. He also proudly shows paintings by Edouard Dermithe and Jean Marais and plays around his own home in Villefranche. close
A sophisticated and beautifully constructed account of landscape change in and around Paris in the early 1960s. The film raises complex issues about the more
A sophisticated and beautifully constructed account of landscape change in and around Paris in the early 1960s. The film raises complex issues about the meaning and experience of modern landscapes and the enigmatic characteristics of features such as canals, pylons and deserted factories. Rohmer also explores the role of landscape within different traditions of modern art and design and refers to specific architects, artists and engineers. close
Ydessa Hendeles' exhibition entitled "The living and the Artificial" (consisting of works of art all comprising a photograph of living persons in the more
Ydessa Hendeles' exhibition entitled "The living and the Artificial" (consisting of works of art all comprising a photograph of living persons in the company of one or several teddy bears) had puzzled Agnès Varda so much that she decided to go to Toronto where the artist lives and interview her. In front of Agnes Varda's DV camera, Ydessa tells about the singularity of her artistic approach. She also expresses herself about the Holocaust, which both her parents survived. close
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