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Laila is an innocent Lappish girl and the only daughter of a reindeer herder. During world war II Laila rescues crashed German fighter pilot Hans and more
Laila is an innocent Lappish girl and the only daughter of a reindeer herder. During world war II Laila rescues crashed German fighter pilot Hans and the two develop warm feelings for each other during his convalescence. Years later, after the war, Hans returns to Lapland as a freelance photographer and manages to lure Laila to run away with him to capital Helsinki to start a career as a photo model, much to the chagrin of her traditional father Aslak. After initial happiness, however, Hans abandons Laila and the decadent lifestyle of a big city sends her life into a downward spiral. close
Joey is a struggling writer with no money. His roommate Carl is a charming stud with a taste for young girls. Together, these two insatiable dreamers more
Joey is a struggling writer with no money. His roommate Carl is a charming stud with a taste for young girls. Together, these two insatiable dreamers will laugh, love and screw their way through a decadent Paris paved with wanton women, wild orgies and outrageous erotic adventures. close
On Top - Iceland, a lighthouse, a cold winter evening. Her thoughts drift back to that summer ... to bathing in the hot springs ... to when they first more
On Top - Iceland, a lighthouse, a cold winter evening. Her thoughts drift back to that summer ... to bathing in the hot springs ... to when they first met ... and embraced. Down Under - Australia, the desert, a blistering heat wave. His pickup stops at an icehouse ... he lays the blocks neatly on the buckboard ... and drives off haunted by a aching memory. Without dialogue or comment, save for verses from a sonnet by John Keats, Fridrik Thor Fridriksson links the thoughts, the emotions, the sensual longing of young lovers at opposite ends of the world. A tone poem, a collage of sight and sound. close
The film has been ten years in the making, and over time it has grown to become what the director himself has called an artistic testament. It is simultaneously more
The film has been ten years in the making, and over time it has grown to become what the director himself has called an artistic testament. It is simultaneously his most personal and most provocative film. A film about growing older, about losing, about the special moments one remembers, and about the director's own circling around the essence of eroticism. close