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Kind swiss short movies - very rare category. We know total 14 this movies.
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Like every weekend, nineteen-year-old student Rachel is babysitter to the two-year-old baby Hugo. When Hugo's single father has gone out for the night, more
Like every weekend, nineteen-year-old student Rachel is babysitter to the two-year-old baby Hugo. When Hugo's single father has gone out for the night, Christine takes advantage of it to invite her good friend Christine. close
Leaving for his dream job, a satellite technician keeps solitude at bay by constantly texting with his old friends. After neglecting his duties a satellite more
Leaving for his dream job, a satellite technician keeps solitude at bay by constantly texting with his old friends. After neglecting his duties a satellite leaves its orbit which causes the world's network to collapse. close
The title of this twenty-minute video by Jean-Luc Godard and Anne-Marie Miéville, “Freedom and Fatherland,” is the official slogan of the Canton de Vaud, more
The title of this twenty-minute video by Jean-Luc Godard and Anne-Marie Miéville, “Freedom and Fatherland,” is the official slogan of the Canton de Vaud, in Switzerland, where the filmmakers live and grew up. To fulfill their commission from a Swiss cultural festival, they adapted a great Swiss novel, “Aimé Pache, Painter from the Vaud,” by Charles Ferdinand Ramuz, from 1911 (about a local artist who goes to Paris for his education and then returns home) and extruded its autobiographical analogies to Godard’s own life and work. Using a choice set of clips from Godard’s films to coincide with events from the painter’s life, verbal references to modern times and to Godard’s own—Sartre, the late nineteen-sixties, the cinema—and images of the Swiss terrain, which plays a decisive role in the work of Pache, Godard, and Miéville (an important filmmaker in her own right), they produce the effect of mirrors within mirrors. close
In this deserted former Nazi holiday camp and communist military complex, teenagers Jan and Matthieu embark on an adventure that could change everything. more
In this deserted former Nazi holiday camp and communist military complex, teenagers Jan and Matthieu embark on an adventure that could change everything. Whilst exploring their surroundings they confront their identities and ultimately put their friendship at risk. close
Parvaneh is a young Afghan immigrant who recently arrived at a transit centre for asylum seekers in the Swiss Alps. The only things she has got to know more
Parvaneh is a young Afghan immigrant who recently arrived at a transit centre for asylum seekers in the Swiss Alps. The only things she has got to know yet are the rural area surrounding the centre and the centre itself. close
In the depths of a snowy forest in an unknown wartime, two soldiers from opposing armies try to outwit each other in a perilous game of cat and mouse more
In the depths of a snowy forest in an unknown wartime, two soldiers from opposing armies try to outwit each other in a perilous game of cat and mouse - until they find themselves outplayed by destiny. close
Matteo is a 17-year-old boy who comes to the realization that he is in love with Don Massimo, a young priest of the village that leads the marching band more
Matteo is a 17-year-old boy who comes to the realization that he is in love with Don Massimo, a young priest of the village that leads the marching band in which Matteo plays the drum. He sees in Massimo a person willing to listen to his fears and desires. For the first time in his life, Matteo feels ready to open up to someone... close
He took up the camera as other people take the pencil and paper. In 1968 he presented his first film Lydia at the Solothurner Filmtage. His appearance more
He took up the camera as other people take the pencil and paper. In 1968 he presented his first film Lydia at the Solothurner Filmtage. His appearance as a Filmmaker was absolutely unexpected: the only lyric poet of the film, who succeeded virtually without effort in turning his inner life outwards, creating dreamlike images. With a juvenile absoluteness, innocently arrogant, the pale, gaunt man had put the following sentence in the festival paper: "Look, what kind of a film Reto Andrea Savoldelli has created for you with five thousand Swiss Francs." He pitched himself as "First exponent of the Swiss Immigrant's Cinema". (Martin Schaub) close
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