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The last queen of France could not boast of happiness. The lavish luxury of her exquisite toilets and apartments, the rabid sums of money wasted on purely more
The last queen of France could not boast of happiness. The lavish luxury of her exquisite toilets and apartments, the rabid sums of money wasted on purely royal whims like the farm at Trianon, did not atone for the tears wept at the beginning of her crowned marriage, nor the blood shed at its end. Personal life, which failed at first, later lost the usual warmth and was not compensated by the pleasure of royal greatness.
The drama Marie-Antoinette (2006, Canada, France) is a chamber film based on the script Jean-Claude Career about the personal life of the Queen, filmed against the background of luxurious interiors and garden landscapes, marked by excellent acting. close
Finding himself in a house in the north of Iran by the Caspian Sea, the director picked up his handheld DV camera and began filming the seemingly anodyne more
Finding himself in a house in the north of Iran by the Caspian Sea, the director picked up his handheld DV camera and began filming the seemingly anodyne events happening on the 500 metres of beach in front of his house—a piece of wood toyed with by the waves, people walking by the sea, indistinct shapes on a wintry beach or noisy ducks. close
Commissioned by the heads of the 2000 Cannes Film Festival to make an opening-night short commemorating cinema as it enters its second full century, Godard more
Commissioned by the heads of the 2000 Cannes Film Festival to make an opening-night short commemorating cinema as it enters its second full century, Godard instead offers up a 17-minute barrage of re-edited footage of wars and Nazi atrocities, interspersed with clips of Maurice Chevalier in "Gigi" and Godard's own "À bout de souffle." close
With the strange disappearance of Laura, two colleagues, her older boyfriend, Rafael, and Ezequiel, learn of their recent discoveries, which may help more
With the strange disappearance of Laura, two colleagues, her older boyfriend, Rafael, and Ezequiel, learn of their recent discoveries, which may help them locate her. However, the story is bigger and stranger than they could imagine. close
When Áila encounters a young Indigenous woman, barefoot and crying in the rain on the side of a busy street, she soon discovers that this young woman, more
When Áila encounters a young Indigenous woman, barefoot and crying in the rain on the side of a busy street, she soon discovers that this young woman, Rosie, has just escaped a violent assault at the hands of her boyfriend. Áila decides to bring Rosie home with her and over the course of the evening, the two navigate the aftermath of this traumatic event. close
The film is told in three acts, beginning with a historical background of Japan's student movement of the 1960s and early 1970s, mostly using archive more
The film is told in three acts, beginning with a historical background of Japan's student movement of the 1960s and early 1970s, mostly using archive footage and a narrator. The second act follows the formation of the group to their mountain training camps in the southern Japanese Alps. It emphasizes the dogmatic (and eventually hypocritical) bullying of the group by Mori and Nagata, with 12 members being killed for infractions as small as improperly cleaning a gun, wearing make-up, and kissing. The third act shows the splitting up of the group after two members run off. It follows one group of five members to Karuizawa and a hostage-taking and police standoff known as the Asama-Sansō incident. close
A film director and her muse who was a student activist in the 1970s, a waitress who keeps changing jobs, an actor and an actress, all live loosely connected more
A film director and her muse who was a student activist in the 1970s, a waitress who keeps changing jobs, an actor and an actress, all live loosely connected to each other by almost invisible threads. The narrative sheds its skin several times to reveal layer upon layer of the complexities that make up the characters’ lives. close
Abandoned at birth in the Greek mountains on a stormy night, Jon is taken in and adopted, without having known his father or mother. As a young man, he more
Abandoned at birth in the Greek mountains on a stormy night, Jon is taken in and adopted, without having known his father or mother. As a young man, he meets Iro, a warden in the prison where he is incarcerated after a deadly tragic accident. She seems to seek out his presence, takes care of him, records music for him. Jon’s eyesight begins to fail … From then on, for every loss he suffers, he will gain something in return. Thus, in spite of going blind, he will live his life more fully than ever. close
Daily life in an impossibly cramped Beijing apartment takes on epic proportions in this, intimate portrait, with unprecedented access, of a working-class more
Daily life in an impossibly cramped Beijing apartment takes on epic proportions in this, intimate portrait, with unprecedented access, of a working-class Chinese family. Boldly transforming documentary into fiction, Liu Jiayin cast her parents and herself as fictionalized versions of themselves. Her father, Liu Zaiping, sells leather bags but is slowly going bankrupt. He argues with his wife, Jia Huifen, and his daughter over methods to boost business in the shop. A cloud of anxiety follows them into sleepless nights shared in the same bed. But through the thousand daily travails of city life, a genuine and deeply moving picture of Chinese familial solidarity emerges from the screen. close
"Cinema of Our Time" is a documentary series about contemporary filmmakers from around the world, created by Janine Bazin and André S. Labarthe, as a more
"Cinema of Our Time" is a documentary series about contemporary filmmakers from around the world, created by Janine Bazin and André S. Labarthe, as a follow-up to the acclaimed initial series "Filmmakers of Our Time" (1964-1972). close
Concerned with processes of assembly, CHOIR brings together disparate bodies of material and archival technologies into dissonant concert. It is a work more
Concerned with processes of assembly, CHOIR brings together disparate bodies of material and archival technologies into dissonant concert. It is a work of several parts. Part one constructs an auditorium in which an action will be staged. Part two assembles the chorus to narrate the action. Part three supplies the action. close
Five centuries ago, anatomist André Vésale opened up the human body to science for the first time in history. Today, De Humani Corporis Fabrica opens more
Five centuries ago, anatomist André Vésale opened up the human body to science for the first time in history. Today, De Humani Corporis Fabrica opens the human body to the cinema. It reveals that human flesh is an extraordinary landscape that exists only through the gaze and attention of others. As places of care, suffering and hope, hospitals are laboratories that connect every body in the world. close
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