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Oswald is with his mates in a fox hunt, but he finds his horse is stubborn and won't let him ride at first. Meanwhile, the sly fox outwits the dogs and riders in pursuit at every turn.
Oswald is with his mates in a fox hunt, but he finds his horse is stubborn and won't let him ride at first. Meanwhile, the sly fox outwits the dogs and riders in pursuit at every turn. close
Mickey rides up to a cantina and does a tango with Minnie. When a big cat steals her away, Mickey gives chase, riding a drunken ostrich. At the hideout, Mickey has a swordfight with the cat.
Mickey rides up to a cantina and does a tango with Minnie. When a big cat steals her away, Mickey gives chase, riding a drunken ostrich. At the hideout, Mickey has a swordfight with the cat. close
'Sky Scrappers' finds three characters -- Oswald, a Big Pete-style bully and a Minnie-ish female character -- all engaged in knockabout humour on a building site.
'Sky Scrappers' finds three characters -- Oswald, a Big Pete-style bully and a Minnie-ish female character -- all engaged in knockabout humour on a building site. close
Mickey runs a small theatre. The orchestra plays, rather badly, excerpts from Carmen. Mickey appears as a snake charmer, but the snake is revealed to more
Mickey runs a small theatre. The orchestra plays, rather badly, excerpts from Carmen. Mickey appears as a snake charmer, but the snake is revealed to be a cat with a snake's head painted on its tail. Mickey does a belly dance, to the audience's delight. Mickey then plays the piano, but the piano and stool, apparently annoyed at the violence and complexity of the piece, kick him off stage. close
While Tom Cat goes away hunting, Mickey, Minnie, and their mouse friends break into his house and perform music. They play various tunes on the piano more
While Tom Cat goes away hunting, Mickey, Minnie, and their mouse friends break into his house and perform music. They play various tunes on the piano while the other mice hit household objects in tune to the music. close
Mickey Mouse is working as a hot dog vendor at a carnival when he meets and quickly falls for Minnie the "Shimmy Dancer". That night, Mickey and a pair more
Mickey Mouse is working as a hot dog vendor at a carnival when he meets and quickly falls for Minnie the "Shimmy Dancer". That night, Mickey and a pair of alley cats serenade her by performing the song "Sweet Adeline", much to the dismay of Kat Nipp, who is trying to sleep. The short marks Mickey's first speaking appearance. close
Mickey is a railroad engineer with an anthropomorphic locomotive. He feeds the train (coal), then feeds his dog, then makes lunch for himself. Minnie more
Mickey is a railroad engineer with an anthropomorphic locomotive. He feeds the train (coal), then feeds his dog, then makes lunch for himself. Minnie drops by and plays a tune on her fiddle while Mickey dances. After lunch, the train has trouble climbing a hill, and the last car with Minnie aboard detaches and runs away. close
Mickey puts on a show in his barnyard. A short dramatic scene by a chicken and rooster; an operatic ode by Patricia Pig, and then the main attraction: more
Mickey puts on a show in his barnyard. A short dramatic scene by a chicken and rooster; an operatic ode by Patricia Pig, and then the main attraction: Mickey sings and plays his theme song, then dances to it. close
Horace pulls a wagon with a a small pipe organ, with Mickey at the keys; a sign on the side reads "Mickey's Big Road Show." They arrive, and Mickey's more
Horace pulls a wagon with a a small pipe organ, with Mickey at the keys; a sign on the side reads "Mickey's Big Road Show." They arrive, and Mickey's suitcase labeled "Jazz Fool" unfolds to a piano, which he plays (and sings about 8 notes). At the end, the piano attacks him. There is no dialogue, aside from the nonsense syllables sung. close
The clock strikes midnight, the bats fly from the belfry, a dog howls at the full moon, and two black cats fight in the cemetery: a perfect time for four skeletons to come out and dance a bit.
The clock strikes midnight, the bats fly from the belfry, a dog howls at the full moon, and two black cats fight in the cemetery: a perfect time for four skeletons to come out and dance a bit. close
A barmaid, a Mexican officer and a terrible toreador form a love triangle, as they dance, skip, kiss, punch and slap to the tune of Bizet's "Carmen." more
A barmaid, a Mexican officer and a terrible toreador form a love triangle, as they dance, skip, kiss, punch and slap to the tune of Bizet's "Carmen." Later, the barmaid cheers her lover, and the officer razzes him, during the big bullfight. The toreador and the bull are not above clowning, but never doubt they are two fearsome opponents striving toward a gruesome climax. close
Flowers, insects, and a crow family all dance to a jaunty tune celebrating spring. After a brief storm, grasshoppers, frogs, and spiders cavort to the Dance of the Hours.
Flowers, insects, and a crow family all dance to a jaunty tune celebrating spring. After a brief storm, grasshoppers, frogs, and spiders cavort to the Dance of the Hours. close
Mickey's on African safari, riding on an elephant, but his shotgun disintegrates the first time he tries to use it. To sooth the vicious beasts, he plays more
Mickey's on African safari, riding on an elephant, but his shotgun disintegrates the first time he tries to use it. To sooth the vicious beasts, he plays tunes, sings, and dances, using the various animals and objects around him as instruments. close
In the logical sequel to Springtime, a new set of insects (mostly) dances to a new set of tunes, while doing summer activities. The insects include dung more
In the logical sequel to Springtime, a new set of insects (mostly) dances to a new set of tunes, while doing summer activities. The insects include dung beetles, dragonflies, butterflies, a walking stick, bees, and various other beetles and flies. close
Mickey leads an 8-piece orchestra (that's counting the bass played by three birds as one) through the most recognizable parts of the Poet and Peasant more
Mickey leads an 8-piece orchestra (that's counting the bass played by three birds as one) through the most recognizable parts of the Poet and Peasant Overture. The setting, as the title implies, is a barnyard, and some of the instrumentation reflects that (including various animals used as instruments, like a tuned group of piglets whose tails Mickey pulls). close
Mickey comes onstage to the applause of an unseen audience and plays various classical tunes on the violin, after some minor mishaps. During a sad song, more
Mickey comes onstage to the applause of an unseen audience and plays various classical tunes on the violin, after some minor mishaps. During a sad song, he is overcome with emotion and has to stop. close
Mickey walks into the tavern where Minnie is dancing, and begins to dance and play piano himself. Pegleg Pete comes in and treats Minnie badly. Mickey more
Mickey walks into the tavern where Minnie is dancing, and begins to dance and play piano himself. Pegleg Pete comes in and treats Minnie badly. Mickey tries to defend her, but Pete steals her away. Mickey, riding Horace Horsecollar, gives chase. He manages to throw Pete off a cliff. close
The film opens with Bosko taking a bath while whistling "Singin' in the Bathtub". A series of gags allows him to play the shower spray like a harp, pull more
The film opens with Bosko taking a bath while whistling "Singin' in the Bathtub". A series of gags allows him to play the shower spray like a harp, pull up his pants by tugging his hair, and give the limelight to the bathtub itself which stands on its hind feet to perform a dance. close
Made during the early years of the movie musical, this exuberant revue was one of the most extravagant, eclectic, and technically ambitious Hollywood more
Made during the early years of the movie musical, this exuberant revue was one of the most extravagant, eclectic, and technically ambitious Hollywood productions of its day. Starring the bandleader Paul Whiteman, then widely celebrated as the King of Jazz, the film drew from Broadway variety shows to present a spectacular array of sketches, performances by such acts as the Rhythm Boys (featuring a young Bing Crosby), and orchestral numbers—all lavishly staged by veteran theater director John Murray Anderson. close
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