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A long line of nurses pushing carts with their babies enter from the far right, cross a garden in front of the large nursery home, and leave by the close more
A long line of nurses pushing carts with their babies enter from the far right, cross a garden in front of the large nursery home, and leave by the close left to the camera. A few toddlers also follow in the same orderly line, along their nurses. close
Accompanied only by music the film alternates between shots of pilgrims near the tomb of Saint Sergei in Sergiyev Posad, Russia and pilgrims at the Basilica of Guadalupe in Mexico.
Accompanied only by music the film alternates between shots of pilgrims near the tomb of Saint Sergei in Sergiyev Posad, Russia and pilgrims at the Basilica of Guadalupe in Mexico. close
The film is a panorama shot-scene lasting just under a minute. The panorama film, as coined by Lumière, is a moving-camera shot--usually accomplished more
The film is a panorama shot-scene lasting just under a minute. The panorama film, as coined by Lumière, is a moving-camera shot--usually accomplished by placing the camera on a moving transport, such as a boat or train. close
Naples, port of Santa Lucia against the background of Vesuvius. Several horse-drawn carriages pass, passengers and sailors pass. One man looks very carefully at the camera operator.
Naples, port of Santa Lucia against the background of Vesuvius. Several horse-drawn carriages pass, passengers and sailors pass. One man looks very carefully at the camera operator.
Coach W. Hickenbotham takes "Newhaven" out of his box and places the horse at the center of the paddock. Gardiner, the jockey, saddles up the horse, rides it and begins to spin, slowly.
Coach W. Hickenbotham takes "Newhaven" out of his box and places the horse at the center of the paddock. Gardiner, the jockey, saddles up the horse, rides it and begins to spin, slowly. close
Daily practice of life boat crew, showing boat being upset purposely by the men. As these boats are self-righting and self-bailing, the scene is particularly interesting.
Daily practice of life boat crew, showing boat being upset purposely by the men. As these boats are self-righting and self-bailing, the scene is particularly interesting. close
The short sequence, photographed by Jack E Cox, has Hitchcock trying his best to embarrass the film's Czech lead Anny Ondra, who ends up giggling and turning her back to the camera...
The short sequence, photographed by Jack E Cox, has Hitchcock trying his best to embarrass the film's Czech lead Anny Ondra, who ends up giggling and turning her back to the camera... close
