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The scandalous world fame of the director brought the dilogy “I am curious – yellow” (1967) and I am curious – blue, which caused fierce controversy and more
The scandalous world fame of the director brought the dilogy “I am curious – yellow” (1967) and I am curious – blue, which caused fierce controversy and is prohibited by censorship in many countries. Documentary interviews with famous real people are interspersed here with explicit sexual scenes. Stylistically, this modernist collage, very accurately reflecting the 60s, is closest to Godard’s works of those years – an equally natural and liberating combination of politics, play, hooliganism, innovation; you can call it the Swedish answer to the “new wave”.
The heroine of the dilogy is a pretty plump blonde, a student Lena Nyman (the director’s friend), who is really curious about everything around - she interviews celebrities among them - Olof Palme (then Minister of Transport), Martin Luther King, Yevgeny Yevtushenko, King of Sweden ...), and ordinary people go to the embassies (in Soviet she had a discussion about the Swedish model of socialism in comparison with a Swedish employee - Yevtushenko, who does not know the language, participated in the discussion indirectly), attends pickets and demonstrations about Franco. Lenoux is very concerned about why Sweden is such an “imperfect” country, and whether it is possible to build a society in which everyone is equal (both an autistic and a nimble extrovert with a high IQ should receive equal incomes). The most common question she asks is: “Do you think Sweden has a class society?”
Active public position organically combined with sexual adventures. We also see in the frame the relationship within the film crew during the filming process, as well as the relationship of Lena with Sheman (yes, he also appears in the frame - and, like others, is presented to the viewer: "Vilgot Sheman, a young director of 42 years" - while he looks surprisingly like "the Swede of our ideas" - this is how we painted in the cartoon the baby's dad, the cat was friends with Carlson) - in particular, how he reacts when he shoots sexual scenes with her ("My teacher Bergman said that being caring about his film - a typical postmoderic reality on his film) close
The sequel to I'm Curious (Yellow) is defined by the authors as a "version": Buy our movie! Buy our movie in the yellow version! Buy our movie in the more
The sequel to I'm Curious (Yellow) is defined by the authors as a "version": Buy our movie! Buy our movie in the yellow version! Buy our movie in the blue version! It’s the same movie, but at the same time it’s different!
In the "blue" version, Len continues her research into the "Numan Institute" (she hung a sign on the door to her room - and so she appears to passers-by). Interrogating Swedish workers, Lena resents that they are socially passive, and they are satisfied that Sweden has a class society ("someone brainwashed them!"). In the summer, Lena undertakes a trip inland - and learns pastoral Sweden. She lives in the countryside, doing yoga and other self-improvement programs. Lena also studies the situation in Swedish prisons and continues to ponder the possibility of building a classless society in Sweden. “Let’s change the world, start with a little Sweden.” And Lena is looking for her mother, who abandoned her as a child - but this meeting the authors tactfully left behind. Yes, and, needless to say, as in the first series, Lena is being treated for scabies (or so she calls it – but in any case, such a “payback” for the “sexual revolution” is not serious).
Thanks to this role, Lena Nyman became an iconic face of Swedish cinema (there is also this conversation in the film – you use me as a springboard), and she was entrusted with telling the story of Swedish cinema in the film, released in the series “Cinema Age” for the 100th anniversary of cinema in 1995. Not young, but equally charming and brisk, Lena passionately talks about Swedish cinema - and how else could this essay be called, if not: "I'm curious (film)." close
The Seventies People is a 1975 television docu-drama that was produced by Danmarks Radio. The film explores the high suicide rate in Denmark, the many more
The Seventies People is a 1975 television docu-drama that was produced by Danmarks Radio. The film explores the high suicide rate in Denmark, the many factors behind it and how the average citizen deals with the stress of life, work, school and family. close
This film is not a document about madness, any more than a film-truth investigation. It is a reflection of the experience of the Club Antonin Artaud's more
This film is not a document about madness, any more than a film-truth investigation. It is a reflection of the experience of the Club Antonin Artaud's theater group (social and cultural rehabilitation center for the mentally ill, located in the Begijnhof district of Brussels and in which Boris Lehman was a leader for many years). Through the playful and instinctive creation of a piece built from collective improvisations, the actors' desire is expressed to "not stagnate, to be able to get away with it and to stand on its own". close
In 1968, Wakefield Poole filmed an exhibition of Andy Warhol's work at the Whitney Museum. He edited ANDY "in-camera" as he filmed it, then created a more
In 1968, Wakefield Poole filmed an exhibition of Andy Warhol's work at the Whitney Museum. He edited ANDY "in-camera" as he filmed it, then created a collage soundtrack and presented a print to Warhol as a birthday gift. When BOYS IN THE SAND opened in New York, Poole showed ANDY before each screening. close