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In the background is a house. In the foreground, a groom holds the reins of a sleek black horse that stands in profile. A tall man, dressed in a black more
In the background is a house. In the foreground, a groom holds the reins of a sleek black horse that stands in profile. A tall man, dressed in a black uniform, demonstrates how to mount the horse then encourages and tries to assist a man in white. The man in white keeps falling, and soon it's apparent that he's an putting on a show. His pratfalls become more elaborate and stylish. The horse stands patient. The little groom laughs to see such sport. And finally, the man in white finds a comic accommodation. The story, though brief, has a beginning, middle, and end. close
The video project, conceived by Jean Luc Godard in the late 1980s, was completed in 1998. Perhaps Godard’s greatest film is about the history of cinema more
The video project, conceived by Jean Luc Godard in the late 1980s, was completed in 1998. Perhaps Godard’s greatest film is about the history of cinema and its connection to the history of the 20th century. In this sense, cinema can be considered the main critic and defender of the twentieth century.
Thomas Riedelsheimer’s landmark Rivers and Tides inventively documented artist Andy Goldsworthy as he created his wondrously ephemeral site-specific sculptures, more
Thomas Riedelsheimer’s landmark Rivers and Tides inventively documented artist Andy Goldsworthy as he created his wondrously ephemeral site-specific sculptures, spun from nature. Fifteen years later, Goldsworthy is still appealingly engaged in his philosophical and tactical exploration of the natural world. Leaning Into the Wind is a collaborative sequel—a visual and aural sensation that takes viewers into the hillsides, terrains, and other outdoor spaces where Goldsworthy feels most at home and inspired. close
Histoire(s) du cinéma is not a film about how cinema developed, it is a film about how cinema died and died, where it begins and dies, a film about the more
Histoire(s) du cinéma is not a film about how cinema developed, it is a film about how cinema died and died, where it begins and dies, a film about the role of the individual in the process and the path of the masterpiece to people. Godard seems to argue for a real movie - this is a film about loneliness in the movies. If you remember the yearr’s film “Loneliness”, in which the director uses a large number of movie quotes, Cinema Stories are built in a similar way, only there is no fully playful one. Also Godard in Stories.
It examines the main themes, principles and “stories”. For me personally, this picture is one of Godorov’s favorite films and a favorite film about cinema, a film about the present. close
Carefully chronicling in great detail the early years of Hitler's political life until his fall as the leader of Germany, this archive-footage documentary more
Carefully chronicling in great detail the early years of Hitler's political life until his fall as the leader of Germany, this archive-footage documentary offers a sharply critical insight into the stealthy rise of the Nazi party and how it's racist vision of the world slowly took hold in a disillusioned Germany. close
Shin Dong-Huyk was born on November 19, 1983 as a political prisoner in a North Korean re-education camp. He was a child of two prisoners who had been more
Shin Dong-Huyk was born on November 19, 1983 as a political prisoner in a North Korean re-education camp. He was a child of two prisoners who had been married by order of the wardens. He spent his entire childhood and youth in Camp 14, in fact a death camp. He was forced to labor since he was six years old and suffered from hunger, beatings and torture, always at the mercy of the wardens. He knew nothing about the world outside the barbed-wire fences. At the age of 23, with the help of an older prisoner, he managed to escape. For months he traveled through North Korea and China and finally to South Korea, where he encountered a world completely strange to him. close
A French documentary or, one might say more accurately, a mockumentary, by director William Karel which originally aired on Arte in 2002 with the title more
A French documentary or, one might say more accurately, a mockumentary, by director William Karel which originally aired on Arte in 2002 with the title Opération Lune. The basic premise for the film is the theory that the television footage from the Apollo 11 Moon landing was faked and actually recorded in a studio by the CIA with help from director Stanley Kubrick. close
They are inspirational, playful, powerful, interesting and very intelligent animals, which have a magical bond with the people: Dolphins. You'll see these more
They are inspirational, playful, powerful, interesting and very intelligent animals, which have a magical bond with the people: Dolphins. You'll see these magnificent animals in their natural habitats - reefs in Eilat, the largest marine reserve in the world. And also be able to watch a dolphins dance and play with the camera, dive or just durachatsya. Never seen so close before! close
Four men stand holding what appears to be a blanket, while one wearing a hat stands watching. A sixth man then runs towards them and attempts to jump into the blanket.
Four men stand holding what appears to be a blanket, while one wearing a hat stands watching. A sixth man then runs towards them and attempts to jump into the blanket. close
Finding himself in a house in the north of Iran by the Caspian Sea, the director picked up his handheld DV camera and began filming the seemingly anodyne more
Finding himself in a house in the north of Iran by the Caspian Sea, the director picked up his handheld DV camera and began filming the seemingly anodyne events happening on the 500 metres of beach in front of his house—a piece of wood toyed with by the waves, people walking by the sea, indistinct shapes on a wintry beach or noisy ducks. close
«The earth has a memory», it is once said in this film. It embraces the dead, and with them their memories. Digging for these memories can reveal another more
«The earth has a memory», it is once said in this film. It embraces the dead, and with them their memories. Digging for these memories can reveal another life. Not as a document, but as fertile ground for feelings and thoughts. Director Levin Peter spends a lot of time in intense conversations with his grandfather who used to be stationed in the Ukraine as a soldier of the Wehrmacht. Levin travels there, looking to trace and excavate what he has heard. What he has heard are the kind of tales that can haunt you in old age. close
The official sequel to the original shockumentary, presenting new and bizarre behavior from around the world, including cruelty, graphic gore, and strange rituals.
The official sequel to the original shockumentary, presenting new and bizarre behavior from around the world, including cruelty, graphic gore, and strange rituals. close
By presenting archive footage along with his own life story, filmmaker Gabriele Salvatores mediates an illustration of the economic boom in Italy during the 1960s.
By presenting archive footage along with his own life story, filmmaker Gabriele Salvatores mediates an illustration of the economic boom in Italy during the 1960s. close
A well-known nightmarish vision of the future: The Earth's population reaches seven billion. Dwindling resources, mountains of toxic waste, hunger and more
A well-known nightmarish vision of the future: The Earth's population reaches seven billion. Dwindling resources, mountains of toxic waste, hunger and climate change-the results of overpopulation? Who says that the world's overpopulated? And who's one too many? After the box-office success of "Plastic Planet," in POPULATION BOOM curious documentary filmmaker Werner Boote travels the globe and examines a stubborn view of the world that has existed for decades. But he sees a completely different question: Who or what is driving this catastrophic vision? close
The co-founder of the Gamma press agency, Raymond Depardon, created this documentary of press photographers in Paris and their subjects by following the more
The co-founder of the Gamma press agency, Raymond Depardon, created this documentary of press photographers in Paris and their subjects by following the photographers around for one month, in October, 1980. In-between long hours waiting for a celebrity to emerge from a restaurant or a hotel, boredom immediately switches to fast action as the cameras click and roll when the person appears. The reaction to the gaggle of photographers is as varied as the people they often literally chase all around town. While some of the celebrities, such as Jacques Chirac who was mayor of Paris at the time, are perceived as comical caricatures, others are shown simply going about ordinary pursuits - including Catherine Deneuve, Gene Kelly, and Jean-Luc Godard. close
"In Chile, when the sun rises, it had to climb hills, walls and tops before reaching the last stone of the Cordillera. In my country, the Cordillera is more
"In Chile, when the sun rises, it had to climb hills, walls and tops before reaching the last stone of the Cordillera. In my country, the Cordillera is everywhere. But for the Chilean citizens, it is an unknown territory. After going North for Nostalgia for the Light and South for The Pearl Button, I now feel ready to shoot this immense spine to explore its mysteries, powerful revelations of Chile’s past and present history." Patricio Guzmán close
The documentary Golden Globe. United Arab Emirates. Luxury in the Desert tells the story of a country that in a matter of decades managed to make a giant more
The documentary Golden Globe. United Arab Emirates. Luxury in the Desert tells the story of a country that in a matter of decades managed to make a giant economic breakthrough.
After the richest deposits of oil were discovered in the desert in the 1960s, powerful skyscrapers quickly grew among the sands, and camel trails turned into landscaped freeways. Now the calling card of the Emirates have become grandiose projects for simply colossal sums: the artificial islands of Palm Islands, the fashionable district of Dubai Marina and, finally, the most luxurious hotel “Burj al Arab”. close
Several billion tons of earth are moved annually by humans - with shovels, excavators or dynamite. Nikolaus Geyrhalter observes people in mines, quarries, more
Several billion tons of earth are moved annually by humans - with shovels, excavators or dynamite. Nikolaus Geyrhalter observes people in mines, quarries, large construction sites in a constant struggle to appropriate the planet. close
This documentary provides an astonishing journey through innovative, futuristic, utopian and sometimes bizarre architecture projects—including concrete more
This documentary provides an astonishing journey through innovative, futuristic, utopian and sometimes bizarre architecture projects—including concrete illusions of grandeur and Lego-like modular apartments to an Instant City Airship and round, grass-covered subterranean dwellings—from the beginning of the 20th century to today. close
The video project, conceived by Jean Luc Godard in the late 1980s, was completed in 1998. Perhaps Godard’s greatest film is about the history of cinema more
The video project, conceived by Jean Luc Godard in the late 1980s, was completed in 1998. Perhaps Godard’s greatest film is about the history of cinema and its connection to the history of the 20th century. In this sense, cinema can be considered the main critic and defender of the twentieth century. close
Director Thomas Heise picks up the biographical pieces left by his family, and composes an epic picture of four generations of his family, of a country, of a century.
Director Thomas Heise picks up the biographical pieces left by his family, and composes an epic picture of four generations of his family, of a country, of a century. close
The video project, conceived by Jean Luc Godard in the late 1980s, was completed in 1998. Perhaps Godard’s greatest film is about the history of cinema more
The video project, conceived by Jean Luc Godard in the late 1980s, was completed in 1998. Perhaps Godard’s greatest film is about the history of cinema and its connection to the history of the 20th century. In this sense, cinema can be considered the main critic and defender of the twentieth century. close
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