You want to choose the most light eastern european short movies from this list, which you'll really like?
Tell us a little about yourself or rate some films.
The most light eastern european short movies - choose and watch online
Light eastern european short movies - very rare category. We know total 34 this movies.
These are the most popular ones but just because a lot of people have watched them doesn't mean you should watch them.
To choose movies,
which you won't be disappointed,
fill out a short form
and/or rate several films,
and filmAdviser will pick you up
light eastern european short movies
according to your taste
among those
34 ,
which we know.
We will not only help you choose movie,
but we’ll also tell you where it is watch in good quality
Herbert arrives in the seaside city on a long working trip. Accidentally he falls in love with a very strange beautiful saleswoman in a flower shop. He more
Herbert arrives in the seaside city on a long working trip. Accidentally he falls in love with a very strange beautiful saleswoman in a flower shop. He suffers from insomnia, which he treats by watching billiards on TV. But now it doesn’t help anymore. His obsessive passion keeps him awake… close
Before Dawn has a single shot which is several minutes in length. Technically this is immaculate, visually it is stunning. The story is set in a field; more
Before Dawn has a single shot which is several minutes in length. Technically this is immaculate, visually it is stunning. The story is set in a field; where the field is we don't know, but a lone truck drives up into the field and stops. A horn beeps and from beneath the long grass thirty of so people appear and proceed to enter the truck. We take it they hiding from something and this is their doorway. The truck leaves, but only to be greeted by a mass of police and even a helicopter blocking their path. close
In 1912, Szczebieniew, a rich and ailing old man, comes to Italy with his young wife, Zinaida. Bored with his company, she looks for amusement and casual more
In 1912, Szczebieniew, a rich and ailing old man, comes to Italy with his young wife, Zinaida. Bored with his company, she looks for amusement and casual affairs. Szczebieniew is aware of it but he hopes that at least this way she can bear him an heir. However, he makes sure that she is always accompanied by Emelianow, Szczebieniew's servant and confidant. One day, in a movie theater Zinaida meets Ernesto Fosca, a young Italian violinist. She asks him to give her music lessons. She doesn't conceal her affection for him and they end up spending a night together. In the morning, though, Emelianow tells Ernesto that it was all planned. close
A wordless and virtually soundless but nonetheless exquisitely sensitive drama about an overweight butcher who lives alone and the strange fascination more
A wordless and virtually soundless but nonetheless exquisitely sensitive drama about an overweight butcher who lives alone and the strange fascination he develops for an attractive young woman he sees on his regular bus route. He takes tentative steps to approach her but though he receives an open, caring smile, fails to respond. close
Warsaw, mid-1980s. When it seemed that the Christmas party with her parents could not be more boring, Basia unexpectedly meets someone very familiar...
Warsaw, mid-1980s. When it seemed that the Christmas party with her parents could not be more boring, Basia unexpectedly meets someone very familiar... close
"Waiting for Godot" on ice and snow, without words. Against a barren winter landscape, a figure approaches: it's a man, pulling a small sleigh on which more
"Waiting for Godot" on ice and snow, without words. Against a barren winter landscape, a figure approaches: it's a man, pulling a small sleigh on which another man sits, plucking a dead bird. They stop to trade places; the one now on the sleigh takes out his knitting. Accidents, misunderstandings, disagreements, and an outright fight await our absurd protagonists as their trip to nowhere continues, first with one pulling, then the other. What if they were to lose the sleigh? What rules of civilization and partnership would guide them then? close
It's Maxim's birthday. He's 8 years old. He lives together only with his mother in a village not so close to the big city. For his birthday, his mother more
It's Maxim's birthday. He's 8 years old. He lives together only with his mother in a village not so close to the big city. For his birthday, his mother will take him to Bucharest, to McDonald's. There, Maxim hopes to meet his father. close
A man walks down the exterior staircase of building of flats; he's dressed to go out, taking care to wrap a scarf around his neck. He pauses as he passes more
A man walks down the exterior staircase of building of flats; he's dressed to go out, taking care to wrap a scarf around his neck. He pauses as he passes a small window that's about eye high. He ventures to look in, and there a young woman stands at a washbasin, drying her hair, close
Krzysztof Kieslowski's protagonist is Joseph Malesa, a former party activist, labor leader and mason. The document talks about his career and life through ups and downs
Krzysztof Kieslowski's protagonist is Joseph Malesa, a former party activist, labor leader and mason. The document talks about his career and life through ups and downs close
Persona turns a cinematic gaze on Écran Somnambule (2012), a performance by Latifa Laâbissi, that is in turn based on the film “Mary Wigman tanzt” (1930), more
Persona turns a cinematic gaze on Écran Somnambule (2012), a performance by Latifa Laâbissi, that is in turn based on the film “Mary Wigman tanzt” (1930), an excerpt of her “Hexentanz” (1926). In the film, a physical experience of the disruptive power of the masked figure is conveyed in a circumscribing camera movement. close
Thrown to rot in a narrow and gloomy cell of a hideous Soviet prison, a weary new inmate struggles to come to terms with the new reality. Within the grey more
Thrown to rot in a narrow and gloomy cell of a hideous Soviet prison, a weary new inmate struggles to come to terms with the new reality. Within the grey cage, an unwelcoming fellow convict cautions the newcomer not to touch the intriguingly mysterious red wooden box which rests on the lower bunk, moreover, not even think of opening it. Why is there so much secrecy about the contents of the box? Could there be hiding the means to his escape? close
Ostensibly a non-narrative study of various aspects of a rural winter, this short film by one of modern Hungarian cinema’s greatest visual poets has all more
Ostensibly a non-narrative study of various aspects of a rural winter, this short film by one of modern Hungarian cinema’s greatest visual poets has all the spellbinding qualities of his better-known feature debut Sindbad (Szindbád, 1971), but here allied to a winning sense of humour that’s never quite allowed to detract from the haunting beauty of many of the images. The end of autumn is heralded by a few red leaves still clinging to a statue’s sculpted robes, while whip pans across the increasingly wintry landscape and close-ups of rippling water are given character by seemingly random freeze-frames and Zoltán Jeney’s electronic chirrups on the soundtrack. There are recurring shots of birds, migrating en masse, huddled by the icy water or lying individually dead, frozen stiff in the snow. So far Capriccio has been a reasonably generic mood piece, but then the snowmen arrive… close
One camera in one setting, one attic and eight young directors – the result is a unique Dadaistic collage of seven short sketches. The original task for more
One camera in one setting, one attic and eight young directors – the result is a unique Dadaistic collage of seven short sketches. The original task for each filmmaker was to keep each short under three minutes, to set it in one hotel room, and to include the sentence “I miss Sonja Henie." This experimental film was shot over a single night at the international film festival FEST in Beograd in 1971. close
In an ordinary, unremarkable bedroom, a man lies on the bed, he sleeps serenely. A man dressed in a dark cloak enters the room carefully and slowly. The more
In an ordinary, unremarkable bedroom, a man lies on the bed, he sleeps serenely. A man dressed in a dark cloak enters the room carefully and slowly. The stranger with a smooth gait approaches the sleeper and hits him with a knife in the chest. The murder was committed - secret, quiet, perhaps planned, without unnecessary emotions and movements, without the resistance of the victim, without witnesses.
The short film "Murder (1957)" - the very first film-episode - "a pen test" by the famous cult director Roman Polanski, shot by him while studying at the Polish film school in Lodz. close
BREAKFAST: After eating breakfast, a man is transformed into an elaborate dumb-waiter-style breakfast dispenser - and the same fate befalls the man who more
BREAKFAST: After eating breakfast, a man is transformed into an elaborate dumb-waiter-style breakfast dispenser - and the same fate befalls the man who obtains breakfast from him. LUNCH: After failing to catch the waiter's eye, two would-be diners end up eating everything within reach. DINNER: Portraits of various meals made up of human organs. close
This documentary explores the changing faces of the old Polish city of Lodz, and how its modernization, both physically and culturally, affects the older, more
This documentary explores the changing faces of the old Polish city of Lodz, and how its modernization, both physically and culturally, affects the older, more conservative residents, many of whom lived through World War II and are confused and somewhat resentful at the changes they're seeing. close