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A romantic couple are transformed into skeletons via X-Rays. The film combines two very recent innovations: Wilhelm Roentgen's discovery of X-rays in more
A romantic couple are transformed into skeletons via X-Rays. The film combines two very recent innovations: Wilhelm Roentgen's discovery of X-rays in 1895, and Georges Méliès' accidental realisation of the special-effects potential of the jump-cut in 1896. close
An old man gets progressively livelier - and drunker - as he downs his bottle of beer. Finally, he cocks a snook - and doesn't bother to uncock it as he continues to drink.
An old man gets progressively livelier - and drunker - as he downs his bottle of beer. Finally, he cocks a snook - and doesn't bother to uncock it as he continues to drink. close
The water beats relentlessly against the Hell's Mouth (Boca do Inferno), one of the main natural attractions of Lisbon's west coast, filmed from above more
The water beats relentlessly against the Hell's Mouth (Boca do Inferno), one of the main natural attractions of Lisbon's west coast, filmed from above almost in a vertical plunge onto the deep, rocky ground. close
Three athletes make their way to wicker baskets that contain a mishmash of wacky costumes. They need to dress up as quickly as they can, and make their way back on the running track.
Three athletes make their way to wicker baskets that contain a mishmash of wacky costumes. They need to dress up as quickly as they can, and make their way back on the running track. close
R.W. Paul's early footage showing the new Blackfriars Bridge. It had been opened by Queen Victoria in 1869 for both road and rail, and showcases the distinctive Venetian Gothic ironwork.
R.W. Paul's early footage showing the new Blackfriars Bridge. It had been opened by Queen Victoria in 1869 for both road and rail, and showcases the distinctive Venetian Gothic ironwork. close
The surf pounds against a breakwater on which are visible several people standing. The wall looks to be about 20 feet above sea level and extend at least more
The surf pounds against a breakwater on which are visible several people standing. The wall looks to be about 20 feet above sea level and extend at least 100 feet into the water. A large wave rolls picturesquely along the wall toward the shore. Smaller waves follow. Then the scene changes to river water flowing. We see both shores: in the foreground a log and tree branch are visible; on the far shore, there appears to be a low wall with trees beyond it. The camera is stationary in both shots. close
Hyde Park Corner (also known as Leisurely Pedestrians, Open Topped Buses and Hansom Cabs with Trotting Horses) depicts life at Hyde Park Corner in London. more
Hyde Park Corner (also known as Leisurely Pedestrians, Open Topped Buses and Hansom Cabs with Trotting Horses) depicts life at Hyde Park Corner in London. It is claimed to be the first film set in London, as well as the first to be filmed on celluloid. It is currently considered a partially lost film, with only 6 possible film frames preserved as part of the Jonathan Silent Film Collection. close
The earliest surviving celluloid film, and believed second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 more
The earliest surviving celluloid film, and believed second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), possibly on 14 October 1888. It shows Adolphe Le Prince (Le Prince's son), Mrs. Sarah Whitley (Le Prince's mother-in-law), Joseph Whitley and Miss Harriet Hartley walking around in circles, laughing to themselves and keeping within the area framed by the camera. The Roundhay Garden Scene was recorded at 12 frames per second and runs for 2.11 seconds. close
The last remaining film of Le Prince's LPCCP Type-1 MkII single-lens camera is a sequence of frames of his son, Adolphe Le Prince, playing a diatonic more
The last remaining film of Le Prince's LPCCP Type-1 MkII single-lens camera is a sequence of frames of his son, Adolphe Le Prince, playing a diatonic button accordion. It was recorded on the steps of the house of Joseph Whitley, Adolphe's grandfather. close