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When Sentarô’s father is killed by a drunken samurai, Sentarô avenges him. His deed puts him on the run and leaves his sister behind. While running from more
When Sentarô’s father is killed by a drunken samurai, Sentarô avenges him. His deed puts him on the run and leaves his sister behind. While running from both the authorities and the assassins, Sentarô meets with the beautiful travelling-actress Oshima who takes him under her protection. close
To please his dying father, Hong Yu, a college student, is forced to abandon his girlfriend, Little Hong, and marry his cousin, with disastrous results.
To please his dying father, Hong Yu, a college student, is forced to abandon his girlfriend, Little Hong, and marry his cousin, with disastrous results. close
The melodrama Sylvi (1913), directed by Teuvo Puro, is the first Finnish full-length feature film. It is also the first film adaptation of Minna Canth’s more
The melodrama Sylvi (1913), directed by Teuvo Puro, is the first Finnish full-length feature film. It is also the first film adaptation of Minna Canth’s play of the same name (second 1944). Orpo Sylvi (Aili Rosvall) is married to his older guardian Aksel Vahli (Teuvo Puro), but passionately loves his childhood friend Viktor Hoving (Teppo Raikas). A difficult situation drives Sylv to desperate deeds. A approximately 27-minute version of the film’s surviving scenes, with the most explanatory text, has been reconstructed. close
High school student Yamako moves to a small island in Kyushu, Japan. There she meets and falls for senior student Minami, but she can't reveal her feelings more
High school student Yamako moves to a small island in Kyushu, Japan. There she meets and falls for senior student Minami, but she can't reveal her feelings for him. Whenever she passes by him at school her heart starts to flutter and her emotions for him gets stronger. One day, while writing a love letter to Minami that she will keep for herself, high school student Fuwa catches Yamako writing her letter. Afterwards, Fuwa helps Yamako to gain Minami's attention, but Yamako has a secret nobody knows about... close
Every scene of the film comprises a dialogue between a man and a woman. The dialogues are fragmentary, in other words, the dialogue in one scene does more
Every scene of the film comprises a dialogue between a man and a woman. The dialogues are fragmentary, in other words, the dialogue in one scene does not tie in with that of the next. In addition there is no development in the relationship between the actor and the actress towards a happy or unhappy ending. The dialogues are not only of substantial interest; it is above all material for the actors. The film balances on the boundary between portraying an intimate relationship between a woman and a man and the intimacy in the acting between the actor and actress. When an actor or actress hardly has any words in a scene, he or she portrays loneliness; when he/she has a monologue, then the attention is focused on speaking the text, on (the reflection about) being an actor. (Wim Schlebaum close
A woman is hired as a debt collection agent in a call center. Under pressure from her team leader, she tries to adapt to her working conditions. After more
A woman is hired as a debt collection agent in a call center. Under pressure from her team leader, she tries to adapt to her working conditions. After hearing a tragic story, she becomes interested in the lives of people she has been speaking to on the phone. close