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In the kingdom of Kindaor, traitor Sedesmondo kills his brother, the King of Kindaor, and becomes the tyrant of kingdom. He abandons the prince Arminio more
In the kingdom of Kindaor, traitor Sedesmondo kills his brother, the King of Kindaor, and becomes the tyrant of kingdom. He abandons the prince Arminio to beasts in the woods, but lions don't kill him and breed him as one of them. close
Mizuki’s husband Yusuke went missing for 3 years. He suddenly comes back home one day and asks Mizuki to go on a trip with him. Their trip consists of more
Mizuki’s husband Yusuke went missing for 3 years. He suddenly comes back home one day and asks Mizuki to go on a trip with him. Their trip consists of visiting the people that helped Yusuke on his previous travel. While travelling together, Misuki sees, touches and feels what Yusuke did for those 3 years. close
Hindu god Indra has a daughter Agnes, who visits Earth to find out if people have legitimate complaints. She marries a lawyer from Bergen and has children, more
Hindu god Indra has a daughter Agnes, who visits Earth to find out if people have legitimate complaints. She marries a lawyer from Bergen and has children, but is disillusioned by marriage and embarks on a journey among men. close
In order to buy a horse, a man wanders in the bazaars of Thessaly. His journey will take him further than he imagines, as old prophets, forgotten witches more
In order to buy a horse, a man wanders in the bazaars of Thessaly. His journey will take him further than he imagines, as old prophets, forgotten witches and vampire princes will find himself on his way. close
Alfredo is a cheerful party animal, son of a wealthy man. Alfredo's brother, a young very focused and mature boy, and their father try unsuccessfully more
Alfredo is a cheerful party animal, son of a wealthy man. Alfredo's brother, a young very focused and mature boy, and their father try unsuccessfully to change the profligate lifestyle of Alfredo to remedy the dissolute life of the latter, which, by all indications, is clearly gay. close
This was a man. He lived with his mother. He cared a manor house in the countryside of Chile. One day the man found a bone in the garden. The bone was more
This was a man. He lived with his mother. He cared a manor house in the countryside of Chile. One day the man found a bone in the garden. The bone was bored. That was a bone flute. The man with the flute music play. And music song became. The voice of the song begging to seek the other bones of his scattered body. The man and his mother were in those ways of God and hell, looking for the bones that make up the skeleton of that Christian. And give him a Christian burial. And they saw what they saw, they lived what they lived. Many stories lived. And although they did not tell anyone, others told them. close
Christmas Eve. An enormous explosion tears through Lapland. Santa and his elf, Anthony, have crash-landed in the middle of nowhere on their busiest night.
Christmas Eve. An enormous explosion tears through Lapland. Santa and his elf, Anthony, have crash-landed in the middle of nowhere on their busiest night. close
The movie is the story of a snake catcher, Josna who cures a prince from snake bite and their struggle to convince the king to allow them to marry each other.
The movie is the story of a snake catcher, Josna who cures a prince from snake bite and their struggle to convince the king to allow them to marry each other. close
A tour de force of digital art, Where the Chocolate Mountains (2015, 55 min.) is a major new opus from Pat O’Neill, one of the all-time guiding lights more
A tour de force of digital art, Where the Chocolate Mountains (2015, 55 min.) is a major new opus from Pat O’Neill, one of the all-time guiding lights of the Los Angeles avant-garde, whose pioneering use of the optical printer marked a creative breakthrough in composite image-making in cinema. Continuing in the vein of his renowned 35mm epics Water and Power (1989), Trouble in the Image (1996) and Decay of Fiction (2002), the founding CalArts faculty member combines haunting cinematography of the Chocolate Mountains along the border between California and Arizona—long used as a bombing range by the military—with footage shot in L.A., Mexico and Prague, intimate self-portraits, and recurring graphic motifs to create irrepressible, stunningly detailed streams of multilayered sight and sound. close
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