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Shows the interior of the cell of the Prison Militaire du Cherche-Midi, Paris, where Colonel Henry is confined. He is seated at a table writing a letter, more
Shows the interior of the cell of the Prison Militaire du Cherche-Midi, Paris, where Colonel Henry is confined. He is seated at a table writing a letter, on completion of which he rises and takes a razor out he had concealed in his porte-manteau, with which he cuts his throat. The suicide is discovered by the sergeant of the guard and officers. close
The background of this picture represents a scene along the beautiful river Seine in Paris. A gentleman enters, and taking a blackboard from the side more
The background of this picture represents a scene along the beautiful river Seine in Paris. A gentleman enters, and taking a blackboard from the side of the picture, he draws on it a sketch of a novelist. Then, standing in the centre, he causes the living features of his sketch to appear in the place of his own, which is utterly devoid of whiskers. The change is made so mysteriously that the eye cannot notice it until one sees quite another person in the place of the first. Again another sketch is shown on the board, this one being that of a miser; then an English cockney; a comic character; a French policeman, and last of all, the grinning visage of Mephistopheles. It is almost impossible to give this film a more definite description; suffice it to say that it is something entirely new in motion pictures and is sure to please. (Méliès Catalog) close
“A file of Spanish soldiers line up the Cubans against a blank wall and fire a volley. The flash of rifles and drifting smoke make a very striking picture.” (Edison film catalog)
“A file of Spanish soldiers line up the Cubans against a blank wall and fire a volley. The flash of rifles and drifting smoke make a very striking picture.” (Edison film catalog) close
Maître Labori is seen approaching the bridge of Rennes in company with Colonel Picquart and M. Gast, Mayor of Rennes. They notice that they are followed more
Maître Labori is seen approaching the bridge of Rennes in company with Colonel Picquart and M. Gast, Mayor of Rennes. They notice that they are followed by another man to whom Colonel Picquart calls Labori's attention. They, however, consider his proximity of no importance, and continue to speak together. As soon as their backs are turned, the man draws a revolver and fires twice at Maître Labori, who is seen to fall to the ground. The culprit makes his escape, pursued by Colonel Picquart and M. Gast. close
Du Paty de Clam requests Captain Dreyfus to write as he dictates for the purpose of ascertaining whether his handwriting conforms to that of the Bordereau. more
Du Paty de Clam requests Captain Dreyfus to write as he dictates for the purpose of ascertaining whether his handwriting conforms to that of the Bordereau. He notices the nervousness of Dreyfus, and accuses him of being the author of the Bordereau. Paty de Clam offers Dreyfus a revolver, with advice to commit suicide. The revolver is scornfully rejected, Dreyfus stating that he had no need for such cowardly methods, proclaiming his innocence. His arrest is immediately ordered by M. Cochefort. close
The camera platform was on the front of a New York subway train following another train on the same track. Lighting is provided by a specially constructed more
The camera platform was on the front of a New York subway train following another train on the same track. Lighting is provided by a specially constructed work car on a parallel track. At the time of filming, the subway was only seven months old, having opened on October 27, 1904. The ride begins at 14th Street (Union Square) following the route of today's east side IRT, and ends at the old Grand Central Station, built by Cornelius Vanderbuilt in 1869. The Grand Central Station in use today was not completed until 1913. close
During an interval in the proceedings of the court martial, the journalists enter into an animated discussion, resulting in a dispute between Arthur Meyer more
During an interval in the proceedings of the court martial, the journalists enter into an animated discussion, resulting in a dispute between Arthur Meyer of the 'Gaulois', and Mme. Severine of the 'Fronde', resulting in a fight between Dreyfusards and Anti-Dreyfusards, in which canes and chairs are brought down upon the heads of many. The room is finally cleared by the gendarmes. close
A street level view from the sidewalk, looking along the length of 23rd Street. Following actuality footage of pedestrians and street traffic, the actors, more
A street level view from the sidewalk, looking along the length of 23rd Street. Following actuality footage of pedestrians and street traffic, the actors, a man in summer attire and a woman in an ankle-length dress, walk toward the camera. close
The Flicker Alley DVD "Georges Méliès: Encore New Discoveries (1896-1911)" misidentified a partial hand-colored print of the 1906 film "Alchimiste Parafaragaramus more
The Flicker Alley DVD "Georges Méliès: Encore New Discoveries (1896-1911)" misidentified a partial hand-colored print of the 1906 film "Alchimiste Parafaragaramus ou La cornue infernale" (The Mysterious Retort) as this film, "L'hallucination de l'alchimiste" (An Hallucinated Alchemist) from 1897, which continues to be considered a lost film. close
The Lumière catalog sold this title as 13 individual, one-scene films, allowing exhibitors to choose which films they wanted to purchase and how to arrange more
The Lumière catalog sold this title as 13 individual, one-scene films, allowing exhibitors to choose which films they wanted to purchase and how to arrange them in their programs. Lumière catalog no. 933 through 945. close
On the roof of an ancient palace appear a young Knight and his lady. While they are making love an ugly old witch appears and is rather troublesome. The more
On the roof of an ancient palace appear a young Knight and his lady. While they are making love an ugly old witch appears and is rather troublesome. The Knight commands her to leave, and when he is about to force her away she sits on her broom and rises to the moon. After disappearing she causes various hob-goblins to haunt the pair, the last of them stealing away the lady while the Knight's back is turned. The Knight, frantic with grief, is suddenly confronted by a Fairy, who presents him with a magical sword, and tells him that he can use it to regain the young woman. close
Showing the interior view of the hut in which Dreyfus is confined. The scene takes place at night, showing the moon through the window of the cell. Two more
Showing the interior view of the hut in which Dreyfus is confined. The scene takes place at night, showing the moon through the window of the cell. Two guards stealthily approach the cot upon which Dreyfus is sleeping. They awake him and read to him the order from the French minister–M. Lebon–to put him into irons, which they proceed at once to accomplish. Dreyfus vigorously protests against this treatment, which protests, however, fall on deaf ears. The chief sergeant and guards before leaving the hut, inspect the four corners of same by means of a lantern. close
Georges Méliès adaptation of Robinson Crusoe, the first film adaptation of the story. Filmed in black & white, Méliès would then paint the film by hand more
Georges Méliès adaptation of Robinson Crusoe, the first film adaptation of the story. Filmed in black & white, Méliès would then paint the film by hand to colour it. Originally a 15 minute film, twelve and a half minutes of painted film have been found and have been restored. close
A lost film. Georges Méliès also directed a film entitled Faust aux enfers in 1903 that is frequently confused with this one, but it has little to do with the story of Faust.
A lost film. Georges Méliès also directed a film entitled Faust aux enfers in 1903 that is frequently confused with this one, but it has little to do with the story of Faust. close
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