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In 1907, the Russian authorities learn that a revolutionary known as 'Granddad' is living in hiding with his brother. The revolutionary is soon arrested more
In 1907, the Russian authorities learn that a revolutionary known as 'Granddad' is living in hiding with his brother. The revolutionary is soon arrested and sent to Siberia. After ten years of struggling to survive in harsh conditions, he is finally released when the Tsarist government is overthrown in February 1917. He is welcomed home as a hero, but he soon finds that even his own son has different views than he does about the future of Russia. close
Roscoe's wife, tired of his endless drunkenness, reads of an operation that cures alcoholism and has him admitted to No Hope Sanitarium to get the surgery. more
Roscoe's wife, tired of his endless drunkenness, reads of an operation that cures alcoholism and has him admitted to No Hope Sanitarium to get the surgery. Roscoe, wanting out, eventually disguises himself as a nurse to effect his escape. close
The Kino-nedelya newsreels constitute the first films of Dziga Vertov. A total of 43 issues, each containing an average of 5 to 7 different items, were more
The Kino-nedelya newsreels constitute the first films of Dziga Vertov. A total of 43 issues, each containing an average of 5 to 7 different items, were produced between May 1918 and June 1919. In the fall of 1918, Vertov joined the newsreel’s ranks and soon took on full responsibility for the series, defining the content and structure of each issue. The films provide an invaluable record of life in the young Soviet Russia, then in the throes of civil war. close
Ballet Mécanique (1923-4) is a Dadaist, post-Cubist art film conceived, written, and co-directed by artist Fernand Léger and filmmaker Dudley Murphy (with more
Ballet Mécanique (1923-4) is a Dadaist, post-Cubist art film conceived, written, and co-directed by artist Fernand Léger and filmmaker Dudley Murphy (with cinematographic input from Man Ray). It has a musical score by the American composer George Antheil (However, the film premiered with no soundtrack, on September 24th, 1924 at the Internationale Ausstellung neuer Theatertechnik in Vienna). It is considered one of the masterpieces of early experimental filmmaking. close
A feud between the Owens and the Gillettes ends when the last remaining Gillette is killed, but new trouble erupts for the mountain folk with the arrival more
A feud between the Owens and the Gillettes ends when the last remaining Gillette is killed, but new trouble erupts for the mountain folk with the arrival of a U.S. revenue agent and his assistant. close
This newsreel documentary was shot by Lev Kuleshov in 1919, which once credited to Dziga Vertov. A fragment of this newsreel was shown in the documentary more
This newsreel documentary was shot by Lev Kuleshov in 1919, which once credited to Dziga Vertov. A fragment of this newsreel was shown in the documentary The Kuleshov Effect (1969), where Kuleshov talked about his early film work, claiming this short newsreel as his own work. close
Dziga Vertov-directed Soviet newsreel covering: Starving children / Requisitioning of valuables possessed by the Russian Orthodox Church / Fundraising more
Dziga Vertov-directed Soviet newsreel covering: Starving children / Requisitioning of valuables possessed by the Russian Orthodox Church / Fundraising flights in support of the hungry / Trial of the Socialist Revolutionaries. close
Stop-motion photography blends with extreme slow-motion in Clair's first and most 'dada' film, composed of a series of zany, interconnected scenes. We more
Stop-motion photography blends with extreme slow-motion in Clair's first and most 'dada' film, composed of a series of zany, interconnected scenes. We witness a rooftop chess match between Marcel Duchamp and Man Ray, a hearse pulled by a camel (and chased by its pallbearers) and a dizzying roller coaster finale. A film of contradictions and agreements. close
Experimental film, white specks and shapes gyrating over a black background, the light-striped torso of Kiki of Montparnasse (Alice Prin), a gyrating eggcrate. One of the first Dadaist films.
Experimental film, white specks and shapes gyrating over a black background, the light-striped torso of Kiki of Montparnasse (Alice Prin), a gyrating eggcrate. One of the first Dadaist films. close
Filmic insert to Eisenstein's modernized, free adaptation of Ostrovskiy's 19th-century Russian stage play, "The Wise Man" ("Na vsyakogo mudretsa dovolno more
Filmic insert to Eisenstein's modernized, free adaptation of Ostrovskiy's 19th-century Russian stage play, "The Wise Man" ("Na vsyakogo mudretsa dovolno prostoty"). The anti-hero Glumov tries to escape exposure in the midst of acrobatics, derring-do, and farcical clowning. Several members of Eisenstein's troupe at the legendary "Proletkult" stage theatre in Moscow briefly appear in this little film. close
Living under the same roof with his newly-wed wife and his mother-in-law, a careless Mr Rough sets the nuptial bedroom on fire, as the residence's cook more
Living under the same roof with his newly-wed wife and his mother-in-law, a careless Mr Rough sets the nuptial bedroom on fire, as the residence's cook tries to woo the maid who only has eyes for the charming delivery boy. As one thing leads to another, Mr Rough ends up preparing dinner for a pair of duplicitous guests, when, clearly, he should be staying out of the kitchen. Does Mrs Rough know the visitors' true intentions? But, above all, how will this disastrous dinner party at the Rough house end? close
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