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The shadowing forth of Our Lord Lucifer, as the Power of Darkness gather at a midnight mass. The dance of the Magus widdershins around the Swirling Spiral more
The shadowing forth of Our Lord Lucifer, as the Power of Darkness gather at a midnight mass. The dance of the Magus widdershins around the Swirling Spiral Force, the solar swastika, until the Bringer of Light—Lucifer—breaks through. close
Concerned with processes of assembly, CHOIR brings together disparate bodies of material and archival technologies into dissonant concert. It is a work more
Concerned with processes of assembly, CHOIR brings together disparate bodies of material and archival technologies into dissonant concert. It is a work of several parts. Part one constructs an auditorium in which an action will be staged. Part two assembles the chorus to narrate the action. Part three supplies the action. close
Light begins to illuminate the small, nipple-like end of a lemon on the right edge of the frame and gradually spreads until the entire lemon is clearly more
Light begins to illuminate the small, nipple-like end of a lemon on the right edge of the frame and gradually spreads until the entire lemon is clearly visible. Then the light recedes across the frame. close
Pure fantasia, a race to save the world from a fatal heart attack, juxtaposed against a love rivalry between two brothers - a mortician and an actor playing more
Pure fantasia, a race to save the world from a fatal heart attack, juxtaposed against a love rivalry between two brothers - a mortician and an actor playing Christ - for the heart of a scientist studying the earth's core. close
Breakaway plays out like a visual symphony. A prototype for the best (but still, lesser) contemporary formalist music videos, like Peter Care’s “What’s more
Breakaway plays out like a visual symphony. A prototype for the best (but still, lesser) contemporary formalist music videos, like Peter Care’s “What’s the Frequency, Kenneth?” and “Drive” (both for REM), Conner’s movie is an experiment in the visual language of film. But no matter how powerful a formal analysis of his filmmaking process may be in suggesting how Conner’s rhythms affect us, there is much in Breakaway – in Basilotta’s brash and unbridled self-assertiveness, in Conner’s feverish camera style, and even in the uncomplicated honesty of Cobb’s catchy lyrics and tune – that defies verbalisation… and must simply be loved! -- Senses of Cinema close
A musical horror story about two young women who are stalked through a shopping mall by a cannibal. He follows them home, and here the victims become the aggressors.
A musical horror story about two young women who are stalked through a shopping mall by a cannibal. He follows them home, and here the victims become the aggressors. close
Chao-Li Chi shadow boxes indoors and practices with a sword outdoors. Theoretically, the film describes in a single continuous movement three degrees more
Chao-Li Chi shadow boxes indoors and practices with a sword outdoors. Theoretically, the film describes in a single continuous movement three degrees of traditional Chinese boxing, Wu-tang, Shao-lin, and Shao-lin with a sword. A long sequence of the ballet-like, sinuous Wu-tang becomes the more erratic Shao-lin; in the middle, there is an abrupt change to leaping sword movements, in the center of which, at the apogee of the leap, there is a long held freeze-frame. close
A group of factory workers in post-independence Mozambique performs a ritual of song describing their work in South African gold mines, and decrying the evils of apartheid.
A group of factory workers in post-independence Mozambique performs a ritual of song describing their work in South African gold mines, and decrying the evils of apartheid. close
This documentary movie is about the battle of San Pietro, a small village in Italy. Over 1,100 US soldiers were killed while trying to take this location, more
This documentary movie is about the battle of San Pietro, a small village in Italy. Over 1,100 US soldiers were killed while trying to take this location, that blocked the way for the Allied forces from the Germans. close
Lord knows where João de Deus has been. He's come home wounded in the head. He's got a bit of the soundtrack to Johnny Guitar in his head. Strangely enough, more
Lord knows where João de Deus has been. He's come home wounded in the head. He's got a bit of the soundtrack to Johnny Guitar in his head. Strangely enough, there is no sign of the hole in his head. Day breaks over the city. Further strolls are in sight. It is said that Mr. Monteiro, the alter ego of João de Deus, occasionally goes out with Nicholas Ray. At least, they've been seen together. close
With the use of montage sequences, voiced over with the observations of the children, van der Keuken was able to use artistic expression to portray the more
With the use of montage sequences, voiced over with the observations of the children, van der Keuken was able to use artistic expression to portray the sightless children’s unique perspective of the world. close
In December 1967 a Cuban film crew led by Santiago Alvarez, the veteran polemicist, traveled to Hanoi. They shot the footage which constitutes this short more
In December 1967 a Cuban film crew led by Santiago Alvarez, the veteran polemicist, traveled to Hanoi. They shot the footage which constitutes this short documentary all in one day - Tuesday 13. The film is the story of that day, and what happened to the North Vietnamese people in the course of it. close
A woman dressed elegantly walks purposely through the water gardens at the Villa d'Este in Tivoli, as the music of Vivaldi's Winter movement of The Four more
A woman dressed elegantly walks purposely through the water gardens at the Villa d'Este in Tivoli, as the music of Vivaldi's Winter movement of The Four Seasons plays. Heavy red filters give a blue cast to the light; water plays across stone, and fountains send it into the air. No words are spoken. Baroque statuary and the sensuous flow of water are back lit. Anger calls it water games. close
This is a small, intense film based on Schoenberg’s opus of the same name with the subtitle “danger, fear, catastrophe”. It deals with emerging fascism more
This is a small, intense film based on Schoenberg’s opus of the same name with the subtitle “danger, fear, catastrophe”. It deals with emerging fascism and the persecution of Jews, as well as with their historical continuities. close
A young couple struggle to get ahead, the wife always assuaging the troubles of her melancholy husband. As he climbs the ladder of success, he abandons more
A young couple struggle to get ahead, the wife always assuaging the troubles of her melancholy husband. As he climbs the ladder of success, he abandons the homely values and begins an affair with a beautiful woman. His wife leaves him, returning to her mother's home where she bears a child. When the husband is abandoned by his lady friend, remorse drives him to find his wife. close
The life, the problems, the hopes of the ragazzi of the suburbs of Rome. Ignored by the city, these young men spontaneously express their vitality, their more
The life, the problems, the hopes of the ragazzi of the suburbs of Rome. Ignored by the city, these young men spontaneously express their vitality, their violence, their willingness to put themselves at risk. They are at the center of "Ragazzi di vita", the first novel by Pier Paolo Pasolini, author of the text of this documentary. close
This poignant documentary profiles a young black woman's struggle to confront the legacy of a physically abusive father and her headlong flight into drug more
This poignant documentary profiles a young black woman's struggle to confront the legacy of a physically abusive father and her headlong flight into drug abuse. Suzanne, after years of physical and psychological abuse, is compelled to understand her father's violence and her mother's passive complicity, who suffered at her husband's hands as well, as the keys to her own self-destruction. After years of silence, Suzanne and her mother are finally able to share their painful experiences with each other in an intensely moving moment of truth. close
Directed by Ken Jacobs, 1985. In Jacobs' own words: "I wish more stuff was available in its raw state, as primary source material for anyone to consider, more
Directed by Ken Jacobs, 1985. In Jacobs' own words: "I wish more stuff was available in its raw state, as primary source material for anyone to consider, and to leave for others in just that way, the evidence uncontaminated by compulsive proprietary misapplied artistry, "editing", the purposeful "pointing things out" that cuts a road straight and narrow through the cine-jungle; we barrel through thinking we’re going somewhere and miss it all. Better to just be pointed to the territory, to put in time exploring, roughing it, on our own. For the straight scoop we need the whole scoop, or no less than the clues entire and without rearrangement. O, for a Museum of Found Footage, or cable channel, library, a shit-museum of telling discards accessible to all talented viewers/auditors. A wilderness haven salvaged from Entertainment." close
Since Zoya Verenskaya's husband passed away ten years ago, she has been devoted to her daughter Lee. At present, Lee is in poor health, and she is in more
Since Zoya Verenskaya's husband passed away ten years ago, she has been devoted to her daughter Lee. At present, Lee is in poor health, and she is in danger of losing her eyesight. Zoya's suitor Dmitry wants to get married, but Zoya is determined to wait until Lee is better. Then, on a vacation in the Crimea, they learn Lee's true feelings for Dmitry, and suddenly all of their lives are thrown into turmoil. close
A lonely young woman lives with her strict father who forbids her to wear make-up. One day at an ice cream social, she meets a young man you seems interested more
A lonely young woman lives with her strict father who forbids her to wear make-up. One day at an ice cream social, she meets a young man you seems interested in her. However, unknown to her, he is a burglar who is only interested in breaking into her father's house. One night she is awakened by a noise. close
Debord’s eighteen-minute Critique of Separation directs its experimental attentions to “the documentary.” Debord draws from a catalogue of newsreel footage more
Debord’s eighteen-minute Critique of Separation directs its experimental attentions to “the documentary.” Debord draws from a catalogue of newsreel footage and book covers, rephotographed photographs, views of Paris and its neighborhoods, and a catalogue of disabused, seemingly offhand footage of him and his friends in the porous zone comprising the cafe and the street. close