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A drunk staggers into his apartment and falls asleep. He dreams he climbs to the top of a building and flies to the moon, then falls back to earth. When more
A drunk staggers into his apartment and falls asleep. He dreams he climbs to the top of a building and flies to the moon, then falls back to earth. When he wakes, still drunk, he is in his apartment. close
This early film made by Georges Hatot for the Lumière Company is a brief single shot-scene of the assassination of the French revolutionary writer, Jean-Paul more
This early film made by Georges Hatot for the Lumière Company is a brief single shot-scene of the assassination of the French revolutionary writer, Jean-Paul Marat--who has the notorious distinction of having influenced the Reign of Terror. close
A turn-of-the-last-century hand-tinted short, which features two women, Miss Lally and Miss Julyett, dancing at a ball. By the legendary French filmmaker Alice Guy.
A turn-of-the-last-century hand-tinted short, which features two women, Miss Lally and Miss Julyett, dancing at a ball. By the legendary French filmmaker Alice Guy. close
Maître Labori is seen approaching the bridge of Rennes in company with Colonel Picquart and M. Gast, Mayor of Rennes. They notice that they are followed more
Maître Labori is seen approaching the bridge of Rennes in company with Colonel Picquart and M. Gast, Mayor of Rennes. They notice that they are followed by another man to whom Colonel Picquart calls Labori's attention. They, however, consider his proximity of no importance, and continue to speak together. As soon as their backs are turned, the man draws a revolver and fires twice at Maître Labori, who is seen to fall to the ground. The culprit makes his escape, pursued by Colonel Picquart and M. Gast. close
Méliès appears as a court jester (a “triboulet” in French). He pulls 18th century noblemen out of a trunk and arranges them on a pyramid-shaped stage. more
Méliès appears as a court jester (a “triboulet” in French). He pulls 18th century noblemen out of a trunk and arranges them on a pyramid-shaped stage. Next, he transforms the gentlemen into fancy ladies. close
During an interval in the proceedings of the court martial, the journalists enter into an animated discussion, resulting in a dispute between Arthur Meyer more
During an interval in the proceedings of the court martial, the journalists enter into an animated discussion, resulting in a dispute between Arthur Meyer of the 'Gaulois', and Mme. Severine of the 'Fronde', resulting in a fight between Dreyfusards and Anti-Dreyfusards, in which canes and chairs are brought down upon the heads of many. The room is finally cleared by the gendarmes. close
A section of the port Haliquen (Quiberon) Bretagne, at night where Dreyfus was landed by French marines, and officers after his transport from Devil's more
A section of the port Haliquen (Quiberon) Bretagne, at night where Dreyfus was landed by French marines, and officers after his transport from Devil's Island. He is received by the French authorities, officers, and gendarmes, and conducted to the station for his departure to Rennes. This little scene was enacted on a dark rainy night, which is clearly shown in the film. The effects are further heightened by vivid flashes of lightning which are certainly new in cinematography. close
Showing the interior view of the hut in which Dreyfus is confined. The scene takes place at night, showing the moon through the window of the cell. Two more
Showing the interior view of the hut in which Dreyfus is confined. The scene takes place at night, showing the moon through the window of the cell. Two guards stealthily approach the cot upon which Dreyfus is sleeping. They awake him and read to him the order from the French minister–M. Lebon–to put him into irons, which they proceed at once to accomplish. Dreyfus vigorously protests against this treatment, which protests, however, fall on deaf ears. The chief sergeant and guards before leaving the hut, inspect the four corners of same by means of a lantern. close
The film reproduces a magic act Méliès performed at his Paris theater-of-illusions, the Théâtre Robert-Houdin. Conjuring is notable as Méliès's second more
The film reproduces a magic act Méliès performed at his Paris theater-of-illusions, the Théâtre Robert-Houdin. Conjuring is notable as Méliès's second film, and as his first to move beyond the actuality film genre pioneered by the Lumière brothers and experiment with using the camera to capture a theatrical magic act. (Later in 1896, with his discovery of the substitution splice technique, Méliès was able to begin augmenting his theatrical illusions with new special effects unique to film.) Conjuring can thus be seen as Méliès's first foray into the world of fiction film. The film was released by Méliès's Star Film Company and numbered 2 in its catalogues. close
Showing room at the military prison at Rennes in which Dreyfus the accused is confined. He is visited by his counsel, Maître Labori and Demange, with more
Showing room at the military prison at Rennes in which Dreyfus the accused is confined. He is visited by his counsel, Maître Labori and Demange, with whom he is seen in animated conversation. A visit from his wife is announced, who enters. The meeting of the husband and wife is most pathetic and emotional. close
Historical legend composed of five Scenes. 1. William Tell's heroism. 2. The Plot. 3. The Apple. 4. Death of Gessler. 5. The Swiss cheer their Liberator. more
Historical legend composed of five Scenes. 1. William Tell's heroism. 2. The Plot. 3. The Apple. 4. Death of Gessler. 5. The Swiss cheer their Liberator. This popular and interesting legend takes place amidst the country life of the mountain populations. The beautiful and picturesque sites which exist in Switzerland have given us an opportunity of utilising the resources our theatre affords, and our scene-painters have been able to have a free run on their imaginations, and have completed the work by a series of magnificent scenes in the most artistic character. close
A juggler enters upon the scene, picks up a skull, throws it into the air, catches it in his hands, where it is transformed into a handkerchief. The handkerchief, more
A juggler enters upon the scene, picks up a skull, throws it into the air, catches it in his hands, where it is transformed into a handkerchief. The handkerchief, after being twirled about a wand, is changed to a napkin, and afterward to a tablecloth. Out of the table cloth comes a servant. close
