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Fictionalized from a true story, this docu-drama takes us on a journey through Brazil's Mato Grosso do Sul and into the lives of Brazilian gauchos. Beautifully more
Fictionalized from a true story, this docu-drama takes us on a journey through Brazil's Mato Grosso do Sul and into the lives of Brazilian gauchos. Beautifully shot landscapes form the backdrop for a simple story of friendship and tolerance between Govinda and John, as Govinda explores his attraction to his fellow cowboy. close
The video project, conceived by Jean Luc Godard in the late 1980s, was completed in 1998. Perhaps Godard’s greatest film is about the history of cinema more
The video project, conceived by Jean Luc Godard in the late 1980s, was completed in 1998. Perhaps Godard’s greatest film is about the history of cinema and its connection to the history of the 20th century. In this sense, cinema can be considered the main critic and defender of the twentieth century. close
A group of workers, aided by a steam-roller, are leveling the ground during the construction of the Jonage canal, a diversion of the Rhône river, which more
A group of workers, aided by a steam-roller, are leveling the ground during the construction of the Jonage canal, a diversion of the Rhône river, which was built in order to supply the hydroelectric plant of Cusset. close
This film from 1907 is sadly incomplete as it's only available in a two-minute fragment. The opening title card explains that a painter has just finished more
This film from 1907 is sadly incomplete as it's only available in a two-minute fragment. The opening title card explains that a painter has just finished his work when his assistant comes in and accidentally drinks varnish. The film then picks up as the painter goes haywire and sends the assistant into the painting. close
Georges Méliès's first attempt at Cinderella was in 1899. That film was extraordinary then for having multiple scenes and a semblance of a narrative; more
Georges Méliès's first attempt at Cinderella was in 1899. That film was extraordinary then for having multiple scenes and a semblance of a narrative; additionally, the use of dissolves as transitions in it influenced other filmmakers for years to do the same. Méliès was the cinema world's preeminent leader then. By 1912, however, that was no longer the case; frankly, as evidenced by this feature, his style had become dated. Moreover, Méliès had begun to adopt techniques from other filmmakers, such as direct cuts instead of dissolves, and there's even a match on action shot during the slipper trying-on scene. close
Patrick, an ordinary man of thirty, finds himself locked in a telephone booth, on the night when the dead return to life. Still fighting off the zombie, more
Patrick, an ordinary man of thirty, finds himself locked in a telephone booth, on the night when the dead return to life. Still fighting off the zombie, he decides to call his family to ask them for help. close
A juggler enters upon the scene, picks up a skull, throws it into the air, catches it in his hands, where it is transformed into a handkerchief. The handkerchief, more
A juggler enters upon the scene, picks up a skull, throws it into the air, catches it in his hands, where it is transformed into a handkerchief. The handkerchief, after being twirled about a wand, is changed to a napkin, and afterward to a tablecloth. Out of the table cloth comes a servant. close
Maître Labori is seen approaching the bridge of Rennes in company with Colonel Picquart and M. Gast, Mayor of Rennes. They notice that they are followed more
Maître Labori is seen approaching the bridge of Rennes in company with Colonel Picquart and M. Gast, Mayor of Rennes. They notice that they are followed by another man to whom Colonel Picquart calls Labori's attention. They, however, consider his proximity of no importance, and continue to speak together. As soon as their backs are turned, the man draws a revolver and fires twice at Maître Labori, who is seen to fall to the ground. The culprit makes his escape, pursued by Colonel Picquart and M. Gast. close
Méliès appears as a court jester (a “triboulet” in French). He pulls 18th century noblemen out of a trunk and arranges them on a pyramid-shaped stage. more
Méliès appears as a court jester (a “triboulet” in French). He pulls 18th century noblemen out of a trunk and arranges them on a pyramid-shaped stage. Next, he transforms the gentlemen into fancy ladies. close
Akvilė and Jonas were a couple until Jonas fell in love with a man. But Akvilė cannot forget her lover and continues to appear in porn films, even without more
Akvilė and Jonas were a couple until Jonas fell in love with a man. But Akvilė cannot forget her lover and continues to appear in porn films, even without him. She begs her childhood sweetheart to make one more film with her. Jonas agrees – but only so that he can leave the country with his lover. close
Lisbon, Portugal, 1927. The writer and journalist Fernando Pessoa accepts from his boss the commission to create an advertising slogan for the drink Coca-Louca; more
Lisbon, Portugal, 1927. The writer and journalist Fernando Pessoa accepts from his boss the commission to create an advertising slogan for the drink Coca-Louca; but conservative government authorities consider the new drink as revolutionary as it is diabolical. close
Eric is forced to spend his holidays on his grandfather's farm in the countryside. Bored out of his mind, an unexpected visit from over-the-top friends more
Eric is forced to spend his holidays on his grandfather's farm in the countryside. Bored out of his mind, an unexpected visit from over-the-top friends Mika and Koko, and the appearance of a hunky farmhand, pull Eric out of the doldrums. close
A human skeleton is placed upon a table by an attendant. When the attendant leaves the room the skeleton begins kicking his legs and throwing his arms more
A human skeleton is placed upon a table by an attendant. When the attendant leaves the room the skeleton begins kicking his legs and throwing his arms about and suddenly turns into a magician. The magician produces an egg, performing several sleight-of-hand tricks, and places it upon the table with the small end downward. He then crudely draws a human face upon the shell, and the egg immediately begins growing larger and larger until it reaches the size of a normal head. close
Showing the interior view of the hut in which Dreyfus is confined. The scene takes place at night, showing the moon through the window of the cell. Two more
Showing the interior view of the hut in which Dreyfus is confined. The scene takes place at night, showing the moon through the window of the cell. Two guards stealthily approach the cot upon which Dreyfus is sleeping. They awake him and read to him the order from the French minister–M. Lebon–to put him into irons, which they proceed at once to accomplish. Dreyfus vigorously protests against this treatment, which protests, however, fall on deaf ears. The chief sergeant and guards before leaving the hut, inspect the four corners of same by means of a lantern. close
Two criminals lure a doctor away from his home with a phony note about a child's illness. After the doctor rushes off, the criminals break into his house more
Two criminals lure a doctor away from his home with a phony note about a child's illness. After the doctor rushes off, the criminals break into his house and menace his wife and child. By the time the doctor realizes what has happened, his family faces a desperate situation. close
Du Paty de Clam requests Captain Dreyfus to write as he dictates for the purpose of ascertaining whether his handwriting conforms to that of the Bordereau. more
Du Paty de Clam requests Captain Dreyfus to write as he dictates for the purpose of ascertaining whether his handwriting conforms to that of the Bordereau. He notices the nervousness of Dreyfus, and accuses him of being the author of the Bordereau. Paty de Clam offers Dreyfus a revolver, with advice to commit suicide. The revolver is scornfully rejected, Dreyfus stating that he had no need for such cowardly methods, proclaiming his innocence. His arrest is immediately ordered by M. Cochefort. close
