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A naked man, his body covered with bruises, is running in the woods. He stops suddenly: who is this mysterious woman calling for help? And who are these men who are trying to shoot him?
A naked man, his body covered with bruises, is running in the woods. He stops suddenly: who is this mysterious woman calling for help? And who are these men who are trying to shoot him? close
A disturbing cloud has appeared from the west. It moves slowly towards the centre of the country, prompting the population to take to the roads. As it more
A disturbing cloud has appeared from the west. It moves slowly towards the centre of the country, prompting the population to take to the roads. As it advances relentlessly, panic increases. It is a cloud of acid. close
A band-leader has arranged seven chairs for the members of his band. When he sits down in the first chair, a cymbal player appears in the same chair, more
A band-leader has arranged seven chairs for the members of his band. When he sits down in the first chair, a cymbal player appears in the same chair, then rises and sits in the next chair. As the cymbal player sits down, a drummer appears in the second chair, and then likewise moves on to the third chair. In this way, an entire band is soon formed, and is then ready to perform. close
After graduating from high school, Julien left his hometown to build a bigger life in the capital, leaving his memories behind. And then one day, he had more
After graduating from high school, Julien left his hometown to build a bigger life in the capital, leaving his memories behind. And then one day, he had to come back, and that day his memories jumped out at him from between two packets of Pépito cookies. close
Short documentary directed by Jean Vigo about the French swimmer Jean Taris. The film is notable for the many innovative techniques that Vigo uses, including more
Short documentary directed by Jean Vigo about the French swimmer Jean Taris. The film is notable for the many innovative techniques that Vigo uses, including close ups and freeze frames of the swimmer's body. close
A musical short film about the extermination of Roma by the Nazis during World War II. One of the first directorial works of Tony Gatlif and the first more
A musical short film about the extermination of Roma by the Nazis during World War II. One of the first directorial works of Tony Gatlif and the first in which he addresses directly to gypsy themes. In fact, all those elements from which Gatlif will build his famous films in the future are already presented here: ethnographic documentary, fantastic musical “pressure”, attention to the dark pages of history (the Roma will be remembered in Swing as well), the fate and inner strength of a person; a fierce speech against social injustice.
Perhaps that is why the plot of the tape is extremely simple, even schematic. Roma are sitting in a concentration camp, behind barbed wire and trying to use flamenco – “song and dance” – to express their protest, to ignite themselves to fight. These expressive musical numbers, performed in the French-Spanish "narrhechia", however, are wordless. The first number is actually a protest. The second is the laconic statement “I am a gypsy.” The third song is based on the phrase “Run the gypsies, live the gypsies”. Thus, the nomadic image of gypsy life acquires the maximum weight from Gatlif, as the only possible form of existence, and “flight” becomes a life victory. Although, of course, it can be viewed melancholy as a defeat, a lack of strength to fight.
I don’t think the German overseers need translation either. These are monosyllabic orders. Their execution is clearly illustrated by the director. In addition, they are on the "heard" of anyone who has seen at least one picture of the horrors of World War II. close
Virgile and Blanche, both aged 17, correspond by e-mail. Virgile loves Blanche, but Blanche loves a boy named Eustache. Nobody knows the other's thoughts. more
Virgile and Blanche, both aged 17, correspond by e-mail. Virgile loves Blanche, but Blanche loves a boy named Eustache. Nobody knows the other's thoughts. Virgile talks about life and death and Blanche listens acceptingly. Eustache enters the room in a blue cap. He sees Virgile first, then Blanche. Then Blanche remembers having danced with Virgile and leves the room to join him. close
A woman lies awake at night. Nearby, a set of theatre backdrops unspools itself, unveiling two alternate landscapes. Upon the woman’s blue sheet, a flicker more
A woman lies awake at night. Nearby, a set of theatre backdrops unspools itself, unveiling two alternate landscapes. Upon the woman’s blue sheet, a flicker of light reflects and illuminates her realm of insomnia. close
At a meeting of the game "Truth or Dare?" two young boys, Matthew and Maximus, are challenging to embrace. The kiss will cause them some excitement. From more
At a meeting of the game "Truth or Dare?" two young boys, Matthew and Maximus, are challenging to embrace. The kiss will cause them some excitement. From that time, teens who witnessed this scene are allusions more or less directly to the possible homosexuality of Maxim. A revelation will then destabilize the group. close
Max accepts a wager that he cannot remain in a haunted castle for one hour (11 PM to midnight) without crying for help. As soon as he arrives he encounters more
Max accepts a wager that he cannot remain in a haunted castle for one hour (11 PM to midnight) without crying for help. As soon as he arrives he encounters strange and nightmarish visions, but he is nevertheless on the verge of winning the bet when a phone-call brings startling news. close
A twenty year old Anouk Aimée stars as Albertine, the daughter of a bourgeois couple who house a young officer during the Napoleonic wars. Newly promoted, more
A twenty year old Anouk Aimée stars as Albertine, the daughter of a bourgeois couple who house a young officer during the Napoleonic wars. Newly promoted, the officer (Jean-Claude Pascal) is quartered by a dull bourgeois couple who treat him with a cold politeness bordering on indifference. close
At the royal court, a prince is presenting the princess whom he is pledged to marry when a witch suddenly appears. Though driven off, the witch soon returns, more
At the royal court, a prince is presenting the princess whom he is pledged to marry when a witch suddenly appears. Though driven off, the witch soon returns, summons some of her servants, and carries off the princess. A rescue party is quickly organized, but the unfortunate captive has been taken to a strange, forbidding realm, from where it will be impossible to rescue her without some special help. close
Vincent, a young Parisian uncomfortable with his appearance, installs a brain chip named Reality+ which allows users to see themselves and fellow users more
Vincent, a young Parisian uncomfortable with his appearance, installs a brain chip named Reality+ which allows users to see themselves and fellow users with their dream body. However, Reality+ only works over 12-hour intervals, proving infuriating for Vincent as he falls for Stella, another user. close
The earliest surviving celluloid film, and believed second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 more
The earliest surviving celluloid film, and believed second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), possibly on 14 October 1888. It shows Adolphe Le Prince (Le Prince's son), Mrs. Sarah Whitley (Le Prince's mother-in-law), Joseph Whitley and Miss Harriet Hartley walking around in circles, laughing to themselves and keeping within the area framed by the camera. The Roundhay Garden Scene was recorded at 12 frames per second and runs for 2.11 seconds. close
Wintertime in Lyon. About a dozen people, men and women, are having a snowball fight in the middle of a tree-lined street. The cyclist coming along the more
Wintertime in Lyon. About a dozen people, men and women, are having a snowball fight in the middle of a tree-lined street. The cyclist coming along the road becomes the target of opportunity. He falls off his bicycle. He's not hurt, but he rides back the way he came, as the fight continues. close
While the city of Orleans (France) gets ready to welcome its yearly marathon, Jackie, an athletic young American woman is in the starting blocks. 3,2,1... more
While the city of Orleans (France) gets ready to welcome its yearly marathon, Jackie, an athletic young American woman is in the starting blocks. 3,2,1... Go ! Jackie rushes on, focused on her goal : make a baby with Jerome, today or never. close
Debord’s eighteen-minute Critique of Separation directs its experimental attentions to “the documentary.” Debord draws from a catalogue of newsreel footage more
Debord’s eighteen-minute Critique of Separation directs its experimental attentions to “the documentary.” Debord draws from a catalogue of newsreel footage and book covers, rephotographed photographs, views of Paris and its neighborhoods, and a catalogue of disabused, seemingly offhand footage of him and his friends in the porous zone comprising the cafe and the street. close
Early new wave effort from Rohmer, which was the first of his six moral tales. It concerns a young man who approaches a girl in the street, but after more
Early new wave effort from Rohmer, which was the first of his six moral tales. It concerns a young man who approaches a girl in the street, but after several days without seeing her again, he becomes involved with the girl in the local bakery. Eventually, he has to choose between them when he arranges dates with them on the same day. close
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first more
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames. close
