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Filmed on the 100th anniversary of the labour union laws in France, the quasi-science fiction film is set in 2084. A robot moderator helps us look 'back' more
Filmed on the 100th anniversary of the labour union laws in France, the quasi-science fiction film is set in 2084. A robot moderator helps us look 'back' at the contemporary labour situation and different directions the movement could take. close
The film is a panorama shot-scene lasting just under a minute. The panorama film, as coined by Lumière, is a moving-camera shot--usually accomplished more
The film is a panorama shot-scene lasting just under a minute. The panorama film, as coined by Lumière, is a moving-camera shot--usually accomplished by placing the camera on a moving transport, such as a boat or train. close
A brilliant business lawyer finds that an old Rumanian homeless woman looks a lot like his grandmother. One night, he makes a cardboard sigh for her "I more
A brilliant business lawyer finds that an old Rumanian homeless woman looks a lot like his grandmother. One night, he makes a cardboard sigh for her "I could be your grandmother". Passers by become much more generous. Other homeless people request signs from him. Their demands are soon too much for him. close
As a conjurer awaits an audience, a procession announces the arrival of a royal representative, carried in a sedan chair, to see him. The conjurer then more
As a conjurer awaits an audience, a procession announces the arrival of a royal representative, carried in a sedan chair, to see him. The conjurer then has a large box brought in. It is opened, revealing a very large folding fan. When the fan is spread out, the designs on it begin to change and move. And this is far from the last of the surprises that the conjurer has in store. close
Naples, port of Santa Lucia against the background of Vesuvius. Several horse-drawn carriages pass, passengers and sailors pass. One man looks very carefully at the camera operator.
Naples, port of Santa Lucia against the background of Vesuvius. Several horse-drawn carriages pass, passengers and sailors pass. One man looks very carefully at the camera operator.
Max visits a doctor who prescribes a tonic (Bordeaux of Cinchona) for him to drink every morning. Upon returning home, Max sees a large glass which was more
Max visits a doctor who prescribes a tonic (Bordeaux of Cinchona) for him to drink every morning. Upon returning home, Max sees a large glass which was left by his wife and labeled "Souvenir de Bordeaux". He consumes it its entirety after assuming that it was his medicine. Immediately Max feels much better. Hilarity ensues as Max goes about the day in a completely drunken state. close
A woman lies awake at night. Nearby, a set of theatre backdrops unspools itself, unveiling two alternate landscapes. Upon the woman’s blue sheet, a flicker more
A woman lies awake at night. Nearby, a set of theatre backdrops unspools itself, unveiling two alternate landscapes. Upon the woman’s blue sheet, a flicker of light reflects and illuminates her realm of insomnia. close
Seven brief scenes, each with a couple, explore the surprises and the changes of heart that can occur during sexual encounters. Only one of the seven more
Seven brief scenes, each with a couple, explore the surprises and the changes of heart that can occur during sexual encounters. Only one of the seven couples has been in bed together before; several are strangers or new acquaintances. A prostitute and her john, an older woman and a youth who follows her home, two women friends, a gay man with a straight man, a man with distinctive ideas about soap and water, a woman who wants the light left on, and a Spanish-speaking woman with a French-speaking man make for an array of possibilities and unanticipated consequences. The 7 bed scenes are titled: The Black Hole [Le trou noir]; Mr. Clean [Monsieur Propre]; Madame; Heads or Tails [Tête bêche]; The Ideal Man [L'homme idéal]; Love in the Dark [L'amour dans le noir]; and The Virgins [Les puceaux]. close
The film’s visual structure is principally composed of variations on the arabesque: arcs of light, water spouts, spider webs, burgeoning trees, flowers more
The film’s visual structure is principally composed of variations on the arabesque: arcs of light, water spouts, spider webs, burgeoning trees, flowers and foliage, a woman’s smile, arms stretching, an arm giving rhythm to a rocking chair. It uses natural elements (light, mirrors, water, and wind) and photographic techniques (multiple exposures and lenses) to distort the various elements, or to intensify their design. close
Professor Barbenfouillis and five of his colleagues from the Academy of Astronomy travel to the Moon aboard a rocket propelled by a giant cannon. Once more
Professor Barbenfouillis and five of his colleagues from the Academy of Astronomy travel to the Moon aboard a rocket propelled by a giant cannon. Once on the lunar surface, the bold explorers face the many perils hidden in the caves of the mysterious planet. close
One day Ahmed, employed at the public baths and nearing retirement, encounters Mike, a teenager adrift. Inside the bathhouse walls, a strange relationship more
One day Ahmed, employed at the public baths and nearing retirement, encounters Mike, a teenager adrift. Inside the bathhouse walls, a strange relationship will develop between these two fractured souls. close
