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In this award-winning documentary, directors Masri and Chamoun focus on the women who played a crucial role in fighting the Israeli invasion of southern more
In this award-winning documentary, directors Masri and Chamoun focus on the women who played a crucial role in fighting the Israeli invasion of southern Lebanon. Preserving their stories on camera, Wild Flowers: Women of South Lebanon is a poignant documentary about courage, resistance, and hope. close
"Everybody is ill: you just don't know it yet". Knock, a newly arrived physician takes over a small town through fear and authority. NB : this is a different more
"Everybody is ill: you just don't know it yet". Knock, a newly arrived physician takes over a small town through fear and authority. NB : this is a different movie from the 1951 version where Louis Jouvet also plays Dr Knock. close
Michel Contat is Emeritus Director of Research at the CNRS, ITEM/CNRS/ENS and a specialist of Jean-Paul Sartre whose novels and theater he has edited more
Michel Contat is Emeritus Director of Research at the CNRS, ITEM/CNRS/ENS and a specialist of Jean-Paul Sartre whose novels and theater he has edited in the Pléiade edition and about whom he has written several books. With Alexander Astruc, he made the film Sartre par lui-même (1976) and, with Antoine Burnier, co-wrote the script of Claude Garretta’s TV film Sartre, L’Age des passions (2006). As a journalist, Contat contributed literary columns for Le Monde since 1978, and as an amateur musician, he was the jazz columnist for the magazine Télérama. His most recent books are Pour Sartre (2006) and André Gorz; vers la société libérée (2009). close
The story of two young men, one a prince of royal Bali-blood and the other defined as a coolie, and they are both in love with Dasnee, a slave girl possessing more
The story of two young men, one a prince of royal Bali-blood and the other defined as a coolie, and they are both in love with Dasnee, a slave girl possessing the sensuous charms for which the women of Bali are known to have. close
Can a house be a metaphor for Arab-Jewish relations in Israel? Amos Gitai returns to the house in West Jerusalem he profiled in 1980. He interviews members more
Can a house be a metaphor for Arab-Jewish relations in Israel? Amos Gitai returns to the house in West Jerusalem he profiled in 1980. He interviews members of the Jewish families who live there, and he talks with the Arab family who lived in the house until 1948. They are now in East Jerusalem and pay a nearly furtive visit to the street in front of their old house. Gitai also interviews Palestinian laborers at work on renovations and excavating an old tunnel to the Holy Mount. What do people think of each other, what do they think of Israel, what do they think of co-existence? Do the current residents know the house's history? close