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An up to date idea and a great picture. The professor sits in his laboratory with his newly invented baby incubator. A mother who is anxious for the growth more
An up to date idea and a great picture. The professor sits in his laboratory with his newly invented baby incubator. A mother who is anxious for the growth of her child enters, places her baby in care of the professor, who promptly places it in the incubator. An alcohol lamp is lighted under the apparatus, but the professor evidently gets his machine too hot, for in a few seconds the top is opened and the baby taken out. To the great anger of its mother it has grown about two feet in height and has long hair and a full beard. (Edison Catalog) close
The single camera position is from the top of a building identified as the Trocadero Palace; The camera is pointed toward the Eiffel Tower. The film shows more
The single camera position is from the top of a building identified as the Trocadero Palace; The camera is pointed toward the Eiffel Tower. The film shows only up to the first arch of the Eiffel Tower. close
A man who has placed a personal advertisement for a prospective wife goes to wait at the meeting place that he designated. Soon a woman comes in response more
A man who has placed a personal advertisement for a prospective wife goes to wait at the meeting place that he designated. Soon a woman comes in response to the advertisement. Before the two have a chance to converse, several more women arrive on the scene. Now completely flustered, the man flees, initiating a lengthy chase. close
A burlesque on the work of highwaymen in Chicago. An elderly gentleman is sandbagged and robbed by a thug, who inadvertently leaves some money on the more
A burlesque on the work of highwaymen in Chicago. An elderly gentleman is sandbagged and robbed by a thug, who inadvertently leaves some money on the victim's prostrate body. A policeman shows up. close
Scene IV of the Buster Brown Series. Shows a kitchen and Bridget busy making crullers. Buster enters and begs Bridget to give him one. Bridget refuses more
Scene IV of the Buster Brown Series. Shows a kitchen and Bridget busy making crullers. Buster enters and begs Bridget to give him one. Bridget refuses and places all the crullers in a basket on the top pantry shelf. She warns Buster not to touch them, and leaves the room. Buster secures a stepladder and proceeds to climb to the top. As he is about to secure the coveted prize his mamma enters, chastises him severely, and ties Buster fast to the table, and leaves the room. close
A most interesting picture at the Pan-American Exposition. The picture was taken from the north side of the Electric Tower. It presents the most perfect more
A most interesting picture at the Pan-American Exposition. The picture was taken from the north side of the Electric Tower. It presents the most perfect and diversified views of the Transportation Building, Mexican Plaza, the Stadium and the north side of the Electric Tower. (Edison Catalog, 1902) close
One of a few versions of the "arrival of the train" narrative. While the film is lost, there is a new digital version based on re-creation from a flipbook more
One of a few versions of the "arrival of the train" narrative. While the film is lost, there is a new digital version based on re-creation from a flipbook produced by Léon Beaulieu around the same time. Shot in Joinville-le-Pont close
The film reproduces a magic act Méliès performed at his Paris theater-of-illusions, the Théâtre Robert-Houdin. Conjuring is notable as Méliès's second more
The film reproduces a magic act Méliès performed at his Paris theater-of-illusions, the Théâtre Robert-Houdin. Conjuring is notable as Méliès's second film, and as his first to move beyond the actuality film genre pioneered by the Lumière brothers and experiment with using the camera to capture a theatrical magic act. (Later in 1896, with his discovery of the substitution splice technique, Méliès was able to begin augmenting his theatrical illusions with new special effects unique to film.) Conjuring can thus be seen as Méliès's first foray into the world of fiction film. The film was released by Méliès's Star Film Company and numbered 2 in its catalogues. close