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The lust for power is the cause of many evils. Money can buy everything but happiness and faith in God. Grandpa Masha takes part in the elections as a more
The lust for power is the cause of many evils. Money can buy everything but happiness and faith in God. Grandpa Masha takes part in the elections as a candidate for deputies. Rivals in the electoral struggle do not disdain the most brutal techniques. A little girl is kidnapped. Her life is in real danger. But Mary believes in God and He gives her great inner strength. . . close
In the film, some easily identifiable symbolic signs appear and disappear, quite appropriate for the mysticism of the Templars: zodiac signs, a cross, more
In the film, some easily identifiable symbolic signs appear and disappear, quite appropriate for the mysticism of the Templars: zodiac signs, a cross, a star, a star of David, a crescent moon, a swastika, but also yin-yang, etc. These signs, of course, have a huge semantic energy. close
Nikita Dmitrievich Golovlev, a successful businessman, receives a strange telegram during her granddaughter’s birthday celebration: “I’m coming with my more
Nikita Dmitrievich Golovlev, a successful businessman, receives a strange telegram during her granddaughter’s birthday celebration: “I’m coming with my daughter Victoria.” Your greatest love. A stormy clarification of the relationship between Nikita Dmitrievich and his wife begins. Then the son quarrels with his daughter-in-law, and as a result, the granddaughter, about whom everyone has forgotten, leaves the house where his eyes look. Never before had she wanted to die so much... She is saved by a friend who explains what the gift of God is. close
A surreal journey of a displaced spirit as he wanders in the interminable darkness through the temporal landscape of a quaint and isolated feudal-era more
A surreal journey of a displaced spirit as he wanders in the interminable darkness through the temporal landscape of a quaint and isolated feudal-era fishing village. Guided by a series of faintly illuminated rooms, the wandering spirit comes upon ancient souls who take on physical forms as they recount their personal stories of daily existence, loss, and tragedy in the peasant community. Intrigued by his initial visit to a curiously distracted elderly woman, the spirit returns to her home in order to ask a fundamental question - "What is happiness?" - an existential query that is innocently answered with innate humility and accepted unknowingness. close
The plot of the short family film “The Magic Shop”, filmed Alexander Zakharov In 1992, with some deviations from the text, it is based on the story of more
The plot of the short family film “The Magic Shop”, filmed close
Keshka loves Grandma very much. One day, during a session of television magic, Keshka asked the magician to return his grandmother to youth. It seems more
Keshka loves Grandma very much. One day, during a session of television magic, Keshka asked the magician to return his grandmother to youth. It seems that the magician has doubled the "magic" power and the effect of rejuvenation was unpredictable. close
Based on the play by Alexander Vampilov "Twenty Minutes with an Angel". Two seconded men began their “labor” activities in a small town with the fact more
Based on the play by Alexander Vampilov "Twenty Minutes with an Angel". Two seconded men began their “labor” activities in a small town with the fact that they were drunk. When they woke up, they decided to get money, but the search for funds was not successful. Suddenly a stranger appeared and offered them a hundred rubles. "Heroes" and their hotel neighbors did not believe in the sincerity and unselfishness of the act. . . close
A young girl takes refuge in the woods to escape her mother's rages. Here she reenacts scenes of her physical and sexual abuse using stuffed dolls. It more
A young girl takes refuge in the woods to escape her mother's rages. Here she reenacts scenes of her physical and sexual abuse using stuffed dolls. It seems she wants her late father back, despite the sexual abuse, for at least he loved her. Now all she has left is her physically and mentally abusive mother. close
As with so many early films by Sokurov, this film has two dates: the first is the date of its creation (the film was then banned), the second is the date more
As with so many early films by Sokurov, this film has two dates: the first is the date of its creation (the film was then banned), the second is the date of the final edition and legal public screening. The film consists of German and Soviet archive footage of the World War II — to be exact, from the end of the war. An attempt to make a large–scale documentary on this subject had been undertaken in the Soviet cinema of the 1960s: the film — “Ordinary Fascism” — by the outstanding Soviet film–maker Mikhail Romm had become a classic retrospective investigation of fascism. But Sokurov uses the expressive power of the documentary image in an absolutely different way. He does not amass materials for a large–scale picture of Nazi crimes. close
In the early nineties, when Orthodox churches and faith could already be talked about without hiding, director Sergei Baranov created a documentary about more
In the early nineties, when Orthodox churches and faith could already be talked about without hiding, director Sergei Baranov created a documentary about the history of the Seraphim-Diveevsky monastery.
The chronicle of this temple in the twentieth century comes to life in the memories of its former novice, the nun Euphrosyne. The retribution for the retreat from God was the fulfilled prophecies of St. Seraphim of Sarov - defeat and desolation. close
The time has come to life and went backwards, and gained all its losses. All the dead have given their time, all the time of their love and their hatred. more
The time has come to life and went backwards, and gained all its losses. All the dead have given their time, all the time of their love and their hatred. The cycle of present has opened. And in the ashes of the burnt lives a new fire flashed, and lit the way for those who went to the beginning of all beginnings. And I have witnessed it. close
This film was Sokurov's first feature at Lenfilm, roughly based on a short story by the contemporary Soviet writer Grigory Baklanov about the transitional period from power to subordinance.
This film was Sokurov's first feature at Lenfilm, roughly based on a short story by the contemporary Soviet writer Grigory Baklanov about the transitional period from power to subordinance. close
According to A.P. Chekhov. The noble wife of a noble husband comes to his ignoble mistress. Oh, something's wrong! After all, this is Chekhov, and Chekhov nothing just happens. Look!
According to A.P. Chekhov. The noble wife of a noble husband comes to his ignoble mistress. Oh, something's wrong! After all, this is Chekhov, and Chekhov nothing just happens. Look! close
A young man and a young woman spend the evening by the campfire. The girl asks about the starry sky and the photometric paradox, and the young man answers more
A young man and a young woman spend the evening by the campfire. The girl asks about the starry sky and the photometric paradox, and the young man answers her with lyrical statements of great people about the infinity of the Universe. Frustrated, she rides off on a motorcycle with another young man. close
Dimka, offended by the adults who joked on them, paints photos of their abusers. He is sure that all of them, having acquired new colors, will understand how unfair they were to him.
Dimka, offended by the adults who joked on them, paints photos of their abusers. He is sure that all of them, having acquired new colors, will understand how unfair they were to him. close
Winter. Snow is sweeping, a blizzard howls. The wife of old Foma died. Fomka takes a coffin on a sleigh to a village graveyard along a deserted, dusty more
Winter. Snow is sweeping, a blizzard howls. The wife of old Foma died. Fomka takes a coffin on a sleigh to a village graveyard along a deserted, dusty winter road, and he sees that Nastasiya is walking barefoot in the snow - alive, young, as on a photograph... close
Parajanov's collage of all the footage that remained from his film "Kyiv Frescoes," which was halted by the authorities who demanded that all the negatives be destroyed.
Parajanov's collage of all the footage that remained from his film "Kyiv Frescoes," which was halted by the authorities who demanded that all the negatives be destroyed. close
