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In 1930s Poland Christian boy Ivan goes to live with a Jewish family to learn a trade. He becomes friends with Abraham, the son of the family. However, more
In 1930s Poland Christian boy Ivan goes to live with a Jewish family to learn a trade. He becomes friends with Abraham, the son of the family. However, anti-Semitism is rife in their environment, and they flee to escape an upcoming conflict. Journeying together, they demonstrate their inseparability. close
A witty, despairing French-Russian-Italian-Swiss art movie set in 16th-century Georgia, Stalinist Georgia, contemporary Georgia, and contemporary Paris, more
A witty, despairing French-Russian-Italian-Swiss art movie set in 16th-century Georgia, Stalinist Georgia, contemporary Georgia, and contemporary Paris, featuring the same set of actors in all four settings. close
In a remote Kyrgyz village, Beshkempir, an infant foundling, is taken in by five older women and later adopted by a couple unable to bear children of more
In a remote Kyrgyz village, Beshkempir, an infant foundling, is taken in by five older women and later adopted by a couple unable to bear children of their own. Fast forward to his early teenage years, a pubescent Beshkempir is faced with all the problems of crushing on girls and courtship, reconciling with friends and dealing with death in the family. Above all he questions his place in the world as an adoptee. close
Living in Almaty, Kazakhstan, a young man is preparing to become a bus conductor. One day, in between wandering the city streets and going to the movies, more
Living in Almaty, Kazakhstan, a young man is preparing to become a bus conductor. One day, in between wandering the city streets and going to the movies, he makes the acquaintance of a female student. close
After his long-lost son is suddenly thrust back into his life, a charismatic con artist takes to the road with his two wives, swindling everyone they encounter along their path.
After his long-lost son is suddenly thrust back into his life, a charismatic con artist takes to the road with his two wives, swindling everyone they encounter along their path. close
A 50-year-old housewife, Manana, struggles with her dilemma - she has to choose between her family life and her passion, writing, which she had repressed more
A 50-year-old housewife, Manana, struggles with her dilemma - she has to choose between her family life and her passion, writing, which she had repressed for years - she decides to follow her passion and plunges herself into writing, sacrificing to it mentally and physically. close
25 year-old John, his teenage brother Erbol, and their sickly 12 year-old sister Aliya, are forced to leave their house in the Kazakh city of Almaty. more
25 year-old John, his teenage brother Erbol, and their sickly 12 year-old sister Aliya, are forced to leave their house in the Kazakh city of Almaty. By luck their mother left them a house in a remote village, where they plan to prepare their comeback. But the house appears to be on the wish list of the District Officer’s alcoholic brother, who has lived there illegally for 10 years. close
The main hero of the film is an electrician with a far greater effect on the people around him than his job defines. He is the last link in a huge energetic more
The main hero of the film is an electrician with a far greater effect on the people around him than his job defines. He is the last link in a huge energetic system and he becomes the binding bridge between the geopolitical problems of post-soviet space and the common people. The economic devastation of the country had an enormous impact on the industrial workers and yet despite the upheaval, these people did not seize to love and suffer, to have and be friends and to enjoy their lives. In particular our resilient electrician, who possesses a wonderful and open heart. He not only brings electric light (which is often out) to the lives of the inhabitants of this small city, but he also spreads the light of love, loyalty, life and mainly laughter. close
A filmmaker, Kobessov, awakens from an anxiety nightmare: during the preview of his newest film, the projectionist mixes up the reels and begins to show more
A filmmaker, Kobessov, awakens from an anxiety nightmare: during the preview of his newest film, the projectionist mixes up the reels and begins to show a bad karate film by accident. Although Kobessov objects to the mix-up, the public is ecstatic and refuses to allow the projectionist to interrupt the screening to show Kobessov's film. close
Chouga is a beautiful, rich and beloved young woman. She is thirty and lives in Astana, the Kazak new capital. She is married to a famous scientist in more
Chouga is a beautiful, rich and beloved young woman. She is thirty and lives in Astana, the Kazak new capital. She is married to a famous scientist in his sixties and has a seven-year-old son. Her brother and sister-in-law live in Almaty. The couple is tearing apart and Chouga’s brother requests her to come and try to bring them back together. There she meets Ablaï, a rich and idle young man whom she strongly feels attracted to. Once back to Astana, Chouga tries to withstand this sensual attraction about which she has a premonition of a tragic outcome. close
Ugly, illiterate and an uncommunicative “graduate” of the city orphanage, Nagima is a young woman whose life offers little potential for success or even more
Ugly, illiterate and an uncommunicative “graduate” of the city orphanage, Nagima is a young woman whose life offers little potential for success or even happiness. Nagima rents a tiny room on the outskirts of the city of Almaty with her fellow orphanage “graduate” the pregnant, and equally isolated, Anya. In the midst of giving birth to her child, tragedy strikes and Anya dies. Never knowing her mother, the newborn girl must be submitted to the orphanage and so Nagima sees the vicious cycle of life in repetitious action and becomes severely depressed at the cruelty of life. close
Exposure time – in photography it is nothing more than the time that an object lives in a frame. And based on this, any photo is not only a two-dimensional more
Exposure time – in photography it is nothing more than the time that an object lives in a frame. And based on this, any photo is not only a two-dimensional graphic composition. It also has a third, temporal dimension, a temporal depth. She is the bearer, the keeper of time. Which means memory. Whose memory? Faces, objects, landscapes captured in the picture? The photographer's own memory?
Making the photo material for the film “The life time of the object in the frame” (the Hour of life of the object in the frame), its authors inevitably found themselves in a maze of “aliens” and their memories, “alien” and their time. And in search of a way out of this maze, they themselves became part of it and the material for their own film. close
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