The film will follow Princess Songhwa, who refuses her fate to marry one of four suitors. While Seo Do-yoon, skilled at interpreting marital harmony signs more
The film will follow Princess Songhwa, who refuses her fate to marry one of four suitors. While Seo Do-yoon, skilled at interpreting marital harmony signs is selected as the person to ascertain her best match. close
When Seung-min was on his first year at the Academy of Architecture, he met Seo-yeon. She was a musician student, and Seung-min totally fell in love with more
When Seung-min was on his first year at the Academy of Architecture, he met Seo-yeon. She was a musician student, and Seung-min totally fell in love with her. Years have passed, and now he meets Seo-yeon again - she asks him to rebuild her father's old house. close
Detective Nam-soon goes undercover with her partner Detective Ahn to investigate the counterfeit money. She discovers that one loyal henchman, Sad Eyes, more
Detective Nam-soon goes undercover with her partner Detective Ahn to investigate the counterfeit money. She discovers that one loyal henchman, Sad Eyes, a beautiful swordsman with a pale, blank face, is related to the truth. Nam-soon and Sad Eyes confront each other in a series of duels and become confused between love and obligation to duty. close
Hong Sang-Soo’s Lost in the Mountains (South Korea, 32min) the visitor is the supremely self-centred Mi-Sook, who drives to Jeonju on impulse to see her more
Hong Sang-Soo’s Lost in the Mountains (South Korea, 32min) the visitor is the supremely self-centred Mi-Sook, who drives to Jeonju on impulse to see her classmate Jin-Young – only to discover that her friend is having an affair with their married professor, who Mi-Sook once dated herself. The level of social embarrassment goes off the scale. In Naomi Kawase’s Koma (Japan, 34min), Kang Jun-Il travels to a village in rural Japan to honour his grandfather’s dying wish by returning a Buddhist scroll to its ancestral home. Amid ancient superstitions, a new relationship forms. And in Lav Diaz’ Butterflies Have No Memories (Philippines, 42min) ‘homecoming queen’ Carol returns to the economically depressed former mining town she came from – and becomes the target of an absurd kidnapping plot hatched by resentful locals. Serving as his own writer, cameraman and editor, Diaz casts the film entirely from members of his crew and delivers a well-seasoned mix of social realism and fantasy. —bfi close
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