Humorist Robert Benchley attempts to find Walt Disney to ask him to adapt a short story about a gentle dragon who would rather recite poetry than be ferocious. more
Humorist Robert Benchley attempts to find Walt Disney to ask him to adapt a short story about a gentle dragon who would rather recite poetry than be ferocious. Along the way, he is given a tour of Walt Disney Studios, and learns about the animation process. close
It's hunting season, and all the ducks are wisely staying undercover - apart from this freshly-hatched little duckling, who turns out to be more than a match for two inept would-be hunters....
It's hunting season, and all the ducks are wisely staying undercover - apart from this freshly-hatched little duckling, who turns out to be more than a match for two inept would-be hunters.... close
Two alley cats, Babbitt and Catsello, decide to make a meal out of Orson as he sleeps in his nest atop a telephone pole. The gullible (and loud) Catsello more
Two alley cats, Babbitt and Catsello, decide to make a meal out of Orson as he sleeps in his nest atop a telephone pole. The gullible (and loud) Catsello is repeatedly gulled into trying to "get the bird," earning a variety of thrashings from the casually murderous little canary. Catsello finally resorts to an air strike (with a pair of wooden boards for wings), but it's wartime, and Orson has the cat blasted out of the sky by anti-aircraft guns. close
Coming to Placid Pines is difficult for Tracy, who's brother, Jason, was one of Trevor's victims near the end of the original. When Tracy's nightmares more
Coming to Placid Pines is difficult for Tracy, who's brother, Jason, was one of Trevor's victims near the end of the original. When Tracy's nightmares begin to come true as one by one the counselors are murdered. Someone is hunting them through the pitch-black Forest and is determined to kill them all. Could Trevor Moorhouse be back?! close
A famous French filmmaker is hired by a major Hollywood producer to make a documentary on the state of post-Cold War Russia. The filmmaker, though, subverts more
A famous French filmmaker is hired by a major Hollywood producer to make a documentary on the state of post-Cold War Russia. The filmmaker, though, subverts the project by stubbornly remaining in France and casting himself as the title character of Dostoyevsky's "The Idiot," offering up a series of typically Godardian musings on art, politics, the nature of images and the future of cinema. close
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