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Georges Méliès adaptation of Robinson Crusoe, the first film adaptation of the story. Filmed in black & white, Méliès would then paint the film by hand more
Georges Méliès adaptation of Robinson Crusoe, the first film adaptation of the story. Filmed in black & white, Méliès would then paint the film by hand to colour it. Originally a 15 minute film, twelve and a half minutes of painted film have been found and have been restored. close
Showing Pygmalion at work in his studio on the statue of Galatea, who, on being completed, comes to life. He attempts to clasp her to his arms, when the more
Showing Pygmalion at work in his studio on the statue of Galatea, who, on being completed, comes to life. He attempts to clasp her to his arms, when the bust leaves the body and crossing the room mocks at him standing with the lower portion of her body in his hands. Further startling illusions are seen in this most beautiful picture. close
In this picture there is a limited amount of action in the pose. As the curtains are drawn aside the shell appears shut. It gradually opens, disclosing more
In this picture there is a limited amount of action in the pose. As the curtains are drawn aside the shell appears shut. It gradually opens, disclosing the model curled up in a recumbent position. She slowly arises as if awakening, and gracefully assumes the final position of the pose. close
A burning wagon is dragged from the barn by the firemen, and four horses are rescued from the flames by the stablemen. Thick volumes of smoke pour from the doors and windows. (Edison catalog)
A burning wagon is dragged from the barn by the firemen, and four horses are rescued from the flames by the stablemen. Thick volumes of smoke pour from the doors and windows. (Edison catalog) close
“A file of Spanish soldiers line up the Cubans against a blank wall and fire a volley. The flash of rifles and drifting smoke make a very striking picture.” (Edison film catalog)
“A file of Spanish soldiers line up the Cubans against a blank wall and fire a volley. The flash of rifles and drifting smoke make a very striking picture.” (Edison film catalog) close
This early film made by Georges Hatot for the Lumière Company is a brief single shot-scene of the assassination of the French revolutionary writer, Jean-Paul more
This early film made by Georges Hatot for the Lumière Company is a brief single shot-scene of the assassination of the French revolutionary writer, Jean-Paul Marat--who has the notorious distinction of having influenced the Reign of Terror. close
On the roof of an ancient palace appear a young Knight and his lady. While they are making love an ugly old witch appears and is rather troublesome. The more
On the roof of an ancient palace appear a young Knight and his lady. While they are making love an ugly old witch appears and is rather troublesome. The Knight commands her to leave, and when he is about to force her away she sits on her broom and rises to the moon. After disappearing she causes various hob-goblins to haunt the pair, the last of them stealing away the lady while the Knight's back is turned. The Knight, frantic with grief, is suddenly confronted by a Fairy, who presents him with a magical sword, and tells him that he can use it to regain the young woman. close
Billy Bitzer filmed 21 short actualities inside the Pittsburgh Westinghouse Works in April and May of 1904. Audiences of the day would have been treated more
Billy Bitzer filmed 21 short actualities inside the Pittsburgh Westinghouse Works in April and May of 1904. Audiences of the day would have been treated to footage of factory panoramas, women winding armatures and turbines being assembled. These industrial films were produced for the American Mutoscope & Biograph Company. close
“A marvelously clear picture taken from the top of the elevator of the Eiffel Tower during going up and coming down of the car. This wonderful tower is more
“A marvelously clear picture taken from the top of the elevator of the Eiffel Tower during going up and coming down of the car. This wonderful tower is 1,000 feet in height, and the picture produces a most sensational effect. As the camera leaves the ground and rises to the top of the tower, the enormous white city opens out to the view of the astonished spectator. Arriving at the top of the tower, a bird's eye view of the Exposition looking toward the Trocadero, and also toward the Palace of Electricity, is made, and the camera begins its descent. The entire trip is shown on a 200-foot film. 30.00. We furnish the ascent in 125 foot film.” (Edison film catalog) close
The scene opens in the interior of an artist's studio. Mephisto appears mysteriously and signals the pictures to come to life. They step down from the more
The scene opens in the interior of an artist's studio. Mephisto appears mysteriously and signals the pictures to come to life. They step down from the frames and walk forward, admiring their costumes. Mephisto then touches the artist on the shoulder, awakening him, and disappears. The artist, after rubbing his eyes, sees the picture on his right hand side and jumps up to embrace her. After embracing her once, he makes a second attempt and she disappears. The artist now wakes up, jumps to his feet, and runs to see if the picture are still in the frames. He examines them and finding that they are still fast on the wall, realizes that the has been dreaming and seeks consolation in the bottle. close
This short, otherwise unremarkable feature is of some interest because of the way that it unabashedly caters to the tastes that it perceived in its audiences. more
This short, otherwise unremarkable feature is of some interest because of the way that it unabashedly caters to the tastes that it perceived in its audiences. Besides combining the elements of the risqué 'blue' movies of the era with the popularity of movies about fires, it also attempted to use the combination to get extra mileage out of it. The movie's title summarises the setup, and most of the footage shows firefighters using ladders to rescue stage girls, clad in portions of their costumes, from an upper level. Although it all seems pretty tame by today's standards, it no doubt provided its male viewers with some brief moments of excitement as the various women hurried down the ladders with their costumes in disarray. (IMDb) close
A despondent-looking man sits behind a table that holds a drink and a gun. He hesitates, thinks things over, starts to take a drink, and then puts down more
A despondent-looking man sits behind a table that holds a drink and a gun. He hesitates, thinks things over, starts to take a drink, and then puts down the glass. Then he picks up the gun and raises it to his temple. close