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The heroes of this story, based on real events at the end of the 1930s and during World War II, face and dismiss the illusions of intellectuals about more
The heroes of this story, based on real events at the end of the 1930s and during World War II, face and dismiss the illusions of intellectuals about their ability to transform society. Professor Magyary and his disciples hoped to promote the modernisation of Hungarian society through a radical reform of public administration. close
In late 1989, angered by comments made by Liv Ullmann about Hong Kong's treatment of Vietnamese refugees, Rubie composes a letter to the actress. Passages more
In late 1989, angered by comments made by Liv Ullmann about Hong Kong's treatment of Vietnamese refugees, Rubie composes a letter to the actress. Passages from the letter are revealed throughout the movie as Rubie, her friends, and family come to terms with the impending handover to China, and decide whether to remain in Hong Kong or emigrate abroad close
After the partition of India in 1947, Shashikanta's family, like millions of other Hindu families of East Pakistan (now Bangladesh), faced the dilemma more
After the partition of India in 1947, Shashikanta's family, like millions of other Hindu families of East Pakistan (now Bangladesh), faced the dilemma of whether to migrate from the land in which they have been living for centuries. But Shashikanta Sengupta, an eccentric lawyer, stubbornly refuses to leave his motherland. Widower Shashikanta has two children, Minoti and Bidyut. Anuprava Devi is an affectionate old aunt who lives with the family. The family has a house in Narail, a small provincial town on the bank of the Chitra river. Some Muslim neighbors eye Shashaikanta's house. But the family refuse to migrate. Shashikanta's children Minoti and Bidyut are friends with the neighboring Muslim children- Badal, Salma and Nazma. Minoti and Badal become more than friends. The children grow up. close
In 1985, Cheung Yau-ming was one of five miscreants involved in the brutal murder of a white couple. As he was still a juvenile, the court ordered that more
In 1985, Cheung Yau-ming was one of five miscreants involved in the brutal murder of a white couple. As he was still a juvenile, the court ordered that he be "detained at Her Majesty's pleasure," a clause in British law allowing the government to imprison young offenders for an indefinite period. The film picks up in 1997, with Yau-ming (now 28) being paid a visit by a girl named Cheung Yue-ling. With only six months to go before the Handover, Yau-ming and 22 other prisoners hope to have their sentences determined soon, fearing what might happen should the decision about what to do with them become the province of incoming Chief Executive Tung Chee-hwa. close
A digital animation of a Victorian stereoscopic photograph of a 19th-century factory floor, crowded with machinery and child workers. Filmmaker Ken Jacobs more
A digital animation of a Victorian stereoscopic photograph of a 19th-century factory floor, crowded with machinery and child workers. Filmmaker Ken Jacobs isolates the faces of individuals and details of the image, as if searching out the human and the particular within this mechanized field of mass production. Space appears to fold in on itself as Jacobs activates the stereograph; the agitated image flickers and stutters, but the motion never, in fact, progresses. close
Voice of the Eagle: The Enigma of Robbie Basho is a journey into the heart of an artist's lifelong struggle - designed to illuminate and satiate existing more
Voice of the Eagle: The Enigma of Robbie Basho is a journey into the heart of an artist's lifelong struggle - designed to illuminate and satiate existing fans while serving as a perfect starting point for the uninitiated. Featuring interviews with Basho's former students, contemporaries and few close friends (including Pete Townshend, William Ackerman, Henry Kaiser and Country Joe McDonald), the documentary integrates new information and anecdotes on Basho with previously uncovered archive material and photography of the natural phenomena and landscapes that informed his work. close
Written and co-directed by 18-year-old Tunde Ikoli, this was made, he said, 'to show people what we have to put up with'; and its immediacy in dealing more
Written and co-directed by 18-year-old Tunde Ikoli, this was made, he said, 'to show people what we have to put up with'; and its immediacy in dealing with the repressive influences on teenagers living in the East End of London often compensates for its lack of technical gloss. Particularly effective are a pointless search by goon-like policemen, and a café conversation between Tunde's friends, both of which do more to 'explain' delinquency than all of your glib sociological theorising. Like all neo-realism, Tunde's Film has the authority of performers re-enacting lived experience rather than acting. close
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