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A cinematic look at The Doors on the road during their summer '68 tour. Concert performances are intercut with fly-on-the-wall footage of the group in their natural habitat.
A cinematic look at The Doors on the road during their summer '68 tour. Concert performances are intercut with fly-on-the-wall footage of the group in their natural habitat. close
Breakaway plays out like a visual symphony. A prototype for the best (but still, lesser) contemporary formalist music videos, like Peter Care’s “What’s more
Breakaway plays out like a visual symphony. A prototype for the best (but still, lesser) contemporary formalist music videos, like Peter Care’s “What’s the Frequency, Kenneth?” and “Drive” (both for REM), Conner’s movie is an experiment in the visual language of film. But no matter how powerful a formal analysis of his filmmaking process may be in suggesting how Conner’s rhythms affect us, there is much in Breakaway – in Basilotta’s brash and unbridled self-assertiveness, in Conner’s feverish camera style, and even in the uncomplicated honesty of Cobb’s catchy lyrics and tune – that defies verbalisation… and must simply be loved! -- Senses of Cinema close
Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.
Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City. close
The stooges are working in a radio station where a pretty girl has just made a recording of "Voices of Spring" under an assumed name. She wants to hide more
The stooges are working in a radio station where a pretty girl has just made a recording of "Voices of Spring" under an assumed name. She wants to hide her singing career from her disapproving society parents while auditioning for Mrs. Bixby's "Krispy Krunchy" radio program. After a run-in with a pompous violinist, the boys find the record and Curly starts mimicking to it, dressed as a women. Mrs. Bixby witnesses their performance and is impressed enough to hire "Senorita Cucaracha" (Curly) and Senors "Mucho" and "Gusto" (Moe and Larry) for her radio program. The boys show up in their disguises to "sing" at a Mrs. Bixby's party but run into trouble when Moe smashes the record over Curly's head. The real singer tries to help by singing from behind a curtain while Curly mimics, but she is discovered and the stooges exit to a hail of phonograph records. close
A rising nineteen-year-old singer by the name of Billie Holiday made her screen debut in this musical landmark, which features Duke Ellington and his more
A rising nineteen-year-old singer by the name of Billie Holiday made her screen debut in this musical landmark, which features Duke Ellington and his orchestra performing his symphonic jazz piece “A Rhapsody of Negro Life” set to scenes of everyday African American life. close
Defying her father's wishes, a young woman runs off to a sale at store. She's pursued by a policeman, but wins him over with the help of a friendly millionaire. more
Defying her father's wishes, a young woman runs off to a sale at store. She's pursued by a policeman, but wins him over with the help of a friendly millionaire. In the mean time, her father tries to retrieve a compromising letter. close
Al Jolson's first sound film. Dressed in overalls and wearing black-face makeup, he sings three of his hit songs: "When the Red, Red, Robin Comes Bob, more
Al Jolson's first sound film. Dressed in overalls and wearing black-face makeup, he sings three of his hit songs: "When the Red, Red, Robin Comes Bob, Bob, Bobbin' Along ", "April Showers", and "Rock-a-Bye Your Baby with a Dixie Melody ". close
The Black Death is ravaging Spain. As Camille Saint-Saëns's "Danse Macabre" plays on the soundtrack, a mix of animation and acted scenes tells the story more
The Black Death is ravaging Spain. As Camille Saint-Saëns's "Danse Macabre" plays on the soundtrack, a mix of animation and acted scenes tells the story of Youth and Love meeting one night. They dance, embrace, and kiss. As the night wears on, exuberant Death, a skeletal figure with a violin, pursues the couple. They try to elude him. Eventually, Love swoons. Youth is powerless to protect her. Is she doomed? close
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