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The title Horizontal Boundaries refers to frame lines- the boundaries between one image and the next on a roll of motion picture film. These lines, usually more
The title Horizontal Boundaries refers to frame lines- the boundaries between one image and the next on a roll of motion picture film. These lines, usually hidden by the projector gate, are revealed as subject matter and as a means of dividing the screen into as many as four very wide images, stacked one above the other. They represent many places, and a few people. My intent was to find ways to allow the images to interact in ways not usually possible. The track includes some Irish fiddle solos and intense recycled dialog. close
The filmmaker, fighting ovarian cancer, stage 3, returns to her experimental roots, in a multilayered film of numerous chemotherapy sessions with images more
The filmmaker, fighting ovarian cancer, stage 3, returns to her experimental roots, in a multilayered film of numerous chemotherapy sessions with images of light and movement that take her far from the hospital bed. A a cancer ‘thriver’ rather than ’survivor’, Barbara Hammer rides the red hills of Georgia O’Keefe’s Ghost Ranch in New Mexico, the grassy foothlls of the Big Horn in Wyoming, and leafy paths in Woodstock, New York changing illness into recovery. The haunting and wondrous music of Meredith Monk underscores and celebrates in this film that lifts us up when we might be most discouraged. close
Two little girls hide in the boys' bathroom at school so they can find out what happens there. When two boys come in, the four gradually talk each other more
Two little girls hide in the boys' bathroom at school so they can find out what happens there. When two boys come in, the four gradually talk each other into taking off their clothes. The principal catches them, and angrily berates them for what they've been up to, warning them that he'll have to tell their parents about the incident. Later repercussions are seen as parents of three of them separately discuss and fight about what has happened, with some taking a winking attitude of their child's discovery and others battling about how to react. Returning to school poses an additional challenge, as everyone has found out what has gone on. close
One-point perspective visual path across the US beginning inside a linear accelerator or atom-smashing device and traveling to such high-energy locations more
One-point perspective visual path across the US beginning inside a linear accelerator or atom-smashing device and traveling to such high-energy locations as the home of an ancient sun calendar in Chaco Canyon, New Mexico; the site of Ohio Valley Mound cultures; the Golden Gate and Brooklyn Bridges; and beyond. Scientists have noted that light rays curve at the outer edges of the universe, leading them to theorize that time also bends. Inspired by this idea, Hammer used an extreme wide angle lens and "one frame of film per foot of physical space" to simulate the concept of bent time. close
An aubade is a poem or morning song evoking the first rays of the sun at daybreak. Often, it includes the atmosphere of lovers parting. This film is my more
An aubade is a poem or morning song evoking the first rays of the sun at daybreak. Often, it includes the atmosphere of lovers parting. This film is my first venture into shooting in color negative after having spent a lifetime shooting Kodachrome. In some sense, it is a new beginning for me. -Nathaniel Dorsky close
The artist records himself at home proudly indulging in the happiness of a drug (heroin and cocaine) inspired perfect day. The music of Lou Reed: Heroin more
The artist records himself at home proudly indulging in the happiness of a drug (heroin and cocaine) inspired perfect day. The music of Lou Reed: Heroin and Perfect Day. Recorded on Sunday – edited on Monday. Be Happy. close
Scott Stark leads us through a dizzying array of consumerist goods in his stereoscopic mannequin melodrama The Realist. Composed of flickering still images, more
Scott Stark leads us through a dizzying array of consumerist goods in his stereoscopic mannequin melodrama The Realist. Composed of flickering still images, this entrancing romp conjures retail worlds both familiar and strange, in which chiselled mannequins may in fact be communing with each other amid the overwhelming array of apparel. Whether viewed as consumerist critique or spellbinding, operatic fantasy, The Realist employs a deft binary structure that skews toward the metaphysical. close
The images in this film come from an extensive collection of out-dated raw stock that has been processed without being exposed, and sometimes rephotographed more
The images in this film come from an extensive collection of out-dated raw stock that has been processed without being exposed, and sometimes rephotographed in closer format. Each pattern of grain takes on its own emotional life, an evocation of different aspects of our own being. close
From the experience of a transvestite from Los Angeles, the A. shows how race and sexuality are closely intertwined. Through the malleability of the disguised more
From the experience of a transvestite from Los Angeles, the A. shows how race and sexuality are closely intertwined. Through the malleability of the disguised identity, the A. shows an inspired philosophy of Gramsci on the practice considered as subculture field. close