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Poor Uncle Josh is trying to get to sleep, but being constantly bedevilled by a fellow in red long underwear with horns. A short early trick editing film more
Poor Uncle Josh is trying to get to sleep, but being constantly bedevilled by a fellow in red long underwear with horns. A short early trick editing film using a stationary camera much more valuable for its historical, rather than entertainment value. close
George Mélies made a version of this a few years later, often titled Une Indigestion, but Guy-Blaché’s earlier film Chirurgie Fin de Siecle (1900) is more
George Mélies made a version of this a few years later, often titled Une Indigestion, but Guy-Blaché’s earlier film Chirurgie Fin de Siecle (1900) is more widely available. And it’s not one to watch the night before an operation. In this clinic, a sign pleads “On est prie de ne pas crier/Please do not cry”, and the doctors set about the patient with saws, cheerily hacking off limbs, and then slopping them into a bucket, all the while arguing ferociously with each other. They then reattach arms and legs from a bucket of “exchange pieces” (using glue) before re-animating their victim, I mean patient, with bellows. (from http://silentlondon.co.uk/2015/01/23/10-disgusting-moments-in-silent-cinema/) close
One of the greatest of black art pictures. The conjurer appears before the audience, with his head in its proper place. He then removes his head, and more
One of the greatest of black art pictures. The conjurer appears before the audience, with his head in its proper place. He then removes his head, and throwing it in the air, it appears on the table opposite another head, and both detached heads sing in unison. The conjurer then removes it a third time. You then see all three of his heads, which are exact duplicates, upon the table at one time, while the conjurer again stands before the audience with his head perfectly intact, singing in unison with the three heads upon the table. He closes the picture by bowing himself from the stage. close
Come Along, Do! is an 1898 British short silent comedy film, produced and directed by Robert W. Paul. The film was of 1 minute duration, but only forty-some more
Come Along, Do! is an 1898 British short silent comedy film, produced and directed by Robert W. Paul. The film was of 1 minute duration, but only forty-some seconds have survived. The whole of the second shot is only available as film stills. The film features an elderly man at an art gallery who takes a great interest in a nude statue to the irritation of his wife. The film has cinematographic significance as the first example of film continuity. It was, according to Michael Brooke of BFI Screenonline, "one of the first films to feature more than one shot." In the first shot, an elderly couple is outside an art exhibition having lunch and then follow other people inside through the door. The second shot shows what they do inside. close
A weary traveler stops at an inn along the way to get a good night's sleep, but his rest is interrupted by odd happenings when he gets to his room--beds more
A weary traveler stops at an inn along the way to get a good night's sleep, but his rest is interrupted by odd happenings when he gets to his room--beds vanishing and re-appearing, candles exploding, pants flying through the air and his shoes walking away by themselves. close
From Maguire & Baucus catalogue: A most amusing and life-like scene, in which a number of young ladies clad in their night robes, are seen engaged in a midnight frolic.
From Maguire & Baucus catalogue: A most amusing and life-like scene, in which a number of young ladies clad in their night robes, are seen engaged in a midnight frolic. close
An old man gets progressively livelier - and drunker - as he downs his bottle of beer. Finally, he cocks a snook - and doesn't bother to uncock it as he continues to drink.
An old man gets progressively livelier - and drunker - as he downs his bottle of beer. Finally, he cocks a snook - and doesn't bother to uncock it as he continues to drink. close
A fellow in a wide-brimmed hat, with a willowy stick for a rod and a baited hook, sits down on a plank hanging over a bridge above a stream. He sticks more
A fellow in a wide-brimmed hat, with a willowy stick for a rod and a baited hook, sits down on a plank hanging over a bridge above a stream. He sticks the rod under his seat and picks up his bottle to take a swig. Behind him creeps a joker who removes the large flagstone that's holding the fisherman's plank in place (IMDb) close
A gardener is watering his flowers, when a mischievous boy sneaks up behind his back, and puts a foot on the water hose. The gardener is surprised and more
A gardener is watering his flowers, when a mischievous boy sneaks up behind his back, and puts a foot on the water hose. The gardener is surprised and looks into the nozzle to find out why the water has stopped coming. The boy then lifts his foot from the hose, whereby the water squirts up in the gardener's face. The gardener chases the boy, grips his ear and slaps him in his buttocks. The boy then runs away and the gardener continues his watering. Three separate versions of this film exist, this is the original, filmed by Louis Lumière. close
In the background is a house. In the foreground, a groom holds the reins of a sleek black horse that stands in profile. A tall man, dressed in a black more
In the background is a house. In the foreground, a groom holds the reins of a sleek black horse that stands in profile. A tall man, dressed in a black uniform, demonstrates how to mount the horse then encourages and tries to assist a man in white. The man in white keeps falling, and soon it's apparent that he's an putting on a show. His pratfalls become more elaborate and stylish. The horse stands patient. The little groom laughs to see such sport. And finally, the man in white finds a comic accommodation. The story, though brief, has a beginning, middle, and end. close