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«Nel giardino dei suoni» («In The Garden of Sounds») is a touching, poetic exploration of the relationship between mind, body and sound, and a cinematic more
«Nel giardino dei suoni» («In The Garden of Sounds») is a touching, poetic exploration of the relationship between mind, body and sound, and a cinematic journey to the borders of communication. Nicola Bellucci tells the extraordinary story of Wolfgang Fasser, a blind musician and soundscape artist who works with severely handicapped children, helping them to find their place in a world not made for them. On his own way into the darkness, Fasser discovered the world of sounds, a parallel universe to our visual world. His far-reaching explorations of sound’s effect on mind and body led him to the field of music therapy. close
Documents the post-punk period between 1978 and 1981, featuring the looks, the poses, the rucks, the riots and the slaggings of bands and their fans. more
Documents the post-punk period between 1978 and 1981, featuring the looks, the poses, the rucks, the riots and the slaggings of bands and their fans. Includes footage of the Wasted Festival and some of the original bands 25 years on. Also has performances from exponents of Punk, Mod, Oi and Ska - all filmed in the same DIY ethic that spawned punk itself. close
A film about a plastic spoon and a society that has reached a high level of development – oil is being retrieved from subterranean depths, transported more
A film about a plastic spoon and a society that has reached a high level of development – oil is being retrieved from subterranean depths, transported to processing plants, turned into plastic, transported to another plant, where it acquires the shape of a spoon, transported to convenience stores, where we buy it, and is then soon tossed into the trash. In other words, this is a film about the efforts put into making a spoon that can be thrown away so effortlessly. close
When Eva was 18 years old, as a gift from her father, she received a film about her entire previous life. After all, Eva’s father – director Yoshi Scheidegger more
When Eva was 18 years old, as a gift from her father, she received a film about her entire previous life. After all, Eva’s father – director Yoshi Scheidegger – documented everything that happened to the family like an obsession. My daughter spent her whole life trying to hide from the lens. After the death of his father, Eva dismantled his huge film archive and made a film about the life of his father. close
A three-part documentary about four young men who were active members of the Zurich youth movement in the early 1980s and died tragically as a result more
A three-part documentary about four young men who were active members of the Zurich youth movement in the early 1980s and died tragically as a result of “accidents” with the involvement of the police. The exuberant Dani and Michi stole a motorbike to go on a joyride; a police car gave chase and caused their fatal crash. Renato, a young junkie raised in orphanages, was shot by the police while driving a stolen car. Max, an innocent bystander at a youth demonstration, was clubbed on the head by a police officer, and later died of complications caused by his head injuries. Taken together, these three incidents reflect the tense and violent atmosphere of the time and the conflict between repressive authority and a young generation desperate for freedom close
Lisl Ponger creates an imaginary map of the twentieth century on which the stories of emigration are engraved like well-worn tracks of occidental memory. more
Lisl Ponger creates an imaginary map of the twentieth century on which the stories of emigration are engraved like well-worn tracks of occidental memory. The pictures, made by observant tourists, are revealed, in their tensile relationship to the soundtrack, as a post-colonial journey. A journey through exactly those countries which long ago have been shrunk together in space and time. Finally the wonderful neon signs of the “Hotel Edison” and “Radio City” remind one of the origins of this form of appropriation of the world, of the time of great expeditions, of Benjamin‘s shop-windows and passages, and of the time when technical apparatus and means of transportation fundamentally altered the perceptions of modern man. close
Shortly after Margaret Thatcher's election as prime minister, Ken Loach returned to documentary, convinced that the long gestation of feature films made more
Shortly after Margaret Thatcher's election as prime minister, Ken Loach returned to documentary, convinced that the long gestation of feature films made them useless as instruments of topical social comment. But his trade union documentary A Question of Leadership, intended for national ITV broadcast, was criticised by the Independent Broadcasting Authority for its explicitly anti-government stance. It was eventually screened a year later, exclusively in the Midlands (tx. 13/8/1981). Believing that the then-new Channel 4 would be more amenable to politicised documentaries, Loach proposed the four-part Questions of Leadership (1983), a wider-ranging study of the trade union movement - but on viewing the completed programmes' strong criticism of leading trade unionists, an anxious Channel 4 shortened the series to two parts and proposed screening a 'balancing' documentary by a different filmmaker, before scrapping the broadcast altogether. close
Told with authenticity and perception, David looks back on the life of a school caretaker in a Welsh mining town, from the marriage and birth of his son more
Told with authenticity and perception, David looks back on the life of a school caretaker in a Welsh mining town, from the marriage and birth of his son to the trauma of a pit accident. David was the first film produced by the BFI, in 1951, and the Welsh selection for the same year’s Festival of Britain screenings in London. close
Shot behind the scenes, from the point of view of a subjective camera, the film shows the ethnologist’s ambiguous relations and negotiations with the people of his village in the mountains.
Shot behind the scenes, from the point of view of a subjective camera, the film shows the ethnologist’s ambiguous relations and negotiations with the people of his village in the mountains. close
UCLA's Ethno-Communications Program's first collective student film had intended to capture the East Los Angeles Chicano Moratorium Against the War in more
UCLA's Ethno-Communications Program's first collective student film had intended to capture the East Los Angeles Chicano Moratorium Against the War in Vietnam, Aug. 29, 1970, but the film turns into a requiem for slain journalist and movement icon, Ruben Salazar. The film shows footage of the march, the brutal police response and resulting chaos interspersed with scenes from the rather callous and superficial inquest. Filmmakers attached to the project have confirmed that the original elements for the film disappeared over 40 years ago. close
Quality Control consists of a series of 16mm single take shots filmed in the summer of 2010,over a two day period, in a dry cleaners facility in Pritchard, more
Quality Control consists of a series of 16mm single take shots filmed in the summer of 2010,over a two day period, in a dry cleaners facility in Pritchard, Alabama, near Mobile, Quality Control exhibits the acts as well the conditions around labor and showcases, in Everson's words "the fine folks of Alabama producing a superior product." It is similar stylistically, in form and rhythm, to certain scenarios in Everson's award-winning and critically acclaimed previous films, including Erie (IFFR 2010) and in thematic concerns to several other short form works which follow the daily, quotidian tasks of workers in rest and in motion, and is an oblique sequel, ten years hence, to Everson's Creative Capital granted project A Week in the Hole (2001), which focused on an employee's adjustment to materials, time, space and personnel.
- Written by Madeleine Molyneaux, producer close
Caribs’ Leap / Western Deep comprises two complementary films that are shown together as a three-screen, synchronised colour video projection. The films more
Caribs’ Leap / Western Deep comprises two complementary films that are shown together as a three-screen, synchronised colour video projection. The films were originally commissioned for the Documenta 11 exhibition in Kassel, Germany in 2002. They were then screened in London by Artangel in the former Lumiere Cinema on St Martins Lane in the autumn of that same year. close
A cinematic devotional book. Based on interviews with an unemployable sufferer (and his fellows), living in the East German countryside. Who lost his more
A cinematic devotional book. Based on interviews with an unemployable sufferer (and his fellows), living in the East German countryside. Who lost his memory in 1989 and woke up into several nightmares. close
In this documentary Volker Koepp shows part of the history of Prussia. He begins 700 years ago with the land of the Pruzzen situated between the rivers more
In this documentary Volker Koepp shows part of the history of Prussia. He begins 700 years ago with the land of the Pruzzen situated between the rivers Weichsel and Memel and proceeds the development of the state. close
Morbihan is one of the poorest regions in Brittany. Joseph, a 33-year-old farmer, can no longer live off the land. He is hired at the fancy new plant more
Morbihan is one of the poorest regions in Brittany. Joseph, a 33-year-old farmer, can no longer live off the land. He is hired at the fancy new plant that has just opened where he enters a world of rote work. Fortunately he can go home to his farm every evening, far from the large urban centers where workers must usually live. close
"Director Yolande du Luart had been involved in Lettrist circles in France before decamping for California to study film at UCLA, where her classmates more
"Director Yolande du Luart had been involved in Lettrist circles in France before decamping for California to study film at UCLA, where her classmates included Charles Burnett and Haile Gerima. During this time, UCLA professor Angela Davis was a subject of increasing scrutiny after coming out as a Communist, provoking the ire of administrators and governor Ronald Reagan. Believing that Davis would be an ideal film subject, du Luart immediately began making a documentary, though she would ultimately return to France to complete the project after receiving unwanted attention from the FBI. “Over the course of events,” writes Nicole Brenez, “this appreciative and sensitive portrait of a politically engaged philosopher had been transformed into a call for the liberation of an imprisoned activist and an internationalist revolutionary manifesto.”" - Film at Lincoln Center close
I Was a Jewish Sex Worker is a humorous, no-holds-barred autobiographical film about the director’s former career as a sex worker and his relationship more
I Was a Jewish Sex Worker is a humorous, no-holds-barred autobiographical film about the director’s former career as a sex worker and his relationship with his Jewish family. From graphic, erotic massages to a revealing interview with his grandmother, Roth tells a unique tale and explores themes of sexual wellness, connection and self-realization. Featuring guest appearances by German filmmaker Rosa von Praunheim and sexologist/performer Annie Sprinkle. close
Margaret Tait documents her house, studio and garden in Buttquoy, Orkney as the seasons pass. She had lived there from the age of seven and often returned. more
Margaret Tait documents her house, studio and garden in Buttquoy, Orkney as the seasons pass. She had lived there from the age of seven and often returned. At the time of filming, the house was about to be taken back by the council - this film is an effective 'goodbye'. Margaret Tait said it 'was meant to define a place, or the feeling of being in one place, with the sense this gives one, not of restriction but of the infinite variations available.' close
Created in 1976 by Mort Jordan, a student at Temple University, “Time and Dreams” is a unique and personal elegiac approach to the civil rights movement. more
Created in 1976 by Mort Jordan, a student at Temple University, “Time and Dreams” is a unique and personal elegiac approach to the civil rights movement. The filmmaker has described “Time and Dreams” as a personal journey back to his Alabama home, where he contrasts two societies: the nostalgia some residents have for past values versus the deferred dreams of those who are well past waiting for their time to fully participate in the promise of their own dreams. Through vignettes and personal testimonies, the film portrays Greene County, Alabama, as its people move toward understanding and cooperation in a time of social change. close
Gil Cardinal searches for his natural family and an understanding of the circumstances that led to his becoming a foster child. An important figure in more
Gil Cardinal searches for his natural family and an understanding of the circumstances that led to his becoming a foster child. An important figure in the history of Canadian Indigenous filmmaking, Gil Cardinal was born to a Métis mother but raised by a non-Indigenous foster family, and with this auto-biographical documentary he charts his efforts to find his biological mother and to understand why he was removed from her. Considered a milestone in documentary cinema, it addressed the country’s internal colonialism in a profoundly personal manner, winning a Special Jury Prize at Banff and multiple international awards. close
Asylum is a film very much derived from chaos, expressing implicitly the ideas conjured up by its title. A strange mix of both documentary and fiction, more
Asylum is a film very much derived from chaos, expressing implicitly the ideas conjured up by its title. A strange mix of both documentary and fiction, where in the future a group of people are looking back at the twentieth century. A virus has wiped out most of the culture of the twentieth century, leaving just fragments of a project called 'The Perimeter Fence' to be pieced together. These fragments make up a documentary about an exiled group of disparate yet similar minds. close
On April Fool's Day, 1989, a man crossing the road between two garage sales was hit by a car and thrown into a state between life and death. Nine years more
On April Fool's Day, 1989, a man crossing the road between two garage sales was hit by a car and thrown into a state between life and death. Nine years later, his daughter uses her camera to try and understand both the absent moment and its lasting impact on her family, Russian immigrants marooned in Colorado. close
Bwana Kitoko (swa. 'handsome young man') is a 1955 Belgian documentary directed by André Cauvin. It shows the official visit of king Baudouin of Belgium to the Congo and Ruanda-Urundi.
Bwana Kitoko (swa. 'handsome young man') is a 1955 Belgian documentary directed by André Cauvin. It shows the official visit of king Baudouin of Belgium to the Congo and Ruanda-Urundi. close
Miners in a Bosnian coal mine. The camera silently watches over the miners working tirelessly amidst endless noise and the flickering light of lanterns.
Miners in a Bosnian coal mine. The camera silently watches over the miners working tirelessly amidst endless noise and the flickering light of lanterns. close
Roma and Sinti people talk about their experiences in the Third Reich and the Federal Republic of Germany, inspired by Otto Pankok’s paintings of Romani more
Roma and Sinti people talk about their experiences in the Third Reich and the Federal Republic of Germany, inspired by Otto Pankok’s paintings of Romani theme and subject in the 1930s, declared degenerate art by the Nazis. These are moving narratives of persecution, discrimination, marginalisation, of life as second-class human beings, all of which lasts, incredibly enough, right up to the allegedly democratic present day of the film, since they live in inhumane conditions in barracks at the margins of cities and society and are not officially recognised as Nazi victims. Long, nearly uncut sequences open space for the people and their stories. That’s all it takes for one of Peter and Zsóka Nestler’s most important works. close
"The shadows play an essential part in the mixture of loneliness and peace that exists here. The seasons move from the garden into the house, projecting more
"The shadows play an essential part in the mixture of loneliness and peace that exists here. The seasons move from the garden into the house, projecting rich diagonals in the early morning or late afternoon. Each shadow is a subtle balance of stillness and movement; it shows the vital instability of space. Its special quality opens a passage to the subjective; a voice within the film speaks to memory. The walls are screens through which I pass to the inhabited privacy. We experience a place through the perspective of where we come from and hear another's voice through our own acoustic. The sense of place is never separate from the moment." – R.B. close
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