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One late evening in the office bored private detective comes spectacular lady and offers to engage in a dubious case, to investigate the circumstances more
One late evening in the office bored private detective comes spectacular lady and offers to engage in a dubious case, to investigate the circumstances of the abduction of the “idea” in the philosophical sense of the word. He also has to answer the difficult question of what is more important: form or content. As a result of their joint venture, the detective is left alone in the middle of the desert. close
Belmonde lives in 1990s London as an iconic , cool Frenchman modelled on the new wave cinema of the 1960s. Really he is English and middle class – a fact that his family won't let him forget!
Belmonde lives in 1990s London as an iconic , cool Frenchman modelled on the new wave cinema of the 1960s. Really he is English and middle class – a fact that his family won't let him forget! close
The drama chronicles the affair between Inger, a young Danish woman from Copenhagen, and Kwame, an illegal immigrant from Ghana, that she meets while more
The drama chronicles the affair between Inger, a young Danish woman from Copenhagen, and Kwame, an illegal immigrant from Ghana, that she meets while volunteering at a homeless shelter. Despite their cultural differences, and the disapproval of Inger’s own mother, the two quickly develop a strong bond and move in together. Everything seems perfect and serendipitous, but then Inger discovers a devastating secret that Kwame has kept hidden. close
Revisits of locations on the Great Hungarian Plain - the puszta - that were used in Tarr's Sátántangó and Werckmeister harmóniák. Recitations of short more
Revisits of locations on the Great Hungarian Plain - the puszta - that were used in Tarr's Sátántangó and Werckmeister harmóniák. Recitations of short lyric poems by Hungary's national poet Sándor Petofi. close
BREAKFAST: After eating breakfast, a man is transformed into an elaborate dumb-waiter-style breakfast dispenser - and the same fate befalls the man who more
BREAKFAST: After eating breakfast, a man is transformed into an elaborate dumb-waiter-style breakfast dispenser - and the same fate befalls the man who obtains breakfast from him. LUNCH: After failing to catch the waiter's eye, two would-be diners end up eating everything within reach. DINNER: Portraits of various meals made up of human organs. close
Mathematician student Michael Ferrell, like many others, believes in telepathy. He is obsessed with the idea that someone from his classmates can read more
Mathematician student Michael Ferrell, like many others, believes in telepathy. He is obsessed with the idea that someone from his classmates can read his thoughts. His goal is to identify from their numbers the very one who is not averse to “digging” into his brain. close
An early example of ultra-realism, this movie contrasts the quiet, bucolic life in the outskirts of Paris with the harsh, gory conditions inside the nearby more
An early example of ultra-realism, this movie contrasts the quiet, bucolic life in the outskirts of Paris with the harsh, gory conditions inside the nearby slaughterhouses. Describes the fate of the animals and that of the workers in graphic detail. close
Stop-motion photography blends with extreme slow-motion in Clair's first and most 'dada' film, composed of a series of zany, interconnected scenes. We more
Stop-motion photography blends with extreme slow-motion in Clair's first and most 'dada' film, composed of a series of zany, interconnected scenes. We witness a rooftop chess match between Marcel Duchamp and Man Ray, a hearse pulled by a camel (and chased by its pallbearers) and a dizzying roller coaster finale. A film of contradictions and agreements. close
Accompanied only by music the film alternates between shots of pilgrims near the tomb of Saint Sergei in Sergiyev Posad, Russia and pilgrims at the Basilica of Guadalupe in Mexico.
Accompanied only by music the film alternates between shots of pilgrims near the tomb of Saint Sergei in Sergiyev Posad, Russia and pilgrims at the Basilica of Guadalupe in Mexico. close
This short experimental film tells the story of a man who comes to Hollywood to become a star, only to fail and be dehumanized. He is identified by the number 9413 written on his forehead.
This short experimental film tells the story of a man who comes to Hollywood to become a star, only to fail and be dehumanized. He is identified by the number 9413 written on his forehead. close
A baker's assistant throws a handful of dough at a rat. The dough sticks to the side of a barrel and the assistant proceeds to sculpt the dough into various more
A baker's assistant throws a handful of dough at a rat. The dough sticks to the side of a barrel and the assistant proceeds to sculpt the dough into various faces and shapes. There is some experimental use of stop motion. close
This shortcut repeats the structure of Coffee and Cigarettes. This time, Iggy Pop and Tom Waits meet in a bar. But, again, we don't know why they agreed more
This shortcut repeats the structure of Coffee and Cigarettes. This time, Iggy Pop and Tom Waits meet in a bar. But, again, we don't know why they agreed to do that in the first place, because they don't seem to know each other very well and they don't have much to talk about, so the conversation wanders idly and hilariously as they sip their coffee and smoke cigarettes. close
Max accepts a wager that he cannot remain in a haunted castle for one hour (11 PM to midnight) without crying for help. As soon as he arrives he encounters more
Max accepts a wager that he cannot remain in a haunted castle for one hour (11 PM to midnight) without crying for help. As soon as he arrives he encounters strange and nightmarish visions, but he is nevertheless on the verge of winning the bet when a phone-call brings startling news. close
Revolutionary French New Wave director Jean-Luc Godard conducts a twenty-five minute interview with influential and acclaimed American director Woody more
Revolutionary French New Wave director Jean-Luc Godard conducts a twenty-five minute interview with influential and acclaimed American director Woody Allen on the cultural radiation, the ubiquity and significance of Television, and how Television compares with cinema as a medium and form of expression. close
In a vignette called "Strange to meet you," Roberto sits at a small table in a coffee bar. Five cups of coffee and two ashtrays are in front of him; he more
In a vignette called "Strange to meet you," Roberto sits at a small table in a coffee bar. Five cups of coffee and two ashtrays are in front of him; he drinks and smokes. Steven joins him. They start a conversation about cigarettes and coffee. Steven likes to drink coffee before he sleeps, so he can dream faster. The conversation jumps around. "You know my mother?" asks Roberto. Steven describes coffee Popsicles. They switch seats; then switch back. Steven has to leave for a dental appointment he's not looking forward to. Roberto makes a startling offer, inspired no doubt by the coffee and cigarettes. close
Middle-aged couple Rolf and Eva live in a passionless relationship. They wear and tear at each other and Eva begins to feel sexually frustrated. One night more
Middle-aged couple Rolf and Eva live in a passionless relationship. They wear and tear at each other and Eva begins to feel sexually frustrated. One night she tries to seduce Rolf. He dismisses her but then something happens that will change their relationship forever. close
Thrown to rot in a narrow and gloomy cell of a hideous Soviet prison, a weary new inmate struggles to come to terms with the new reality. Within the grey more
Thrown to rot in a narrow and gloomy cell of a hideous Soviet prison, a weary new inmate struggles to come to terms with the new reality. Within the grey cage, an unwelcoming fellow convict cautions the newcomer not to touch the intriguingly mysterious red wooden box which rests on the lower bunk, moreover, not even think of opening it. Why is there so much secrecy about the contents of the box? Could there be hiding the means to his escape? close
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