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This fly on the wall-style documentary from 1961 won an Oscar for best documentary, and shows the changing patterns of human emotions during 24 hours in the life of Waterloo Station.
This fly on the wall-style documentary from 1961 won an Oscar for best documentary, and shows the changing patterns of human emotions during 24 hours in the life of Waterloo Station. close
Little heroine, a music school student, wanders through the backstreets of Warsaw's Old Town and discovers a world to which others have no access. It more
Little heroine, a music school student, wanders through the backstreets of Warsaw's Old Town and discovers a world to which others have no access. It is a world of extraordinariness and beauty of sounds. And these are sounds that are the most important thing for the girl – the hubbub of children, the sounds of the street, the puffing of a tractor, the tuning of an organ, the sweeping of a broom and the sound of jets flying overhead. close
In 1957, Peter Kubelka was hired to make a short commercial for Schwechater beer. The beer company undoubtedly thought they were commissioning a film more
In 1957, Peter Kubelka was hired to make a short commercial for Schwechater beer. The beer company undoubtedly thought they were commissioning a film that would help them sell their beers; Kubelka had other ideas. He shot his film with a camera that did not even have a viewer, simply pointing it in the general direction of the action. He then took many months to edit his footage, while the company fumed and demanded a finished product. Finally he submitted a film, 90 seconds long, that featured extremely rapid cutting (cutting at the limits of most viewers' perception) between images washed out almost to the point of abstraction — in black-and-white positive and negative and with red tint — of dimly visible people drinking beer and of the froth of beer seen in a fully abstract pattern. close
Dislocation in time, time signatures, time as a philosophical concept, and slavery to time are some of the themes touched upon in this 9-minute experimental more
Dislocation in time, time signatures, time as a philosophical concept, and slavery to time are some of the themes touched upon in this 9-minute experimental film, which was written, directed, and produced by Jim Henson. Screened for the first time at the Museum of Modern Art in May of 1965, "Time Piece" enjoyed an eighteen-month run at one Manhattan movie theater and was nominated for an Academy Award for Outstanding Short Subject. close
Director Chris Marker begins by recounting his childhood dream of visiting the city of Peking - a city he was once only able to admire in books. The viewer more
Director Chris Marker begins by recounting his childhood dream of visiting the city of Peking - a city he was once only able to admire in books. The viewer is taken on a journey through this city, as if experiencing it from the mind and through the eyes of Marker. His thoughts and observations about the traditions, history, and banalities of everyday life in Peking are woven together in elegant fashion. close
A residential area schoolboy discovers the odd universe of the Parisian metro. At one point, he glimpses the beautiful face of a blond-haired girl. Later more
A residential area schoolboy discovers the odd universe of the Parisian metro. At one point, he glimpses the beautiful face of a blond-haired girl. Later on, he falls asleep and possibly dreams his first love dream… close
The third directorial work of Milos Forman is a story about the Czech provincial life and the first creative achievements of beginning provincial musicians.
The third directorial work of Milos Forman is a story about the Czech provincial life and the first creative achievements of beginning provincial musicians. close
The Panic Movement performed theatrical events designed to be shocking, as a response to surrealism becoming petite bourgeoisie and to release destructive more
The Panic Movement performed theatrical events designed to be shocking, as a response to surrealism becoming petite bourgeoisie and to release destructive energies in search of peace and beauty. One four-hour performance known as Melodrama Sacramentral was staged in May 1965 at the Paris Festival of Free Expression. The "happening" starred Jodorowsky dressed in motorcyclist leather and featured him slitting the throats of two geese, taping two snakes to his chest and having himself stripped and whipped. Other scenes included a staged murder of a rabbi, a crucified chicken, a giant vagina giving birth to Jodorowsky, naked women covered in honey and the throwing of live turtles into the audience. close
Images of two women, two men, and a gray cat form a montage of rapid bits of movement. A woman is in a bedroom, another wears an apron: they work with more
Images of two women, two men, and a gray cat form a montage of rapid bits of movement. A woman is in a bedroom, another wears an apron: they work with their hands, occasionally looking up. A man enters a room, a woman smiles. He sits, another man sits and smokes. The cat stretches. There are close-ups of each. The light is dim; a filter accentuates red. A bare foot stands on a satin sheet. A woman disrobes. She pets the cat. close
In 1962 Joris Ivens was invited to Chile for teaching and filmmaking. Together with students he made …À Valparaiso, one of his most poetic films. Contrasting more
In 1962 Joris Ivens was invited to Chile for teaching and filmmaking. Together with students he made …À Valparaiso, one of his most poetic films. Contrasting the prestigious history of the seaport with the present the film sketches a portrait of the city, built on 42 hills, with its wealth and poverty, its daily life on the streets, the stairs, the rack railways and in the bars. Although the port has lost its importance, the rich past is still present in the impoverished city. The film echoes this ambiguous situation in its dialectical poetic style, interweaving the daily life reality (of 1963) with the history of the city and changing from black and white to colour, finally leaving us with hopeful perspective for the children who are playing on the stairs and hills of this beautiful town. close
Debord’s eighteen-minute Critique of Separation directs its experimental attentions to “the documentary.” Debord draws from a catalogue of newsreel footage more
Debord’s eighteen-minute Critique of Separation directs its experimental attentions to “the documentary.” Debord draws from a catalogue of newsreel footage and book covers, rephotographed photographs, views of Paris and its neighborhoods, and a catalogue of disabused, seemingly offhand footage of him and his friends in the porous zone comprising the cafe and the street. close
Allures is a spectacular sequence of moving figures and points, a film which reaches out to the cosmic and the spiritual, where the spatial dimension becomes transcendental.
Allures is a spectacular sequence of moving figures and points, a film which reaches out to the cosmic and the spiritual, where the spatial dimension becomes transcendental. close
A cart-taxi driver goes to the city to make a living, but out of sympathy with other poverty-stricken people, he works for free and goes hungry himself.
A cart-taxi driver goes to the city to make a living, but out of sympathy with other poverty-stricken people, he works for free and goes hungry himself. close
Koncert is a 1962 Hungarian short film directed by István Szabó. In the film, several beach-goers have a go at playing creating an impromptu concert. more
Koncert is a 1962 Hungarian short film directed by István Szabó. In the film, several beach-goers have a go at playing creating an impromptu concert. The film was nominated for an Oscar for Best Live Action Short Film. close
Two friends decide to go hunting but without guns, so that no accident will happen. As they stroll and talk, one of them falls into a hole in a hidden more
Two friends decide to go hunting but without guns, so that no accident will happen. As they stroll and talk, one of them falls into a hole in a hidden marshland. His friend runs away, and manages to gather a number of men that were in the vicinity. They form a human chain to pull the victim out, but their affliction mounts, as they have no strategy for doing it, and they can't understand each other. close
In August 1963, just a couple of months before his death, Jean Cocteau made one last short film. The film comprises one still and highly sober shot of more
In August 1963, just a couple of months before his death, Jean Cocteau made one last short film. The film comprises one still and highly sober shot of Cocteau facing the camera head-on to address the youth of the future. Once recorded, this spoken message for the 21st century was sealed and stored with the understanding that it would be opened only in the year 2000. As it turned out, it was discovered and exhumed a few years shy of that date. Where in The Testament of Orpheus Cocteau portrays himself as a living anachronism, a lonesome classical modernist loitering in space-time while lost in the spectral light of his memories, here he acknowledges explicitly the irony of his phantom-like state. By the time the viewer sees this image, he, J. C., our saviour Poet, will long be dead. close
A man fondles objects, looks at himself in the mirror, poses in different clothes, smiles and makes faces at the camera while his voice on the soundtrack more
A man fondles objects, looks at himself in the mirror, poses in different clothes, smiles and makes faces at the camera while his voice on the soundtrack speaks of his despair, makes impressionistic statements and little songs, quotes Greta Garbo and Maria Montez, tells the story of a lonely little boy and tells the story of a woman named Madame Nescience who dreams of herself as the Mother Superior of a convent of sexual perversion. close