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Soaring over the ocean abyss, these cruel and mesmerizing predators, frightening and at the same time charming, emphasizing how beautiful and dangerous more
Soaring over the ocean abyss, these cruel and mesmerizing predators, frightening and at the same time charming, emphasizing how beautiful and dangerous the underwater world of the tropical Atlantic. The unique effect of the presence and extreme proximity to sharks that dominate the vast expanses of the Caribbean Sea will make you experience incomparable sensations. close
"The Dudesons Movie" is an extreme stunts comedy that features the wild antics of four hilarious, lifelong friends and their crazy lives in the Arctic Circle.
"The Dudesons Movie" is an extreme stunts comedy that features the wild antics of four hilarious, lifelong friends and their crazy lives in the Arctic Circle. close
In his film “Calypso” is looking for Atlantis, the famous explorer of marine nature Jacques-Yves Cousteau lifts the veil over the mystery that worries more
In his film “Calypso” is looking for Atlantis, the famous explorer of marine nature Jacques-Yves Cousteau lifts the veil over the mystery that worries scientists for more than the first millennium – the mystery of the sunken Atlantis.
While Philippe Cousteau explores the waters of the Bahamas and Azores, where, according to various versions, the sunken continent was located, Jacques Cousteau seeks an answer in the Aegean Sea. He surveys the northern coast of Crete, and then goes to the deserted island of Santorini, trying to connect the ancient legend of Atlantis with the once-major volcanic eruption. close
Lucky People Center International takes us on a journey around the world through human souls. Music's rhythms and the film's pulsing form reminiscent more
Lucky People Center International takes us on a journey around the world through human souls. Music's rhythms and the film's pulsing form reminiscent of the music video aesthetics and gives the documentary a new face. The film traveled around the world for two years to find people and lifestyles that reflect the world before 2000. close
The earliest surviving celluloid film, and believed second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 more
The earliest surviving celluloid film, and believed second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), possibly on 14 October 1888. It shows Adolphe Le Prince (Le Prince's son), Mrs. Sarah Whitley (Le Prince's mother-in-law), Joseph Whitley and Miss Harriet Hartley walking around in circles, laughing to themselves and keeping within the area framed by the camera. The Roundhay Garden Scene was recorded at 12 frames per second and runs for 2.11 seconds. close
By presenting archive footage along with his own life story, filmmaker Gabriele Salvatores mediates an illustration of the economic boom in Italy during the 1960s.
By presenting archive footage along with his own life story, filmmaker Gabriele Salvatores mediates an illustration of the economic boom in Italy during the 1960s. close
The White Planet or in French, La Planète Blanche, is a 2006 documentary about the wildlife of the Arctic. It shows interactions between marine animals, more
The White Planet or in French, La Planète Blanche, is a 2006 documentary about the wildlife of the Arctic. It shows interactions between marine animals, birds and land animals, especially the polar bear, over a one year period. The fragility of the Arctic is hinted at as a reason to prevent climate change. It was nominated for the Documentary category in the 27th Genie Awards in 2007. close
Architect Numerobis must build a palace for Cleopatra in just 3 months. Otherwise, the builder will be eaten by crocodiles. A normal person cannot build more
Architect Numerobis must build a palace for Cleopatra in just 3 months. Otherwise, the builder will be eaten by crocodiles. A normal person cannot build a palace without delay. Another thing is the Gauls... close
As a visual narrative it is reminiscent of a pile of postcards from a journey, which indeed is what the film is. It consists of a series of lengthy shots more
As a visual narrative it is reminiscent of a pile of postcards from a journey, which indeed is what the film is. It consists of a series of lengthy shots of a tableau nature, each appearing to be a more or less random cross section of American reality, but which in total invoke a highly emblematic picture of the USA. close
Join us for this small but unique group of islands in the Pacific Ocean, 1000 km off the east coast of South America. She seems fascinating, but also more
Join us for this small but unique group of islands in the Pacific Ocean, 1000 km off the east coast of South America. She seems fascinating, but also eerie and even sometimes unreal, because it had its volcanic origin seems to allow no life. But on closer inspection, the archipelago is bursting with life of different species, of which about 40 percent found only on these islands and are therefore protected strictly. But those who are allowed to make the long journey to the islands move in almost untouched nature and are amazed at the inexhaustible variety of wildlife. With Fascination Galapagos, filmed in the best real 3D, you can now be there from the comfort of your own home. close
Adaptation of the suite "Iberia" by Isaac Albeniz. Documentary about the world of flamenco. The story arises from the music itself and those who interpret more
Adaptation of the suite "Iberia" by Isaac Albeniz. Documentary about the world of flamenco. The story arises from the music itself and those who interpret it: the musicians and dancers. The film recreates and reinvents musical pieces and merges classical ballet, contemporary and Spanish dance and flamenco close
To see the fascinating world of coral reefs, their bright flora and fauna at arm’s length, such as all this beauty is seen only by experienced divers more
To see the fascinating world of coral reefs, their bright flora and fauna at arm’s length, such as all this beauty is seen only by experienced divers – all this is possible thanks to the film “Coral Reef 3D” (Faszination Korallenriff 3D).
The creators of this documentary invite you to take with them an unforgettable journey into the underwater depths, and admire the impressive variety of fish species living there. You will meet with giant moray eels, sea turtles, ball fish, sea urchins and the largest shark in the world, the whale. And all this wealth of the natural world is in its natural habitat, in the middle of a coral reef world. close
Swedish documentary film on consumerism and globalization, created by director Erik Gandini and editor Johan Söderberg. It looks at the arguments for more
Swedish documentary film on consumerism and globalization, created by director Erik Gandini and editor Johan Söderberg. It looks at the arguments for capitalism and technology, such as greater efficiency, more time and less work, and argues that these are not being fulfilled, and they never will be. The film leans towards anarcho-primitivist ideology and argues for "a simple and fulfilling life". close
This documentary provides an astonishing journey through innovative, futuristic, utopian and sometimes bizarre architecture projects—including concrete more
This documentary provides an astonishing journey through innovative, futuristic, utopian and sometimes bizarre architecture projects—including concrete illusions of grandeur and Lego-like modular apartments to an Instant City Airship and round, grass-covered subterranean dwellings—from the beginning of the 20th century to today. close
HOMO SAPIENS is visionary documentarian Nikolaus Geyrhalter's exploration of the finiteness and fragility of human existence, the end of the industrial more
HOMO SAPIENS is visionary documentarian Nikolaus Geyrhalter's exploration of the finiteness and fragility of human existence, the end of the industrial age, and what it means to be a human being. What will remain of our lives after we're gone? Empty spaces, ruins, cities, increasingly overgrown with vegetation, crumbling asphalt: the areas we currently inhabit, now abandoned and decaying, gradually reclaimed by nature. Comprised of a succession of eerily depopulated, dystopian landscapes from across the world, HOMO SAPIENS offers an at once mesmerizing and chilling vision of what a posthuman future might look like. close
Two successful films released under the title Blue abyss" and "Nikita" talented director Luke Bessonne, were released in the world box office shortly more
Two successful films released under the title Blue abyss" and "Nikita" talented director Luke Bessonne, were released in the world box office shortly before the filming of this film. And just the funds received from their shows went to the creation of the painting “Atlantis – Le creature del mare”.
The film is based on underwater surveys that took place in different parts of our planet. There are Arctic landscapes, and the Australian coast, and the focus is on the inhabitants of the ocean. close
Wintertime in Lyon. About a dozen people, men and women, are having a snowball fight in the middle of a tree-lined street. The cyclist coming along the more
Wintertime in Lyon. About a dozen people, men and women, are having a snowball fight in the middle of a tree-lined street. The cyclist coming along the road becomes the target of opportunity. He falls off his bicycle. He's not hurt, but he rides back the way he came, as the fight continues. close
Werner Herzog returns to the South American jungle with Juliane Koepcke, the German woman who was the sole survivor of a plane crash there in 1971. They more
Werner Herzog returns to the South American jungle with Juliane Koepcke, the German woman who was the sole survivor of a plane crash there in 1971. They find the remains of the plane and recreate her journey out of the jungle. close
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first more
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames. close
The historical saga of American superheroes. Born in the period between the Great Depression and the World War II to combat the hobgoblins of the modern more
The historical saga of American superheroes. Born in the period between the Great Depression and the World War II to combat the hobgoblins of the modern world, these mutant human beings with superhuman powers colonized the funny papers, radio dramas, television and films, to become a truly national industry in the United States: they gave expression to the fears and obsessions of the twentieth century and bolstered American ideals. close
One of Chris Marker's earliest documentaries (1957) and probably one of his best, the hour-long Letter From Siberia mixes new and found footage with inventive more
One of Chris Marker's earliest documentaries (1957) and probably one of his best, the hour-long Letter From Siberia mixes new and found footage with inventive commentary, and is especially memorable for a passage in which footage is repeated while the offscreen commentary transforms its meaning with a different ideological interpretation. It is perhaps the earliest example we have of Marker's inimitable essayistic manner, hence an indispensable work. close
A photographer documents his nightly expeditions through Japan's world of sex for hire.
Filmed across 120 nights in Japan's brothels and presented in more
A photographer documents his nightly expeditions through Japan's world of sex for hire.
Filmed across 120 nights in Japan's brothels and presented in 120 fragments ― divided into 6 chapters and 6 female prostitutes. close
"In Chile, when the sun rises, it had to climb hills, walls and tops before reaching the last stone of the Cordillera. In my country, the Cordillera is more
"In Chile, when the sun rises, it had to climb hills, walls and tops before reaching the last stone of the Cordillera. In my country, the Cordillera is everywhere. But for the Chilean citizens, it is an unknown territory. After going North for Nostalgia for the Light and South for The Pearl Button, I now feel ready to shoot this immense spine to explore its mysteries, powerful revelations of Chile’s past and present history." Patricio Guzmán close
Launched on the 25th anniversary of the Chernobyl disaster, Chernobyl Forever (Chernobyl 4 ever) raises the question of how to deal with the consequences more
Launched on the 25th anniversary of the Chernobyl disaster, Chernobyl Forever (Chernobyl 4 ever) raises the question of how to deal with the consequences of a nuclear disaster that echoes in future generations. After all, the problem of nuclear catastrophe lies not only in technological terms, but also in the social.
“Chernobyl Forever” tells about the efforts being made today to minimize the consequences of a nuclear catastrophe. In addition, we see a young generation of Ukrainians born and raised after the Chernobyl accident. Today, they know about this tragedy, to a large extent, from the plots of computer games and movies. close
Likely in June 1897, a group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at more
Likely in June 1897, a group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe. close
