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The earliest surviving celluloid film, and believed second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 more
The earliest surviving celluloid film, and believed second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), possibly on 14 October 1888. It shows Adolphe Le Prince (Le Prince's son), Mrs. Sarah Whitley (Le Prince's mother-in-law), Joseph Whitley and Miss Harriet Hartley walking around in circles, laughing to themselves and keeping within the area framed by the camera. The Roundhay Garden Scene was recorded at 12 frames per second and runs for 2.11 seconds. close
Café Hector is the new in-place for the chic, high-flying, articulate jet-set, where steaming cups of cappuccino accompany their trendy chit-chat. Uffe more
Café Hector is the new in-place for the chic, high-flying, articulate jet-set, where steaming cups of cappuccino accompany their trendy chit-chat. Uffe is definitely not "in." He can't get a cappuccino, but he is given permission, just this once, to use the toilet. But Uffe is prepared for the situation. He can't take any more humiliation and he is armed! close
One of the greatest of black art pictures. The conjurer appears before the audience, with his head in its proper place. He then removes his head, and more
One of the greatest of black art pictures. The conjurer appears before the audience, with his head in its proper place. He then removes his head, and throwing it in the air, it appears on the table opposite another head, and both detached heads sing in unison. The conjurer then removes it a third time. You then see all three of his heads, which are exact duplicates, upon the table at one time, while the conjurer again stands before the audience with his head perfectly intact, singing in unison with the three heads upon the table. He closes the picture by bowing himself from the stage. close
On the brink of an alien invasion childhood sweet hearts Traye and Sally are thrust into an inescapable turn of events. Now Traye has to face his biggest more
On the brink of an alien invasion childhood sweet hearts Traye and Sally are thrust into an inescapable turn of events. Now Traye has to face his biggest fears while protecting the girl he loves as she fights for her life. close
On Top - Iceland, a lighthouse, a cold winter evening. Her thoughts drift back to that summer ... to bathing in the hot springs ... to when they first more
On Top - Iceland, a lighthouse, a cold winter evening. Her thoughts drift back to that summer ... to bathing in the hot springs ... to when they first met ... and embraced. Down Under - Australia, the desert, a blistering heat wave. His pickup stops at an icehouse ... he lays the blocks neatly on the buckboard ... and drives off haunted by a aching memory. Without dialogue or comment, save for verses from a sonnet by John Keats, Fridrik Thor Fridriksson links the thoughts, the emotions, the sensual longing of young lovers at opposite ends of the world. A tone poem, a collage of sight and sound. close
A young man enters the Rome Metro with a friend, where they notice a woman who has just left the restroom with her dress accidentally tucked into her more
A young man enters the Rome Metro with a friend, where they notice a woman who has just left the restroom with her dress accidentally tucked into her panties. They tell her about her inadvertent exposure, after which one of the boys boards a train, leaving his besotted friend standing on the platform - totally smitten with the lovely young lady. The two are waiting on opposite platforms, where they await the last train. The young man proclaims his love at first sight - telling her she's the most beautiful woman he's ever seen. Obviously flattered, the woman reciprocates in a way the young man will never forget... close
The days pass slowly for Lia amid the vineyards of a rural Georgian village. Still in the prime of life, her beauty is overlooked even by her husband more
The days pass slowly for Lia amid the vineyards of a rural Georgian village. Still in the prime of life, her beauty is overlooked even by her husband Sandro, who runs the local car repair shop. Things change when Megi, the comely star of a film being shot nearby, happens upon the scene to get her car repaired. Lia knows a rival when she sees one - although she's also aware she doesn't stand a chance against a mini-skirt. Megi, however, has a few tricks up her sleeve too - she knows what a Cinderella needs to rid herself of the pumpkin. close
Love and Sebastian meet each other by a coincidence at a street in the romantic Swedish summer night. They happen to share the same secret, but their more
Love and Sebastian meet each other by a coincidence at a street in the romantic Swedish summer night. They happen to share the same secret, but their encounter is going to cause severe consequences for the both of them. An innocent flirt soon turns in to a dangerously liaison. close
[…] by shooting the fish in a globular bowl, the Lumières effectively use a fisheye lens, which offers distortions. The history of cinema has witnessed more
[…] by shooting the fish in a globular bowl, the Lumières effectively use a fisheye lens, which offers distortions. The history of cinema has witnessed a struggle between the objective and subjective camera and the optically distorting lenses like the fisheye lens has been a powerful tool for the subjective camera. Here it is at the start. (from IMDB) close
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first more
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames. close
The film is a panorama shot-scene lasting just under a minute. The panorama film, as coined by Lumière, is a moving-camera shot--usually accomplished more
The film is a panorama shot-scene lasting just under a minute. The panorama film, as coined by Lumière, is a moving-camera shot--usually accomplished by placing the camera on a moving transport, such as a boat or train. close
This is a moving picture that moves. Positively the greatest magical picture ever offered. A Hindoo magician appears and dances for the entertainment more
This is a moving picture that moves. Positively the greatest magical picture ever offered. A Hindoo magician appears and dances for the entertainment of six pretty maidens. Then, to the astonishment of all, he runs up the wall, dances and turns handsprings in mid-air, introducing many tricks that are entirely new in animated photography. The most puzzling of all the mystical series. (Star Film Catalog) close
This one minute movie is either the end of the movie or the beginning of it. The end is because there is nowhere else to shoot a monitor with a computer more
This one minute movie is either the end of the movie or the beginning of it. The end is because there is nowhere else to shoot a monitor with a computer game on the camera. The beginning is because after anyone has captured the best goals/frags/killed monsters on camera, it will be a gesture of art. Precedent set. close
A traveller is shown to a room in an inn. After a brief dispute with the hostess and a porter, he is left to himself. But strange things begin to happen more
A traveller is shown to a room in an inn. After a brief dispute with the hostess and a porter, he is left to himself. But strange things begin to happen in his room, and before long he has created a disturbance that has everyone running to his room to find out what is going on. close