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Sasà Jovine (Nino Manfredi) is a self-styled lawyer involved in petty businesses with Neapolitan mobsters (camorristi). When one of his clients, don Michele more
Sasà Jovine (Nino Manfredi) is a self-styled lawyer involved in petty businesses with Neapolitan mobsters (camorristi). When one of his clients, don Michele Miletti (Paolo Stoppa) offers him a huge bribe (mazzetta) to search for his daughter who disappeared mysteriously taking with her some hot documents, Sasà finds himself trapped into a spiral of homicides. close
In 18th-century Rome, impish aristocrat Onofrio del Grillo amuses himself by playing pranks on all sorts of people — his reactionary family and fellow more
In 18th-century Rome, impish aristocrat Onofrio del Grillo amuses himself by playing pranks on all sorts of people — his reactionary family and fellow nobles, the poors, the French occupiers trying to modernize society, and even the Pope himself. close
In the fall of 1963, Anne is becoming a teenager. She lives in Paris with her mother and her older sister, Frédérique. They're just back from summer at more
In the fall of 1963, Anne is becoming a teenager. She lives in Paris with her mother and her older sister, Frédérique. They're just back from summer at the beach with their father. School starts. A turbulent year awaits them both. close
A Latin palindrome is the title of Guy Debord's last film, in which he, as narrator, explains that he will make neither concessions to the tastes of his more
A Latin palindrome is the title of Guy Debord's last film, in which he, as narrator, explains that he will make neither concessions to the tastes of his viewers nor to the dominant ideas of his day. After extensively insulting the audience that goes to the cinema to forget its heteronomous life, the film becomes autobiographical, using images from the world of spectacle: advertising brochures, clips from feature films (Les enfants du paradis), comics, aerial footage of Paris, tracking shots through Venice, photographs of friends – all commented on by Debord, with an at times melancholy undertone: "This Paris no longer exists." His assessment is that one of the great pleasures of his life has been the sensation of the passage of time, and as a witness to the disintegration of social order, he has loved his epoch. close
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