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Mental anguish is all that's present in the film Seuls / Alone (1989). Shot like a grungy medical documentary, Smolders and co-director Thierry Knauff more
Mental anguish is all that's present in the film Seuls / Alone (1989). Shot like a grungy medical documentary, Smolders and co-director Thierry Knauff intercut shots of several children at a Belgium psychiatric clinic. The kids are shown with forlorn expressions, twicthing their eyes, sometimes smiling, shaking, jumping, rocking their heads side to side, or smacking their heads with horrific glee against walls. It's a minimalist work that captures the intense monotony of lost and disturbed young minds, and maintains a gritty intensity. - kqek.com close
In a restaurant they're preparing a grand banquet in honor of a sports association of anglers, but several circumstances seem to have conspired to boycott the event.
In a restaurant they're preparing a grand banquet in honor of a sports association of anglers, but several circumstances seem to have conspired to boycott the event. close
An island has been decimated by a volcanic eruption and the few survivors escape to a nearby island. Led by Rutolo, they know that their new home is equally more
An island has been decimated by a volcanic eruption and the few survivors escape to a nearby island. Led by Rutolo, they know that their new home is equally susceptible to such a catastrophe via its own volcano, but they are unable to convince the current inhabitants of Island #2 to flee with them to a mainland. close
We watch white shapes dancing on black background, which changes when the white shape fills up the screen completely, and black lines and figures bounce around on the now white background.
We watch white shapes dancing on black background, which changes when the white shape fills up the screen completely, and black lines and figures bounce around on the now white background. close
The first scene presents before the astonished eyes of the spectators a solid piece of marble, which the minute it is placed on a table seems to take more
The first scene presents before the astonished eyes of the spectators a solid piece of marble, which the minute it is placed on a table seems to take life, and one can follow a snake-like line branding on the polished face of the stone the name of the house of Pathé Frères. As soon as this stone has been engraved, as by magic, a handsome young lady appears with a huge lump of clay covered with a cloth. As soon as the cloth is removed from the soft mass it starts whirling and turning as if stricken mad, and one is asking one's self what all the contentions are going to lead to, when the vague shape of an animal not yet discernible seems to appear, and before one has time to make one's mind as to the category of brutes to which it belongs one sees the form of a remarkably well made orang-utan modelled out of the clay, who calmly smokes his pipe. Then the statue is removed by the same winning young lady and another covered block of the same substance is carried forward. close
Teodora, a Roman courtesan and former slave girl, marries the Roman emperor Justinian and assumes the throne as Empress of Rome. But the divide between more
Teodora, a Roman courtesan and former slave girl, marries the Roman emperor Justinian and assumes the throne as Empress of Rome. But the divide between nobility and slave is too great. Teodora seeks justice for her people, and revolution and armed conflict erupt in both Byzantium and Rome. close
In 1685, Louis XIV banned Protestantism, abolishing the Edict of Nantes. Protestants were forced to change their faith, their churches destroyed, and more
In 1685, Louis XIV banned Protestantism, abolishing the Edict of Nantes. Protestants were forced to change their faith, their churches destroyed, and their pastors expelled. The rebellious were punished with servitude and confiscation of property. Thousands of Huguenot families, refusing to renounce their faith, left France. But there were those who stayed and fought. In southern France, despite the repression, the Protestant Highlander peasants renounced the “papal truth.” In 17 years, the situation has escalated. The king refused to make concessions. Victims to back down. Until the day they were tired of being victims, they destroyed their executioners. The center of the uprising (1702-1705) was the Sevenna mountain range on the right bank of the Rhône, in the province of Languedoc. On July 24, 1702, Esprey Seguier, Abraham Masel, Gideon Laporte and their followers killed the Catholic Archbishop François du Chel de Langlan, killed the inhabitants of the castle, burned 2 churches, destroying their priests. The camizars began to smash the Catholic churches, the houses of the clergy, the merchants and the fiscals, took away the collected taxes and the church tithes. It was not until the spring of 1705 that the government made concessions on taxation. Despite the defeat of the uprising, individual outbreaks of war continued until 1715. The remainder were called kamizars (shirts) from the Languedoc word camiso, meaning "peasant shirt," as they wore white shirts over armor during the fighting at night. . . close
For this second film in the cult comedy series Torrente takes our fat police officer from Madrid to Marbella in Spain to investigate a villain’s plot more
For this second film in the cult comedy series Torrente takes our fat police officer from Madrid to Marbella in Spain to investigate a villain’s plot to destroy the city with a missile. This James Bond style slapstick comedy became the most successful box-office film in Spanish film history beating out only the first Torrente film. close
Five short stories with contemporary settings. In New York, people are indifferent to derelicts sleeping on sidewalks, to a woman's assault in front of more
Five short stories with contemporary settings. In New York, people are indifferent to derelicts sleeping on sidewalks, to a woman's assault in front of an apartment building, and to a couple injured in a car crash. A man, stripped of his identity, dies in bed with actors expressing his agony. A cheerful, innocent young man walking a city street in a time of war pays a price for this innocence. A couple talks about cinema while it watches another couple talk of love and truth on the eve of one character's return to Cuba. Striking students take over a university classroom; an argument follows about revolution or incremental change. close
After the death of his wife, wealthy businessman Philip Emmenthal and his son Storey open their own private harem in their family residence in Geneva more
After the death of his wife, wealthy businessman Philip Emmenthal and his son Storey open their own private harem in their family residence in Geneva (they get the idea while watching Federico Fellini's 8½ and after Storey is "given" a woman, Simato (Inoh), to waive her pachinko debts). They sign one-year contracts with eight (and a half) women to this effect. The women each have a gimmick (one is a nun, another a kabuki performer, etc.). Philip soon becomes dominated by his favourite of the concubines, Palmira, who has no interest in Storey as a lover, despite what their contract might stipulate. Philip dies, the concubines' contracts expire, and Storey is left alone with Giulietta (the titular "½", played by Fujiwara) and of course the money and the houses. close
A young woman is driving alongside a lake. She has an accident and the car plunges into the water. Her body is then possessed by the spirit of an 18th-century more
A young woman is driving alongside a lake. She has an accident and the car plunges into the water. Her body is then possessed by the spirit of an 18th-century witch who was killed by local villagers, and is bent on avenging herself on them. close
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