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Bram Stoker`s Dracula, 1992
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7.79 193542 10
IMDb7.4 

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Bram Stoker`s Dracula

1992 18+ 2 hours 8 min.
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Love Never Dies.
In the 19th century, Dracula travels to London and meets Mina, a young woman who appears as the reincarnation of his lost love.
oscar
oscar
Oscar
1993
Best sound editing
Best costumes
Best makeup
saturn
saturn
Saturn
1993
Best screenplay
Best horror film
Best costumes
Best director
Francis Ford Coppola
Best actor
Gary Oldman
About movie show more Hide
Countries:  UK USA
Genres:  Horror Fantasy Romance Mystery
Properties:
cruel fantastic brutal dramatic complex dinamic ambiguous
Director:  Francis Ford Coppola
additional information Show Hide
Writers:  James V. Hart Bram Stoker
Producers:  Francis Ford Coppola Fred Fuchs Charles Mulvehill Michael Apted Susan Landau Finch James V. Hart Robert O'Connor John Veitch
Camerman:  Michael Ballhaus
Music:  Wojciech Kilar
Studios:  Columbia Pictures American Zoetrope Osiris Films
Premiere: 10 November 1992
In russia: 09 September 1994
Budget:$40 000 000
Competitions: British Film Academy
British Film Academy
1994
NOMINATIONS
Best costumes
Best visual effects
Best makeup
Best art direction
MTV Movie Awards
MTV Movie Awards
1993
NOMINATIONS
Best kiss
Winona Ryder
Oscar
Oscar
1993
Best sound editing
Best costumes
Best makeup
NOMINATIONS
The best scenery
Saturn
Saturn
1993
Best screenplay
Best horror film
Best costumes
Best director
Francis Ford Coppola
Best actor
Gary Oldman
NOMINATIONS
The best music
Best special effects
Best makeup
Best actress
Winona Ryder
Best supporting actor
Anthony Hopkins
Collections:  Greatest Movie Candidates #1567
Foreign cinema
Tags:  dracula friend changes its shape transylvania London England vampire love temptation reincarnation suicide real estate agreement death of the bride Red-haired man death of a loved one loss of wife guest in the house aristocracy fall tragic villain best friend female friendship nightlife grief vampire woman Explanation in Love loss of a loved one returned youth avant-garde war veteran travel werewolf battle orgy murder monster prince nudity rape England wolf Female nudity revenge knight curse childhood friend wedding commitment madhouse castle nun friendship nipples licking diamond exorcism 19th century languishing with love Turk Romania 1890s armor main vampire scientist lesbian Europe zoo patient horse priest veteran date gypsy doctor ship supernatural abilities refuge psychiatrist marriage marriage train transformation murder of a child lunatic professor hypnosis Texan sword hypnotism drinking blood widower death double role aristocrat Naked breasts prisoner spring Ottoman Empire Lesbian kiss battle diary mad man The relationship between vampire and human party love triangle Victorian era snow crying man adultery crying woman flirt villain foreigner interspecific relationships sensuality portrait cane undead medallion blood dancing church Kiss no bra telegram convent nightgown clerk watching a movie fencer fan bed spider look similar bait may mirror full moon graph offer rejuvenation wind crypt blasphemy sword invisible shaving sleepwalking The love between man and vampire warrior trans patient escape labyrinth cylinder ring depravity tears solicitor Monster rape book crucifix Oscar Award 1993 Saturn Award Saturn 1993 pistol shotgun abbey newlyweds Englishwoman pity storm shadow bloodsucker mentor nosferatu dress carpathians telepathy evil laugh bite curvature rain rat absinthe tuberculosis haze garlic anemia falling asleep Death of a vampire Fully nude woman beast love rivalry Catholicism canine lecture sworn enemy gothic schooner fly pole letter Knife phonograph captive barefoot silhouette madness evil rifle insect morphine garden torch candle Fate coffin sunset correspondence voice recorder serpentine piercing tomb blockbuster persecution awakening crying prologue estate vampire bite cemetery beheading Middle Ages beauty bloody scenes barefoot woman Woman in bed united kingdom Red-haired woman Voiceover puberty cult film Erotic book virgin (virgin) boy with newspapers dead infant The mirror above the bed fatal attraction mental breakdown cult classic severed head typewriter love without future smoking tobacco law firm burning cross apology history of origin slot machines 1897 smoking cigar wedding ceremony fire ring falling snow decapitated child vampire fighter cult horror straight razor wedding dress gothic horror independent shadow newspaper headline beheading Christian cross Americans Abroad falling into water glass coffin bite mark religious conflict blood transfusion Killed in his sleep shot in the chest bitten in the neck threatening shadow no panties broken mirror bat packagings for packaging Signature of the treaty horse and cart white wolf fall into the river first date vomiting with blood light from the candle scene with fall falling from height craving blood spatter mysterious stranger thrown by a girlfriend throat cutting abandoned/abandoned in a relationship Kiss of two women Actor playing multiple roles suicide by jumping from a height vampire (bat) Naked woman (back view) multi-role actress felt chamber starring villain despite the law of gravity run down stairs good vs evil patient with psychiatric illness monster as victim Stabbing with a knife head separated from body death of the title character stabbing to the chest fatal fall film ends with death scene black comedy Long hunting knife kol piercing the heart Stab in the back relation of master and servant male protagonist Based on the novel Bed scene Cinema Reverse shooting The actor plays several roles letter about breaking up a guy in the army sex no credits at the beginning of the film nipples visible through clothing caught having sex sexy woman rough sex sexual innuendo interspecies sex vampire sex
Wiki
Cast:  Gary Oldman Winona Ryder Anthony Hopkins Keanu Reeves Richard E. Grant Cary Elwes Bill Campbell Sadie Frost Tom Waits Monica Bellucci Christina Fulton Adam Kendrick Tina Cote Jay Robinson Paul Klar Mark Borkowski Daniel Newman Nancy Linehan Charles Cully Fredricksen Alain Blazevic Ele Bardha Tatiana von Furstenberg Maud Winchester I.M. Hobson Jules Sylvester Honye Lauren Michael Laren John Michael Quinn James Murray John F. Kearney Joe Murkijanian Jeffery Thomas Johnson Eniko Öss Damon Stout Moreen Marceau Mary Cornell Philip Pucci Heidi Schooler Dagmar Stansova Laurie Franks Robert Buckingham Hubert Wells Judi Diamond Michaela Bercu Florina Kendrick Octavian Cadia Robert Getz Paul Muterspaugh
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The entire cinematic universe (85)
Reviews (4) Show Hide
18 February
10
I can’t tell you how many times I’ve seen this movie! One of my favorites. Delights absolutely everything - music, cinematography, entourage, adored actors. Gary Oldman is the best Dracula, after this film I consider other versions of Dracula treason. What a beautiful Keanu Reeves! And Monica Bellucci's eyes off her! A restrained more
close
I can’t tell you how many times I’ve seen this movie! One of my favorites. Delights absolutely everything - music, cinematography, entourage, adored actors. Gary Oldman is the best Dracula, after this film I consider other versions of Dracula treason.
What a beautiful Keanu Reeves! And Monica Bellucci's eyes off her! A restrained Anthony Hopkins dilutes the tangle of passions. And what a beautiful eternal love, where Dracula himself appears as the "sacrificial lamb" of love and fate.

close
Inessa Olenskaya
1
30 August 2022
7
Vampires are boring. Francis Ford Coppola is a great director, and the film shows that. But all the talent of the director goes into the sand, because it is impossible to take vampires seriously in the XXI century. Maybe the movie would look like it if we saw the action through the eyes of the people of an era in which belief in vampires more
close
Vampires are boring. Francis Ford Coppola is a great director, and the film shows that. But all the talent of the director goes into the sand, because it is impossible to take vampires seriously in the XXI century. Maybe the movie would look like it if we saw the action through the eyes of the people of an era in which belief in vampires was commonplace. But there is no such presentation in the movies.

Visually, the film is close to a masterpiece. And very atmospheric. But there must be some content attached to the atmosphere and problems with it. Coppola said he wanted to shoot Stoker in a new way, like he had never done before. He mixed vampire obsession with eroticism and passion. The relevant scenes are staged with incredible skill. Plus, the director expanded the conflict, portraying love for a living corpse and fighting it in one head. He did this before vampire movies became teen-snotty. It turned out a rather strange thriller, destroying the canons of the genre and reminiscent of the author’s experiment. I must say that the action develops decently in the beginning and the final, but in the middle the script shows gaps. Renfield is only needed to advance the plot. Van Helsing begins to teleport in some way. He is suddenly transformed into a Catholic priest. Coppola said that this part of the film was inspired by The Exorcist, but the result was a discrepancy in the script. And then there is a feelingless vampire who feels love.

In terms of its own logic, the film is good. Gary Oldman embodied a half-demon creature well. But the young sensual vampire did worse. Winona Ryder gracefully showed the range of fortunes the director wanted. Coppola noted that he did not like the image of Van Helsing in the book, so he had to create it from scratch. But, unfortunately, the hero of Anthony Hopkins turned out to be somewhat undrawn. Little detail. Since the action takes place in Victorian England, the characters must have a British reprimand. The Americans had to portray the British. Keanu Reeves handled the worst of all with imitation of British pronunciation. His English spoils the atmosphere. Good thing he doesn't talk that much.

Generally speaking, the film doesn’t make any sense. Yes, love for something beautiful, then disgusting makes an impression. But empathizing with vampires or wrestlers does not work. I get 7 points for good visuals and stunningly stylized scenes.

close
openspaceman
1
16 December 2009
7
Late 19th century. Jonathan Harked (Keanu Reeves) to sell houses in London to a certain Count Dracula (Gary Oldman) goes far, to Transylvania. When the Count arrives, he shows little hospitality, and Jonathan has already decided that everything, the contract is signed, can go home, as Dracula offers him to stay more
close

Late 19th century. Jonathan Harked (Keanu Reeves) to sell houses in London to a certain Count Dracula (Gary Oldman) goes far, to Transylvania. When the Count arrives, he shows little hospitality, and Jonathan has already decided that everything, the contract is signed, can go home, as Dracula offers him to stay with him for a month. Or rather insists on it. Jonathan naturally could not refuse the Count and ... here it all begins the most interesting.

Many people think that comparing movies is silly, that each of them is different in its own way. I personally do not hold that view. I can compare, for example, such two different genres as comedy and drama, as action and melodrama, the genre does not matter to me. So now I’ll compare the action movie and the mystical thriller. Van Helsing and Dracula. Let me tell you right away that everything has to be in moderation. That’s the problem with both films. If "Van Helsing" is too militant, then "Dracula" is quite the opposite - too mystical, too absorbed in the thriller. In the beginning, I confess, I was delighted. Hero Keanu Reeves goes to Transylvania, comes, such an environment of wild horror, especially in the house of Dracula, the Count himself is very charismatic (not that from “Van Helsing”), but in the course of the film, frankly, I got bored. The course of the film did not change at all, Coppola both pulled his line from the very beginning of the film and pulled it to the end. There's not even a hint of action. Another thing I didn’t like was that Dracula was too romantic. Too much time is devoted to the love theme in the film, while in "Van Helsing" Graf appears before us a very harsh vampire.

Now the actors. From the title of both films, it is clear that Van Helsing soloed in Van Helsing, and Dracula in Dracula. But if Hugh Jackman wasn’t fish and meat in Van Helsing, then all the actors played very well. Even the same Van Helsing performed by the famous actor Anthony Hopkins. After the triumphant role in the film “Silence of the Lambs” on this image of him somehow look not very interesting, then on Gary Oldman in the role of Dracula, which, by and large, became his first famous role in the movie, to look very nice, despite the fact that he is Dracula. Very well conveyed the image of his character on the screen, of course, in some places replayed, in my opinion, especially in the image of a young Dracula, but still, even though I watched very few films about this character, I can say that this is one of the best Dracula in cinema. I also want to mention Keanu Reeves. Although he appeared for a couple of minutes and showed nothing special, but his character is very important for this film. With his help, the true character of the Count is very clearly revealed, and his gray hair, which looks very ridiculous on his young face, fully shows who Dracula really is.

All right. I liked it personally, but it was annoying again. If we finally compare the two films, Van Helsing and Dracula, we can say that the shortcomings of one film are the advantages of another, and vice versa. If you take all the best of these two films and put together, you get a masterpiece, but for now only good.

Original

close
Maksim
16 December 2009
7
Late 19th century. Jonathan Harked (Keanu Reeves) to sell houses in London to a certain Count Dracula (Gary Oldman) goes far, to Transylvania. When the Count arrives, he shows little hospitality, and Jonathan has already decided that everything, the contract is signed, can go home, as Dracula offers him to stay more
close

Late 19th century. Jonathan Harked (Keanu Reeves) to sell houses in London to a certain Count Dracula (Gary Oldman) goes far, to Transylvania. When the Count arrives, he shows little hospitality, and Jonathan has already decided that everything, the contract is signed, can go home, as Dracula offers him to stay with him for a month. Or rather insists on it. Jonathan naturally could not refuse the Count and ... here it all begins the most interesting.

Many people think that comparing movies is silly, that each of them is different in its own way. I personally do not hold that view. I can compare, for example, such two different genres as comedy and drama, as action and melodrama, the genre does not matter to me. So now I’ll compare the action movie and the mystical thriller. Van Helsing and Dracula. Let me tell you right away that everything has to be in moderation. That’s the problem with both films. If "Van Helsing" is too militant, then "Dracula" is quite the opposite - too mystical, too absorbed in the thriller. In the beginning, I confess, I was delighted. Hero Keanu Reeves goes to Transylvania, comes, such an environment of wild horror, especially in the house of Dracula, the Count himself is very charismatic (not that from “Van Helsing”), but in the course of the film, frankly, I got bored. The course of the film did not change at all, Coppola both pulled his line from the very beginning of the film and pulled it to the end. There's not even a hint of action. Another thing I didn’t like was that Dracula was too romantic. Too much time is devoted to the love theme in the film, while in "Van Helsing" Graf appears before us a very harsh vampire.

Now the actors. From the title of both films, it is clear that Van Helsing soloed in Van Helsing, and Dracula in Dracula. But if Hugh Jackman wasn’t fish and meat in Van Helsing, then all the actors played very well. Even the same Van Helsing performed by the famous actor Anthony Hopkins. After the triumphant role in the film “Silence of the Lambs” on this image of him somehow look not very interesting, then on Gary Oldman in the role of Dracula, which, by and large, became his first famous role in the movie, to look very nice, despite the fact that he is Dracula. Very well conveyed the image of his character on the screen, of course, in some places replayed, in my opinion, especially in the image of a young Dracula, but still, even though I watched very few films about this character, I can say that this is one of the best Dracula in cinema. I also want to mention Keanu Reeves. Although he appeared for a couple of minutes and showed nothing special, but his character is very important for this film. With his help, the true character of the Count is very clearly revealed, and his gray hair, which looks very ridiculous on his young face, fully shows who Dracula really is.

All right. I liked it personally, but it was annoying again. If we finally compare the two films, Van Helsing and Dracula, we can say that the shortcomings of one film are the advantages of another, and vice versa. If you take all the best of these two films and put together, you get a masterpiece, but for now only good.

Original

close
Maksim Efremov
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{?review_after_season
written after {review_after_season} season from {last_season}
} {text}
{review-source-link}
{title}{prty}
{title}
{film_role}
{title}
роль:
{film_role}
{title} {film_role}
{add_photo}
Add photo
{user_rate_text}
Rate or add to wish list
{rate}
{srate}
watched
rate it
 Just watched
  Add to folders
{folder} 
{folder} 
   
 Wish
 Exclude
 Don't want
 Watch
 Watch
{ncomments}
{date} {name} → {author_name} "{ytitle}"
{comment}
{replys_count}
{mdate}
{is_answer_to_date} {is_answer_to_subject}
{is_answer_to_text} {is_answer_to_id}
{from}
{to}
{body}{more}
{reply}
{replys_html}
{is_answer_to_text}
{subject}
{body}
{mdate}
{cdate} {subject}
{text}
This is a reply to Answerd Correspondence Reply
{uavatar} was {user_activity}

Spoiler alert!
{text}
{or}{title}
{title}
{title}
{title}
{name}
together with
reset
{title}, {year} {serial}
{user_link} rated at
{user_rate}
{review-text}
{rlikes}
{country}
{genre}
{films_director}
{expected_rate} {average}
average of
{true_nrates} rates
Just watched
Wish
Not interested
{title} {average}
{nobjects}
{title} ({nobjects})
{?created_date created} {created_date}{?last_addition_date , fulfilled } {last_addition_date}