Story is set in deep Russia, on a wild river in woods called "Ugrum-reka" - the Moody river. Son of a dishonest trader, Prohor Gromov wants to become his own man. He takes his fathers order and goes trough the woods to deliver the furs to the byer in the nearest town. He tries to take the shorter way and get`s lost. At the highest point of this, his fathers servant, Abdulla, who is sent with him to guard him almost shoots him driven by hunger, but comes to the senses and saves his life by continuing to go on.
Anatoly Ivanov Like no one else, he was able to create multifaceted works about Siberia, covering the fate of several generations. The film “Shadows disappear moreAnatoly Ivanov Like no one else, he was able to create multifaceted works about Siberia, covering the fate of several generations. The film “Shadows disappear at noon” is based on the novel of the same name by the writer.
The main characters of the picture are Konstantin Zhukov and Seraphim Klychkova, who, under false names, hope, as the heirs of rich families, to wait in the village of Zeleny Dol for the fall of Soviet power. But decades pass, and the new power only grows stronger. . .
The film was filmed: Peter Velyaminov Ivan Ryzhov. close
Vivo en Buenos Aires es un DVD (obviamos el comentario del CD, que contiene siete temas menos, por razones obvias) de interesantísima factura artística more
Vivo en Buenos Aires es un DVD (obviamos el comentario del CD, que contiene siete temas menos, por razones obvias) de interesantísima factura artística y que muestra cabalmente lo que ofrece Kevin Johansen en cada una de sus actuaciones, manteniendo el mismo espíritu incluso de aquellas series de actuaciones en lugares intimistas como Notorious hace ya casi una década. Una suerte de grandes éxitos en vivo que no admite demasiados reparos, más allá de las preferencias personales de cada uno (me anoto, total es gratis, con La procesión, Me fui pa'l Monte, No me abandones, Ni idea).
Kevin Johansen tiene, en The Nada, a un combo numeroso que no solamente patea hacia el mismo arco sino que, conscientes de sus bondades y limitaciones, se la pasan entre ellos; y encontró en Liniers a un aliado no forzado que ha sabido comprender (y reflejar) con certeza para qué lado queda el arco contrario.
Y todos disfrutan.
Arriba y debajo del escenario. close