The Metropolitan Opera performance of L'Elisir d'Amore is conducted by Nicola Rescigno and features Luciano Pavarotti in the title role. Donizetti's graceful melodies have long endeared his L'Elisir d'Amore to operatic audiences and performers alike. Judith Blegen, Louise Wohlafka, Luciano Pavarotti, Nicola Rescigno, Sesto Bruscantini.
Mozart's Marriage of Figaro is a comedy whose dark undertones explore the blurred boundaries between dying feudalism and emerging Enlightenment. Herman more
Mozart's Marriage of Figaro is a comedy whose dark undertones explore the blurred boundaries between dying feudalism and emerging Enlightenment. Herman Prey's Figaro is admirably sung in a firm baritone and aptly characterized. So too, is his antagonist, Dietrich Fischer-Dieskau as the Count perpetually frustrated by the scheming wiles of Figaro and Susanna, here the perky Mirella Freni, who sings and acts like a dream. The Countess is creamy-voiced Kiri Te Kanawa, and the Cherubino, Maria Ewing, looks just like the horny, teenaged page she's supposed to be. The all-star leads are complemented by worthy supporting singers, the Vienna Philharmonic at the top of its form, and the experienced Mozartian, Karl Böhm conducting a stylishly fleet performance. close
The court jester of the Duke of Mantua, Rigoletto, welcomes his lord’s dissolute lifestyle. He often incites the Duke to seduce one or another lady from more
The court jester of the Duke of Mantua, Rigoletto, welcomes his lord’s dissolute lifestyle. He often incites the Duke to seduce one or another lady from the retinue and delights in ridiculing cuckold husbands and deceived fathers. At the same time, he is the father of a charming young girl who hides in the house from depraved nobles. Rigoletto habitually mocks the Count of Monterone, whose daughter has been dishonored by the Duke, and the Count in a fit of grief and anger curses him.
In the film-opera “Rigoletto (1982)” based on the work of D. Verdi, filmed in the luxurious ducal palace of Mantua, the “golden tenor” is better than ever. Luciano Pavarotti He played the Duke. close
Based on Shakespeare's play, Verdi's opera depicts the devastating effects of jealousy, "...the green-eyed monster which doth mock the meat it feeds upon". more
Based on Shakespeare's play, Verdi's opera depicts the devastating effects of jealousy, "...the green-eyed monster which doth mock the meat it feeds upon". Believing Otello has promoted the fast-rising Cassio over himself, Iago plots to destroy both Cassio and Otello. Iago convinces the jealous Otello that his beautiful wife Desdemona is unfaithful, and that Cassio is her lover. Jealousy is followed by tragedy, then retribution, "Has Heaven no more thunderbolts?" close
This “Traviata” became one of the most succesful of all opera films, especially in France, where 800,000 Parisian cinemagoers flocked to it in the first more
This “Traviata” became one of the most succesful of all opera films, especially in France, where 800,000 Parisian cinemagoers flocked to it in the first six week. It was nominated for two Oscars (for production and costume design) and won BAFTAs in those two categories, as well as receiving BAFTA and Golden Globe nominations as 1983’s Best Foreign-Language Film. close
A hapless talent manager named Danny Rose, by helping a client, gets dragged into a love triangle involving the mob. His story is told in flashback, an more
A hapless talent manager named Danny Rose, by helping a client, gets dragged into a love triangle involving the mob. His story is told in flashback, an anecdote shared amongst a group of comedians over lunch at New York's Carnegie Deli. Rose's one-man talent agency represents countless incompetent entertainers, including a one-legged tap dancer, and one slightly talented one: washed-up lounge singer Lou Canova, whose career is on the rebound. close
