The wedding of Rita Polunina with Pavel Zakharkin is canceled due to the fact that her sister Svetlana gets into an accident and ends up in the hospital. To prevent the abyss of Svetlana’s life, Rita takes over the management of her veterinary clinic. Ritino is surprised when she discovers that the best specialist of the clinic is her sworn enemy and part-time longtime lover Fedor Kotov. Unable to find a common language many years after the breakup, Rita and Fedor begin an open war over the survival of each other from the clinic.
Three energetic friends of early retirement age - Zinaida, Lydia and Ekaterina - live with their adult children. Every day, the eternal “apartment question” more
Three energetic friends of early retirement age - Zinaida, Lydia and Ekaterina - live with their adult children. Every day, the eternal “apartment question” is intertwined for them with the same eternal theme of fathers and children. One day the ladies decide to leave and free the children from their society. The three of them go on a journey, at the end of which it becomes obvious: life when children grow up is not finished! close
To bother the girl, to fall in love with herself, and then at the altar, or rather, in the registry office, to inform that the groom is not a millionaire, more
To bother the girl, to fall in love with herself, and then at the altar, or rather, in the registry office, to inform that the groom is not a millionaire, but a beggar. An unusual bet, which concluded the main character of the comedy mini-series “How to divorce a millionaire”, promised great fun – a rich pamper of fate Kirill Toropov decided to have fun in this way.
He bet with friends that all five of his would-be brides would leave him at the registry office when they found out he was poor. Everything develops exactly as the hero of the picture “How to divorce a millionaire” and assumed, but suddenly there is a catch: the guy himself falls in love with Nina, the fifth bride. At the same time, she becomes aware of the bet... close
Is it possible to make a dizzying career in one day?! Ilya Petrovich Solomatin did it. And all because he is the full namesake of the ex-wife of the boss more
Is it possible to make a dizzying career in one day?! Ilya Petrovich Solomatin did it. And all because he is the full namesake of the ex-wife of the boss Irina. Only here the career becomes absolutely "absolutely unimportant" neither for Him, nor for Her, nor for the boy Vasya… close
In the film "Princess from Khrushchev" the main character, a simple girl Lisa (Evgenia Turkova), is arranged as a housekeeper to the respectable owner more
In the film "Princess from Khrushchev" the main character, a simple girl Lisa (Evgenia Turkova), is arranged as a housekeeper to the respectable owner of the popular glossy magazine "Cabriolet" Garika (Stanislav Bondarenko). He lives in an old house on the Arbat, in an apartment previously occupied by the now deceased father of the hero, a famous conductor.
Zhenya (Helena Panova), the half-sister of a businessman engaged in show business, is imbued with sympathy for heroin and decides to turn the poor girl into a “princess”, “secular lioness”, a rich heiress. To do this, however, it is necessary to teach Lisa good manners, competent speech, and in general to direct her “on the right path”.
After some preparation, Garika is introduced to the heiress of the millionaire Elizabeth. He does not immediately recognize his housekeeper in the secular beauty. Zhenya believes that if Garika managed to hold, then everyone else will never recognize the old simpleton in the new Lisa. But Garik firmly stands on his own - for decent clothes and competent speech, you can not hide the origin and lack of good manners. Literally in an hour of such communication, Lisa will betray herself and disgrace herself.
A year later, Garik meets Lisa again. By that time, the heroine of the lyrical melodrama “Princess of Khrushchev” entered the institute and was as far from the image that Zhenya invented for her as she was from herself at the very beginning of this story. close
Three generations of women live in the Moscow three-room apartment: grandmother Anna Vasilievna is a cheerful active woman of Soviet hardening, a clear more
Three generations of women live in the Moscow three-room apartment: grandmother Anna Vasilievna is a cheerful active woman of Soviet hardening, a clear leader in the family; Hope is a child of the “transition period”, a woman with a rich spiritual world, who unsuccessfully opposed Anna Vasilievna all her life; and Zhenka is a modern active girl gravitating towards feminism. For some reason, men in this family do not take root.
At the next appointment with the doctor Anna Vasilievna comes to the conclusion that she is terminally ill. Being sure that Nadezhda will disappear without her guardianship, Anna decides to transfer her daughter into the hands of her husband. And to entrust the choice of the chosen one to Hope itself is impossible. . . close