Mullah travels alone by boat from his home island to Mumbai to find his older brother, whose face he doesn’t even remember. The plot of the film is quite crumpled - the director from time to time turns to events that seem to have little to do with the search for his brother to add new unexpected details, and then returns to the plot
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Mullah travels alone by boat from his home island to Mumbai to find his older brother, whose face he doesn’t even remember. The plot of the film is quite crumpled - the director from time to time turns to events that seem to have little to do with the search for his brother to add new unexpected details, and then returns to the plot with searches, which with these new details loses its slimness and does not stick well with what was shown earlier. The characters of the film are emotionally and "gender-sensitive", with a significant focus on the topic of violence at the bottom of the Indian metropolis. There is bad directing - a set of overly emotional scenes, although it helps to reveal the image of the same older brother, but interferes with the understanding of the event series, not to mention the idea embedded in the film. At the end of the film, it is difficult to know who this girl with a beautiful face is.
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