“There is so much in me that I have to say. But it's all so huge. I can't tell you what's inside. Sometimes it seems to me that the whole world, all life, everything in the world has settled in me and demands: be our voice. I feel, oh, I don't know how to explain... I feel like it's huge, and I start talking, and it's childish. How difficult it is to convey a feeling, a feeling in such words, on paper or aloud, so that those who read or listen, feel or feel the same as you. This is a great challenge. Martin Eden as Jack London.
According to the vector of existentialism, cinema is sad and sad, but free contour of “timelessness” (here you can imagine 1935 and 1970 and 1960) – the same feeling of cinema in stylization as Bertolucci in “Twentieth Century”. The dramatic clothing of the cinema is preserved in the fact that one should not harbor illusions about the heights of success and fame, one should not be too arrogant and proud of a Man, and always look for a path that is not always straightforward and clear - in knowing oneself as a Personality. Chronicle inserts – anachronisms clearly affect memory. In music you know Prokofiev, and in the cinema, as in true art – Kira Muratova “Knowing the white light”, clothes, cars.Martin Eden, played by Luca Marinelli – really resembles the manner he played Vladimir Mayakovsky.
Italy is atmospheric, as the action of Marcello moved to Naples. Beautiful, stylish.
I have found that for psychotherapy there are four particular considerations: the inevitability of the death of each of us and those we love; the freedom to make our lives the way we want; our existential loneliness; and, finally, the absence of any unconditional and self-evident meaning of life.
Irwin Yalom
Treatment for Love and Other Psychotherapeutic Novels
A very well-designed movie. Elegant, slender compositionally, atmospheric and with a motivational border and strongly, with pressure - the characters are prescribed.
Very good movie. I recommend it. 👌
