The film raises the serious problem of wartime trauma, after which a woman is not something that can not give birth, bring a new life - she from somewhere deep inside resists this, despite the years of peace and tranquility of others, a living husband, even living still parents. The “healer” insists that Lume is obsessed, but the truth
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The film raises the serious problem of wartime trauma, after which a woman is not something that can not give birth, bring a new life - she from somewhere deep inside resists this, despite the years of peace and tranquility of others, a living husband, even living still parents. The “healer” insists that Lume is obsessed, but the truth is that she sees no guide in the world of the living (for this reason, her father calls her son-in-law a weakling), turning her gaze to memory, the past and the dead. Therefore, the joys and smiles of Lume are fleeting and immediately replaced by indelible sadness. The cure for which, perhaps, could be a child, but along this path, the woman who has invested all the rest of her love in the world of phantoms of the past, just does not want and cannot go. . .
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