I liked the idea to show the demand for such productions, games, and, as usual, this is in demand among people very wealthy. People do not understand each other and themselves, they can be carried away by the chimeras of feelings, and even here there is manipulation, on the one hand, kind of out of good intentions (to return the main
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I liked the idea to show the demand for such productions, games, and, as usual, this is in demand among people very wealthy. People do not understand each other and themselves, they can be carried away by the chimeras of feelings, and even here there is manipulation, on the one hand, kind of out of good intentions (to return the main character, to whom the director feels a sense of sympathy and gratitude, to his wife), on the other - from purely selfish (the director's love for the actress, which GG clearly was fond of not according to the script). And this kind of happy ending is not particularly convincing - just look at the face of the protagonist during the last dialogue with his wife and his behavior - he looks indifferently at the shawl that she dropped from the script, and is not going to pick it up. I watched with interest and pleasure, again it is impossible not to mention the beautiful Daniel Otoi and no less beautiful Fanny Ardan, at the end of a painfully sad happy ending.
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