They decided to call themselves Dolly and Kitty
All the men here are so lustful and greedy that some society/family/tradition becomes an absent object. In the film there is some group of radical advocates of tradition, which fights against the corrupting influence of the West in the form of inflatable hearts, modern club music, sex on the phone and modern art in the form of huge female organs (all this is served in one bottle on the side of the “good”, so if you are for inflatable hearts, you can not be against organs), but this group includes the same greedy and lustful men (for lack of others, apparently).
Now, women, especially Kitty, who at first is empathetic (she is poor, from the provinces, she has nowhere to sleep - a typical Indian movie image that will turn out to be a trick here), look at all these men and eventually come to the conclusion that the most important thing in life is their own desires. Women essentially copy men (losing something purely feminine) and become greedy and lustful. Infidelity, broken families, sent away parents are presented in the film as wonderfully joyful as liberation from a heavy burden. Everyone in this movie is selfish. “People in today’s world feel lonely,” Kitty says with sad eyes, knowing that being alone will help her career. Destroying multiple families in which a husband or wife would choose to have sex on the phone instead of talking to a loved one.
3 out of 10
Original