In the center of the film is nurse Yoon-yeon from the private clinic of St. Mary in Seoul. The film begins with a scandal - in the X-ray office, someone took a picture at the most compromising moment of a "passionate date" of a couple. After that, after a few days, no one came to work – except for Yoon-yeon and the director of the clinic, Lee Kyung-jin (actress Moon So-ri, known, for example, for the film “Oasis”). And the patients in the clinic are not particularly visible. But the earthquakes began – but small, local, after which holes form in the ground with a radius somewhere the size of a car, but terribly deep, maybe even bottomless.
Such a composition of the film speaks of the deliberate narrowing of the viewer’s attention from the public to the personal, switching his gaze from global catastrophes to personal ones, the depth of which, when viewed from the outside, is often underestimated. So much of the film focuses on Yoon-yeon’s relationship with her boyfriend Sung-won, as well as her collaboration with Director Lee.
Slow storytelling without any significant plot twists and turns with a small number of characters is designed to reveal the topic of trust between people, which should be approached slowly and without excessive glance from the outside. It's just Maggie's fish jumping desperately just before another earthquake - and people can kick for no reason. But still, they need to be trusted, Yun-yeon decided for herself, and her example will be to teach the trust of those viewers who will not turn off the film after realizing that this movie is not at all about a scandal in the X-ray office.