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Five stories are woven into a rather absurd whirlpool of events. A young man, dancing with sheets and a variety of household appliances, is trying to arrange a metamorphosis of his life. In his transformation of the world, he is somewhat like a rooster from the second story, but the endings in situations are too different. From the third film, we learn that there is no need to transform anything when everything is already inclusive. The fourth film offers a real camel to prove that he is not a traitor,
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